Mark Dagley: Shaped Canvas, Selections from 1987
Published on the occasion of Mark Dagley’s solo exhibition Shaped Canvas, Selections from 1987 at MINUS SPACE, 2008.
Texts by Matthew Deleget, Nora Griffin
Interview with Mark Dagley by Don Voisine
Published by MINUS SPACE & Abaton Book Company, 2008
20p, color, softcover, 8.5 x 9 inches
ISBN: 0-9677326-9-7
Biography
Mark Dagley (b. 1957, Washington, DC) has exhibited his work internationally for the past three decades, including in North America, Europe, and Australasia. During the 1980s, he was active in the East Village abstract painting scene and showed alongside other pioneering abstract painters, including Barry X Ball, Max Gimblett, Olivier Mosset, James Nares, Stephen Parrino, Li Trincere, and Alan Uglow, among many others. Dagley’s work was included in the groundbreaking group exhibition Post-Hypnotic, which traveled throughout the United States from 1999-2001. His work Concentric Sequence (1996) was featured on the cover of the exhibition catalog.
During his career, Dagley has worked with a number of influential galleries worldwide, including Tony Shafrazi Gallery (NYC), Galerie Hans Strelow (Dusseldorf, Germany), Galeria Mar Estrada (Madrid, Spain), and Galerie Swart (Amsterdam, The Netherlands). More recently he has exhibited his work at Anna Kustera Gallery (NYC), Panepinto Galleries (Jersey City, NJ), The Shore Institute of the Contemporary Arts (Long Branch, NJ), Jersey City Museum (Jersey City, NJ), The Suburban (Chicago, IL), Daniel Weinberg Gallery (Los Angeles, CA), Instituto de Artes Graficas (Oaxaca, Mexico), ParisCONCRET (Paris, France), Galeria Leyendecker (Santa Cruz de Tenerife, Spain), and Musee des beaux-arts de La Chaux-de-Fonds (La Chaux-de-Fonds, Switzerland).
Dagley is a member of American Abstract Artists and his work has been reviewed in publications, such as Artforum, Art in America, Flash Art International, The Brooklyn Rail, Artnet Magazine, and Time Out New York. His work is included in the collections of The Broad Art Foundation, Museo Nacional Centro de Arte Reina Sofia, Musee des beaux-arts de La Chaux-de-Fonds, Kunstmuseum St. Gallen, Swiss Credit Union, Foundation Prini, Hoffman/LaRoche, Henkel GmbH, EMI Madrid, Bloomingdale’s Corporation, and the University of Michigan Museums of Art.
Published on the occasion of Mark Dagley’s solo exhibition Shaped Canvas, Selections from 1987 at MINUS SPACE, 2008.
Texts by Matthew Deleget, Nora Griffin
Interview with Mark Dagley by Don Voisine
Published by MINUS SPACE & Abaton Book Company, 2008
20p, color, softcover, 8.5 x 9 inches
ISBN: 0-9677326-9-7
Biography
Mark Dagley (b. 1957, Washington, DC) has exhibited his work internationally for the past three decades, including in North America, Europe, and Australasia. During the 1980s, he was active in the East Village abstract painting scene and showed alongside other pioneering abstract painters, including Barry X Ball, Max Gimblett, Olivier Mosset, James Nares, Stephen Parrino, Li Trincere, and Alan Uglow, among many others. Dagley’s work was included in the groundbreaking group exhibition Post-Hypnotic, which traveled throughout the United States from 1999-2001. His work Concentric Sequence (1996) was featured on the cover of the exhibition catalog.
During his career, Dagley has worked with a number of influential galleries worldwide, including Tony Shafrazi Gallery (NYC), Galerie Hans Strelow (Dusseldorf, Germany), Galeria Mar Estrada (Madrid, Spain), and Galerie Swart (Amsterdam, The Netherlands). More recently he has exhibited his work at Anna Kustera Gallery (NYC), Panepinto Galleries (Jersey City, NJ), The Shore Institute of the Contemporary Arts (Long Branch, NJ), Jersey City Museum (Jersey City, NJ), The Suburban (Chicago, IL), Daniel Weinberg Gallery (Los Angeles, CA), Instituto de Artes Graficas (Oaxaca, Mexico), ParisCONCRET (Paris, France), Galeria Leyendecker (Santa Cruz de Tenerife, Spain), and Musee des beaux-arts de La Chaux-de-Fonds (La Chaux-de-Fonds, Switzerland).
Dagley is a member of American Abstract Artists and his work has been reviewed in publications, such as Artforum, Art in America, Flash Art International, The Brooklyn Rail, Artnet Magazine, and Time Out New York. His work is included in the collections of The Broad Art Foundation, Museo Nacional Centro de Arte Reina Sofia, Musee des beaux-arts de La Chaux-de-Fonds, Kunstmuseum St. Gallen, Swiss Credit Union, Foundation Prini, Hoffman/LaRoche, Henkel GmbH, EMI Madrid, Bloomingdale’s Corporation, and the University of Michigan Museums of Art.
Published on the occasion of Mark Dagley’s solo exhibition Shaped Canvas, Selections from 1987 at MINUS SPACE, 2008.
Texts by Matthew Deleget, Nora Griffin
Interview with Mark Dagley by Don Voisine
Published by MINUS SPACE & Abaton Book Company, 2008
20p, color, softcover, 8.5 x 9 inches
ISBN: 0-9677326-9-7
Biography
Mark Dagley (b. 1957, Washington, DC) has exhibited his work internationally for the past three decades, including in North America, Europe, and Australasia. During the 1980s, he was active in the East Village abstract painting scene and showed alongside other pioneering abstract painters, including Barry X Ball, Max Gimblett, Olivier Mosset, James Nares, Stephen Parrino, Li Trincere, and Alan Uglow, among many others. Dagley’s work was included in the groundbreaking group exhibition Post-Hypnotic, which traveled throughout the United States from 1999-2001. His work Concentric Sequence (1996) was featured on the cover of the exhibition catalog.
During his career, Dagley has worked with a number of influential galleries worldwide, including Tony Shafrazi Gallery (NYC), Galerie Hans Strelow (Dusseldorf, Germany), Galeria Mar Estrada (Madrid, Spain), and Galerie Swart (Amsterdam, The Netherlands). More recently he has exhibited his work at Anna Kustera Gallery (NYC), Panepinto Galleries (Jersey City, NJ), The Shore Institute of the Contemporary Arts (Long Branch, NJ), Jersey City Museum (Jersey City, NJ), The Suburban (Chicago, IL), Daniel Weinberg Gallery (Los Angeles, CA), Instituto de Artes Graficas (Oaxaca, Mexico), ParisCONCRET (Paris, France), Galeria Leyendecker (Santa Cruz de Tenerife, Spain), and Musee des beaux-arts de La Chaux-de-Fonds (La Chaux-de-Fonds, Switzerland).
Dagley is a member of American Abstract Artists and his work has been reviewed in publications, such as Artforum, Art in America, Flash Art International, The Brooklyn Rail, Artnet Magazine, and Time Out New York. His work is included in the collections of The Broad Art Foundation, Museo Nacional Centro de Arte Reina Sofia, Musee des beaux-arts de La Chaux-de-Fonds, Kunstmuseum St. Gallen, Swiss Credit Union, Foundation Prini, Hoffman/LaRoche, Henkel GmbH, EMI Madrid, Bloomingdale’s Corporation, and the University of Michigan Museums of Art.