VIEWLIST: Hunter, Color, Abstraction, Conceived by Matthew Deleget

Sanford Wurmfeld, Installation view of Cyclorama, Talbot Rice Gallery, University of Edinburgh, Scotland, 2004

Our fourth VIEWLIST exhibition is conceived by artist and MINUS SPACE director Matthew Deleget.

Ever since I was a graduate student at Pratt Institute in Brooklyn in the mid-1990s, I've been thinking about another art school on the other side of the East River: Hunter College. Since at least the 1950s, Hunter has been and continues to be one of the leading champions of color and abstraction, not to mention painting, among art schools in the United States. Hunter remains a beacon in today's post-everything art world.

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New American Abstraction: 1960-1975, Gary Snyder Gallery, New York, NY

  Installation view November 8 – December 20, 2008 Participating artists: Richard Anuszkiewicz, Karl Benjamin, Leon Berkowitz, Ilya Bolotowsky, Hilton Brown, Lawrence Calcagno, Clarence Carter, Francis Celentano, Roy Colmer, Gene Davis, Thomas Downing, Paul Feeley, Frederick Hammersley, Ward Jackson, Tadaaki Kuwayama, Lyman Kipp, Beatrice Mandelman, Howard Mehring, Rakuko Naito, Ray Parker, Milton Resnick, Max Schnitzler, Vivian Springford, Albert Stadler, Sidney Wolfson, Jack Youngerman

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Interview with Linda Francis, by Matthew Deleget

The following interview was published on MINUS SPACE in December 2004 in conjunction with Linda Francis’ spotlight exhibition.   Matthew Deleget: I would like to begin our interview with a brief discussion of your background. You were born and raised in New York City (The Bronx). What was you first contact with the arts? Was visual art something that was understood and supported?   Linda Francis: At the time, one could get a decent education […]

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