Julian Pretto Gallery

Installation view of Julian Pretto Gallery, MINUS SPACE, Brooklyn, NY, 2013 (l to r: Steven Steinman, Stephen Rosenthal, Roberta Allen, Phil Sims, Rosemarie Castoro, Olivier Mosset, Sol Lewitt, Li Trincere, DM Simons, Cris Gianakos, Carl Andre, Peter Downsbrough, Marcia Hafif, Antonella Piemontese; Suspended from ceiling: Robert Barry)

September 6 - October 26, 2013

MINUS SPACE is delighted to present the survey exhibition Julian Pretto Gallery. Organized in collaboration with artist John Zinsser, this is the first exhibition to examine the history and legacy of gallerist Julian Pretto (1945-1995) and his fabled downtown New York galleries, active during the mid-1970s through the mid-1990s.

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Radical Painting Group Photo

Radical Painting Group, MINUS SPACE

Left to Right: Erik Saxon, Phil Sims, Merrill Wagner, Dale Henry, Doug Sanderson, Susanna Tanger, Anders Knutsson, Marcia Hafif, Jerry Zeniuk, Frederic Matys Thursz Not Pictured: Joseph Marioni, Olivier Mosset Location: Julian Pretto’s loft, Tribeca, NYC, circa 1980

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Erik Saxon: Select Works, 1973-2011

Erik Saxon, BLK.RECT.+YEL.RECT.OB._O/L_09, 2009, Oil on linen, 36 x 56 inches overall, each panel 16 x 20 inches

May 7 - June 11, 2011

MINUS SPACE is delighted to announce the exhibition Erik Saxon: Select Works, 1973-2011. This is the Manhattan-based painter’s first solo exhibition with the gallery. The exhibition will feature key works from seminal points in the artist’s oeuvre spanning the past forty years, including several never-before-seen grid, shaped, multi-panel, and monochrome paintings.

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John Zinsser: New and Earlier Painting and New Auction Catalogue Drawings, Larry Becker Contemporary Art, Philadelphia, PA

larrybecker-zinsser

John Zinsser, Geometry and Ego, 2007 Enamel and oil on canvas 30 x 28 inches December 18, 2010 – February 12, 2011 Get Me to the Church on Time It was a simple enough assignment, drive the painter Marcia Hafif to her opening at Larry Becker Contemporary Art in Philadelphia. What I couldn’t have predicted was that a massive wreck on I-95 would shut down the highway completely. The trip became a seven-and-a-half hour odyssey, […]

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Upcoming Exhibitions, Vasarely Museum, Budapest, Hungary

vasarelymuseum-osas

  Vasarely Museum (no web site) February 11 – April 26, 2008 Atelier OSAS Participating Artists: Tibor Gayor, Istvan Haasz, Istvan Haraszty, Katalin Hetey, Tamas Konok, Dora Maurer, Vera Molnar, Istvan Nadler & Judith Nemes. For more information about OSAS / Open Structures Art Society. A Bit of America Participating Artists: Robert Barry, Max Cole, Sol Lewitt, Robert Mangold, David Rabinowitch, James Reineking, Ed Ruscha, Richard Serra, Phil Sims, Roy Thurston, Shawn Wallis & Jerry Zeniuk.

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Positionen ruduzierter Malerei, Sebastian Fath Contemporary, Mannheim, Germany

  Dirk Rathke, Untitled (565 & 564), 2006-2008 Acrylic on canvas, 2 parts, approximately 74 x 61 x 7 cm each September 12 — October 11, 2008 Participating artists: Stephan Baumkötter, Joachim Grommek, Marcia Hafif, Joseph Marioni, Dirk Rathke, Rolf Rose, Phil Sims und Peter Tollens.

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The Panza Collection: An Experience of Color and Light, Albright-Knox Art Gallery, Buffalo, New York

  Dan Flavin, Untitled (to Jan & Ron Greendberg), 1972-73 November 16, 2007 — February 24, 2008 The Panza Collection: An Experience of Color and Light includes more than seventy works of art from the Panza Collection, which is now dispersed in Varese, Verona, New York, and Los Angeles. In consultation with Count Giuseppe Panza di Biumo, whose vision has guided the project from the start, Gallery Director Louis Grachos and Senior Curator Douglas Dreishpoon […]

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Interview with Alan Ebnother, by Chris Ashley

  The following conversation between Alan Ebnother and Chris Ashley was conducted via email during April 17 – May 4, 2005. For further information about Chris Ashley, please visit www.chrisashley.net.   Chris Ashley: Your biography states that in 1975 you “began to recognize painting.” You were then in your early twenties and involved in the dance world. What does this mean, to “recognize painting,” and when and how did you actually begin painting?   Alan […]

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