Kris Scheifele, Window Contortion, 2010 Acrylic paint and acetate 41 x 18 x 3 inches February 18 – March 20, 2011 My most recent project is a series entitled The Contortions. Each piece is made entirely of layer upon layer of acrylic paint. The paint is applied methodically to a wooden panel support until it reaches a thickness of up to a half-inch. Then, it is pulled up from the support and cut with a […]
Kazimir Malevich, Painterly Realism of a Football Player—Color Masses in the Fourth Dimension, 1915 Oil on canvas 26 x 17 inches March 2 – April 30, 2011 I have transformed myself into the zero of form and dragged myself out of the rubbish-filled pool of Academic Art. I have destroyed the ring of the horizon and escaped from the circle of things, from the horizon-ring which confines the artist and the forms of nature. –Kazimir […]
The third volume in Ridinghouse’s series of anthologies on the central figures of Minimalism, About Robert Ryman offers a crucial look at the artist. The book charts the gradual evolution of the reception of and reaction to Ryman’s art. Texts include critical responses from his very first solo exhibition to present. A comprehensive selection of over 60 essays and exhibition reviews has been collated into one volume, including texts by some of the most influential art historians and critics. This […]
MINUS SPACE is pleased to present an exhibition of new work by New York artist Linda Francis. Francis will show a single painting conceived in three parts for the project space.
The following interview was published on MINUS SPACE in December 2004 in conjunction with Linda Francis’ spotlight exhibition. Matthew Deleget: I would like to begin our interview with a brief discussion of your background. You were born and raised in New York City (The Bronx). What was you first contact with the arts? Was visual art something that was understood and supported? Linda Francis: At the time, one could get a decent education […]