School of Visual Arts presents “Primary Sources: Documenting SVA and the New York Art World, 1966 – 1985,” a survey of the myriad new ways of making and experiencing art that found a home at the College over two decades. The exhibition brings together publications, posters and press materials, artist correspondence, installation plans and photographs, and other rarely seen documents.
Peter Soriano, Other Side #81 (AMDI), 2010 Steel Cable, aluminum pipe, and spray paint Dimensions variable September 24 – Saturday, November 6, 2010 I am drawn to that polarity between movement and stasis. I think I needed to rid myself of making forms to get closer to this situation between the spatial and the planar, the sculptural and the drawn, between the decision and the doubt. I am looking for a transparency between thought and […]
Kate Shepherd, Marigold, 2009 A Summer of Modern Art at The Phillips Collection This summer, The Phillips Collection presents Robert Ryman: Variations and Improvisations, the celebrated artist’s first major exhibition in Washington, featuring rarely seen white-on-white paintings; Pousette-Dart: Predominantly White Paintings, an exhibition of luminous, poetic works created nearly without paint; and the latest project in the Intersections contemporary art series, in which Kate Shepherd incorporates her paintings and sculptures to create an immersive environment in […]
Tim Rollins and K.O.S., Invisible Man (after Ralph Ellison), 2008 Matte acrylic and book pages on canvas, 72 x 72 inches For their first exhibition at Lehmann Maupin Gallery’s Chelsea location (540 West 26th Street), Tim Rollins and K.O.S. will present a new body of work inspired by the words of Rev. Martin Luther King, Jr., Harriet Jacobs, Langston Hughes, Ralph Ellison and Malcolm X. Spanning more than two decades, the collaboration of Tim Rollins […]