Eye to Eye: Joseph Marioni at the Phillips, The Phillips Collection, Washington, DC

marioni-blue-painting

Organized as part of The Phillips Collection’s 90th anniversary, Eye to Eye features a group of paintings by modern American artist Joseph Marioni in the context of the museum permanent collection.

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New American Abstraction: 1960-1975, Gary Snyder Gallery, New York, NY

  Installation view November 8 – December 20, 2008 Participating artists: Richard Anuszkiewicz, Karl Benjamin, Leon Berkowitz, Ilya Bolotowsky, Hilton Brown, Lawrence Calcagno, Clarence Carter, Francis Celentano, Roy Colmer, Gene Davis, Thomas Downing, Paul Feeley, Frederick Hammersley, Ward Jackson, Tadaaki Kuwayama, Lyman Kipp, Beatrice Mandelman, Howard Mehring, Rakuko Naito, Ray Parker, Milton Resnick, Max Schnitzler, Vivian Springford, Albert Stadler, Sidney Wolfson, Jack Youngerman

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Punk Noise & Paint, Interview with Mark Dagley, by Don Voisine

Abstract artist and musician Mark Dagley has been working in New York and Europe for over twenty-five years. Drawing from various postwar art movements and developments: Op Art, Washington Color School, Monochrome Painting, as well as European modes of art making, such as Support/Surface and Radical Painting, Mark has created a diffuse, yet particularly American body of work. Last spring Mark retrieved a group of paintings he had in storage at his parents’ home in […]

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Thomas Downing: Washington Color School Painter, Gary Snyder ProjectSpace, New York, NY

  Thomas Downing, Fahrenheit, c. 1961 Acrylic on canvas, 901⁄2 x 87 inches October 4 — December 1, 2007 Gary Snyder’s first year of programming will focus on Hard-Edge Abstraction circa 1955–1975. The first show features Thomas Downing (1928–1985), who with Kenneth Noland and Gene Davis established a “Washington School” known for combining the influence of Morris Louis’s staining of unprimed canvas with a new interest in geometry. Downing was in many of the seminal […]

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