VIEWLIST: Hunter, Color, Abstraction, Conceived by Matthew Deleget

Sanford Wurmfeld, Installation view of Cyclorama, Talbot Rice Gallery, University of Edinburgh, Scotland, 2004

Our fourth VIEWLIST exhibition is conceived by artist and MINUS SPACE director Matthew Deleget.

Ever since I was a graduate student at Pratt Institute in Brooklyn in the mid-1990s, I've been thinking about another art school on the other side of the East River: Hunter College. Since at least the 1950s, Hunter has been and continues to be one of the leading champions of color and abstraction, not to mention painting, among art schools in the United States. Hunter remains a beacon in today's post-everything art world.

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Recent Brooklyn Rail Posts

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  Ad Reinhardt, Drawing, 1946 December 2008 / January 2009 Reply to Irving Sandler, by Michael Corris Katia Santibañez: New Work, by Phong Bui Ad Reinhardt’s Emblematic Drawings In Their Moment, by Joseph Masheck Tibor Freund: Motion in Paintings, by Craig Olson   Mary Heilmann: To Be Someone, by Anne Byrd Ronald Bladen: Sculpture of the 1960s and 70s, by Ben La Rocco   November 2008 Re: Michael Corris In Conversation with Joan Waltemath on […]

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Studio Show 2006, David Reed Studio, New York, NY

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Guy Goodwin installation view June 16-24, 2006 When Guy Goodwin re-stretched his painting C-Swing (1974) at my studio earlier this year it looked so good, that we decided to have a little show of his work. In the office, to keep his paintings company, Ulrike Müller has installed my collection of question mark paintings, and Dean Daderko has selected an illustrious group of lunch guests. Please join us for an opening reception on Friday, June […]

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Interview with Linda Francis, by Matthew Deleget

The following interview was published on MINUS SPACE in December 2004 in conjunction with Linda Francis’ spotlight exhibition.   Matthew Deleget: I would like to begin our interview with a brief discussion of your background. You were born and raised in New York City (The Bronx). What was you first contact with the arts? Was visual art something that was understood and supported?   Linda Francis: At the time, one could get a decent education […]

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