Hartmut Böhm in Minimalism in Germany, The Sixties II: Abstraction and Seriality, Zero, Concrete Tendencies and Sculpture as Action, Daimler Contemporary, Berlin, Germany

Franz Erhard Walther

The Daimler Art Collection is pleased to announce the exhibition Minimalism in Germany. The Sixties II at Daimler Contemporary, Potsdamer Platz, in Berlin. The first exhibition in the Minimalism in Germany 1960s series in 2010 comprehensively showed major trends in reduced, abstract 1960s art in Germany from the Daimler Art Collection.

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Hartmut Böhm in Minimalism Germany 1960s, Daimler Contemporary, Haus Huth, Berlin, Germany

daimler-minimalismgermany

Charlotte Posenenske, Vierkantrohre Serie D, 1967 (Reconstruction 2009) March 12 – May 30, 2010 The initial exhibition at Daimler Contemporary in 2010 will show major 1960s trends in German abstract art from the Daimler Art Collection: Constructivism, Zero, Minimal Art, Concept and Seriality. Starting with 1950s predecessors – such as Josef Albers, Norbert Kricke and Siegfried Cremer – the show considers abstract art developments in the cities of Frankfurt, Düsseldorf, Krefeld, Stuttgart, Berlin and Munich, […]

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