David Thomas’ paintings, photopaintings and painting/installations address issues of complexity, perception, being amid time and space through the use of duration and a composite formal language that employ monochromes and painted reflective surfaces.
Don Voisine, Seven-Zip, 2009 Oil on wood, 30 x 22 inches November 4 – December 23, 2009 Gregory Lind Gallery presents a series of oil paintings on wood by New York artist Don Voisine, whose work is defined by its exceptional nuance, sophistication, and reductive visual aesthetic. Distinctively architectural in style, Voisine’s pieces consist of central expanses of overlapping rectangles or squares painted in black and set against white fields. These hard-edged forms are bordered […]
May 8-29, 2009
RMIT University School of Art and Sydney Non Objective present contemporary non-objective practice from MINUS SPACE New York. A survey of reductive strategies by artists living in and around New York City. Presenting a single work from each artist, as well as an open letter to the artist community affiliated with RMIT Non Objective.