Abstract artist and musician Mark Dagley has been working in New York and Europe for over twenty-five years. Drawing from various postwar art movements and developments: Op Art, Washington Color School, Monochrome Painting, as well as European modes of art making, such as Support/Surface and Radical Painting, Mark has created a diffuse, yet particularly American body of work. Last spring Mark retrieved a group of paintings he had in storage at his parents’ home in […]
September 2007 - January 2010 [on long term view]
St. Mary’s College of Maryland has a remarkable art collection. I first learned this when I visited the college last spring to finalize details for Machine Learning, an exhibition I planned to curate at Boyden Gallery in the fall. The college’s collection was built in a unique way with a kind of do-it-yourself spirit. The collection was mainly formed through the maverick efforts of its faculty, who quite literally drove a truck up to places like to New York City, loaded it up with art purchased from artists’ studios and sympathetic galleries, and brought it back to the college. The faculty’s aspiration in all of this was to create a teaching collection.