Otto Piene: Light Ballet and Fire Paintings, 1960-1967, Sperone Westwater Gallery, New York, NY

sperone-piene

Installation view April 6 – May 22, 2010 Sperone Westwater is pleased to present a solo exhibition of Otto Piene’s historical Light Ballet sculptures and Fire Paintings from 1960 to 1967. Piene created these works during the prime years of the ZERO movement, which he founded with artist Heinz Mack (and later Günther Uecker) in Düsseldorf in 1957. Reacting to the personally charged post-war expressionism in Germany, the ZERO group banished psychological expression in their […]

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Op Out of Ohio: Anonima Group, Richard Anuszkiewicz, & Julian Stanczak in the 1960s, D. Wigmore Fine Art, New York, NY

dwigmore-opart

Julian Stanczak, Untitled #15, 1969 Acrylic on panel, 24 x 24 inches April 15 – July 9, 2010 D. Wigmore announces the exhibition with catalogue, Op Out of Ohio: Anonima Group, Richard Anuszkiewicz, and Julian Stanczak in the 1960s. The exhibition will feature over 30 paintings from 1959 to 1970 by Richard Anuszkiewicz (b.1930), Julian Stanczak (b.1928), and the three artists of the Anonima Group: Ernst Benkert (b.1928), Francis Hewitt (1936-1992), and Ed Mieczkowski (b.1929). […]

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Classical: Modern II — Abstraction, Informel, Stuttgart & Karlsruhe Painting School, Daimler Contemporary, Berlin, Germany

    Domnick Foundation in the Staatsgalerie Stuttgart, 1952 March 7 — June 1, 2008 The Daimler Collection is pleased to announce the exhibition “Classical Modern II” at Daimler Contemporary, Haus Huth, Potsdamer Platz in Berlin. The “Classical : Modern I” exhibition, 2006, largely presented concrete and constructive tendencies in the Daimler Collection from Classical Modernism up to the post-war art period, while the second part of the series intends to introduce the complementary areas […]

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Hartmut Böhm interview with Matthew Deleget

Hartmut Bohm interview with Matthew Deleget, MINUS SPACE

Hartmut Böhm, Quadratrelief 32, 1968 Plexiglas, 127 x 127 x 5.5 cm Peter C. Ruppert Collection Museum im Kultur-speicher, Würzburg, Germany The following interview was published on MINUS SPACE in February 2004 in conjunction with Hartmut Böhm’s spotlight exhibition. Matthew Deleget: I would like to begin our interview – your first published in English – with a brief discussion of the art climate in Germany directly following World War II. You were born in Kassel, […]

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