Cris Gianakos in Primary Sources: Documenting SVA and the New York Art World 1966-1985, SVA Chelsea Gallery, New York, NY

Cris Gianakos, Elevated Plane with Ramp, 1977/2013, Steel, 4 5/8" high x 30" wide x 58" long

School of Visual Arts presents “Primary Sources: Documenting SVA and the New York Art World, 1966 – 1985,” a survey of the myriad new ways of making and experiencing art that found a home at the College over two decades. The exhibition brings together publications, posters and press materials, artist correspondence, installation plans and photographs, and other rarely seen documents.

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Julian Pretto Gallery

Installation view of Julian Pretto Gallery, MINUS SPACE, Brooklyn, NY, 2013 (l to r: Steven Steinman, Stephen Rosenthal, Roberta Allen, Phil Sims, Rosemarie Castoro, Olivier Mosset, Sol Lewitt, Li Trincere, DM Simons, Cris Gianakos, Carl Andre, Peter Downsbrough, Marcia Hafif, Antonella Piemontese; Suspended from ceiling: Robert Barry)

September 6 - October 26, 2013

MINUS SPACE is delighted to present the survey exhibition Julian Pretto Gallery. Organized in collaboration with artist John Zinsser, this is the first exhibition to examine the history and legacy of gallerist Julian Pretto (1945-1995) and his fabled downtown New York galleries, active during the mid-1970s through the mid-1990s.

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Artists at Max’s Kansas City, 1965-1974: Hetero-Holics and Some Women Too, Loretta Howard Gallery, New York, NY

lorettahoward-maxs

Installation view September 10 – October 30, 2010 As the Cedar Tavern played a role in the formation of abstract expressionism, Max’s Kansas City galvanized a younger generation of artists from when it opened in 1965 to when it closed its doors in 1974. This exhibition will feature the amazing diversity of artists from every major reference point in the New York art world of the period: Abstract Expressionism, Color Field, Pop Art, Minimalism, Conceptual […]

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Punk Noise & Paint, Interview with Mark Dagley, by Don Voisine

Abstract artist and musician Mark Dagley has been working in New York and Europe for over twenty-five years. Drawing from various postwar art movements and developments: Op Art, Washington Color School, Monochrome Painting, as well as European modes of art making, such as Support/Surface and Radical Painting, Mark has created a diffuse, yet particularly American body of work. Last spring Mark retrieved a group of paintings he had in storage at his parents’ home in […]

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Conceptual Photography: 1964-1989, Zwirner & Wirth, New York, NY

  Guiseppe Penone, To Reverse One’s Eyes, 1970 Black & white photograph, 11.5 x 15.5 inches May 9 — June 23, 2007 Zwirner & Wirth presents an exhibition of American and European conceptual photography drawn from a private collection. Spanning the years 1964-1989, the collection, which has been amassed over the last three decades, includes key examples of photo-based conceptual art by artists such as Vito Acconci, Giovanni Anselmo, John Baldessari, Bernd & Hilla Becher, […]

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