Recent Brooklyn Rail Posts

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  Piero Manzoni, Achrome, 1961-62 Artificial fiber, 24 3/16 × 18 1/8 inches Photo Archivio Opera Piero Manzoni Courtesy Gagosian Gallery March 2009 The Last Breath of Piero Manzoni, by Robert C. Morgan Chris Martin: Works on Paper at Mitchell-Innes & Nash, by John Yau Imi Knoebel at Mary Boone Gallery, by John Yau Philip Guston: 1954-1958 at L&M Arts, by John Yau The Art World on Facebook: A Primer, by Sharon L. Butler   […]

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Nora Griffin: Girl and a Gun, Abaton Garage, Jersey City, NJ

  September 7 — October 2, 2008 Abaton Garage presents Girl and a Gun, an exhibition of recent constructions, paintings and works on paper by New York artist Nora Griffin. This is the artist’s first commercial solo exhibition. Nora Griffin draws on an array of diverse sources, including film theory, constructivist art, the late works of Philip Guston and the unruly colored frame paintings of Howard Hodgkin. Working with a variety of mediums, she creates […]

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Recent Brooklyn Rail Posts

  July 2008 Meeting Imi and Blinky at Dia: Beacon, by Sharon Butler  Philip Guston Works on Paper, by John Yau   June 2008  David Novros with Phong Bui, by Phong Bui  Wynn Kramarsky with William Corbett, by William Corbett  Tribute to Robert Rauschenberg (1925–2008), by Dorothea Rockburne & Nan Rosenthal  Mel Bochner, by David Markus  Milton Resnick: A Question of Seeing, by Thomas Micchelli  Weltanschauung and Abstract Painting, by Robert C. Morgan  Rebecca Horn: […]

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Terry Winters at Matthew Marks Gallery, by Michael Brennan

Let’s begin by dropping some stock material. Abandoning, for a moment, dystopia, information theory, or recalling Piranesi’s prison etchings for the umpteenth time, along with metastasizing mutatis mutandis and all of the Popular Science pseudo-scientific (scientistic really) rhetoric that sticks so easily to the toothy surfaces of Terry Winters’ work. Winters is an important artist. His paintings have proven relevant because they reveal the often invisible operations of the wilder, real and artless avant-gardes informing […]

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