The Kaleidoscopic Turn brings together works by artists working with colour, light, sound, movement and space. Drawn from the collection of the National Gallery of Victoria, Melbourne, and featuring a number of recent acquisitions, The Kaleidoscopic Turn resonates with references to various artistic legacies of the 20th century from Op art to colourfield painting, offering a range of multi-sensory experiences including immersive installations, kinetic sculptures, video art, works on paper and painting in its diverse and expanded forms.
Buzz, Curated by Vik Muniz, Galeria Nara Roesler, Sao Paolo, Brazil
Featuring Mark Dagley, Gabriele Evertz, Michelle Grabner & Gilbert Hsiao
"I was aware of op as a historical movement of course; I was an art history major at Columbia before deciding to move into fine art. And op is one of the most distinguishable styles out there."
A key figure of the Paris avant-garde in the 1950s and ’60s, Jesús Soto (1923–2005) is widely recognized for his groundbreaking innovations in color theory, serial composition, and movement in art. Less well-known is the wide range of styles and mediums that he explored early on. Drawing inspiration from optics and serial music, Soto employed repeating geometric forms and superimposed surfaces to convey a sense of physical displacement.
Work by László Ottó February 18 – March 26, 2011 dr. julius | ap is pleased to present “Bilder des Anfangs” [Images of the Beginning] by Hungarian artist László Ottó, an exihibition which features recent paintings made from various shades of black pigment. The artist writes: “As a European my work is western, but at the same time I am consciously relating to East thought. Existential questions of life and death are the subject of […]
Geraldo de Barros, Pampulha, Sao Paulo, Brazil, [From the Series Fotoforma], 1949 Silver gelatin, 29 x 28 cm Edition 5 of 15, Print 2006 September 8 – October 6, 2010 Austin/Desmond Fine Art, London is delighted to present Abstraction-Creation, an exhibition uniting twenty-nine abstract artists from South America and Europe. The title Abstraction-Creation refers to the European abstract art movement of the same name founded by Theo van Doesburg in Paris in 1931. This somewhat loose […]
March 30 – May 29, 2010 The Mayor Gallery is hosting an exhibition of works by Argentinean born artist Luis Tomasello, with his first solo exhibition in the UK. Tomasello, a leading representative of Latin American Kinetic art, worked extensively in Paris from the late 1950s onwards exhibiting with Galerie Denise René, alongside Victor Vasarely and Jesús Rafael Soto. Born in La Plata in 1915, Tomasello studied at the Academy of Fine Arts in Buenos Aires, […]
Vasarely Museum (no web site) February 11 – April 26, 2008 Atelier OSAS Participating Artists: Tibor Gayor, Istvan Haasz, Istvan Haraszty, Katalin Hetey, Tamas Konok, Dora Maurer, Vera Molnar, Istvan Nadler & Judith Nemes. For more information about OSAS / Open Structures Art Society. A Bit of America Participating Artists: Robert Barry, Max Cole, Sol Lewitt, Robert Mangold, David Rabinowitch, James Reineking, Ed Ruscha, Richard Serra, Phil Sims, Roy Thurston, Shawn Wallis & Jerry Zeniuk.
Erwin Redl, Matrix XV, 2007 LED Installation with fiber-optics, 30 x 30 feet January 24, 2008 — October 2009 Sensory Overload tracks the development of Kinetic and Op art, whose optical stimulation and interactivity introduced new dimensions to art. Stanley Landsman’s Walk-In Infinity Chamber (1968), which has not been on view for nearly fifteen years, together with Erwin Redl’s dramatic Matrix XV (2007), a 25 x 50 foot LED installation, punctuate this extraordinary […]
Victor Vasarely, Teke, 1956-60 $348,000, Christie’s New York, May 17, 2007 “In 1965, following his starring role in the Museum of Modern Art’s now-famous The Responsive Eye exhibition, Hungarian artist and Op Art inventor Victor Vasarely (1906–1996) became an international art superstar. For the next 15 years, the public’s appetite for Vasarely’s dizzying designs seemed insatiable. In an effort to meet demand, as well as to bring his art to the masses, he maintained […]
September 2007 - January 2010 [on long term view]
St. Mary’s College of Maryland has a remarkable art collection. I first learned this when I visited the college last spring to finalize details for Machine Learning, an exhibition I planned to curate at Boyden Gallery in the fall. The college’s collection was built in a unique way with a kind of do-it-yourself spirit. The collection was mainly formed through the maverick efforts of its faculty, who quite literally drove a truck up to places like to New York City, loaded it up with art purchased from artists’ studios and sympathetic galleries, and brought it back to the college. The faculty’s aspiration in all of this was to create a teaching collection.
Alexander Liberman, Omega IX, 1961 March 8 — April 28, 2007 In addition to being the Year of the Pig, it also appears to be the year of Op Art. Another great survey exhibition including Yaacov Agam, Josef Albers, Richard Anuszkiewicz, Hannes Beckmann, Fletcher Benton, Karl Benjamin, Francis Celentano, Tony Conrad, Carlos Cruz-Diez, Benjamin Cunningham, Gene Davis, Jose de Rivera, Julio Le Parc, Leroy Lamis, Alexander Liberman, François Morellet, Kenneth Noland, Larry Poons, Bridget […]
Gilbert Hsiao, Encounter, 2006 Sprayed acrylic on wood panel, 42 x 42 inches Gabriele Evertz, Motion Parallax, 1998 Acrylic on canvas, 72 x 72 inches March 8 — April 14, 2007 Curated by Robert C. Morgan, exhibition includes Bridget Riley, Richard Anuszkiewicz, Julian Stanczak, Victor Vasarely, Josef Albers, Sandford Wurmfeld, Robert Swain, Gabriele Evertz, Rakuko Natio, Gilbert Hsiao, Soon Ja Han, Jon Groom, Beverly Fishman, Ryszard Wasko, and Michelle Hinebrook. Curated by Robert […]