Donald Judd: Delegated Fabrication History, practices, issues and implications Conference and Exhibition, Portland, Oregon Sunday, April 25, 2010 University of Oregon in Portland White Stag Block From the outside a Donald Judd piece is seamless, hiding all traces of it’s construction. But behind the final piece is a rich history of the artist’s intent and his method for fabrication. Join us for a groundbreaking discussion of Judd’s art, lead by contemporary art scholars and [...]
Installation view Photo: Genevieve Hanson, NY March 5 – April 18, 2009 Curated by Peter Ballantine When Donald Judd very reluctantly abandoned painting in 1961-62 in favor of working in three dimensions, it was because he had finally concluded that a philosophically tenable painting was not possible – philosophically in the empirical-perceptual sense of being entirely available visually, and tenable in the sense of being free of abstraction or any other kind of representation. [...]