Kenneth Noland: Paintings, 1958-1968, Mitchell-Innes & Nash, New York, NY

mitchell-noland

Installation view March 17 – April 30, 2011 Mitchell-Innes & Nash is pleased to announce its first solo exhibition of paintings by Kenneth Noland, on view in the Chelsea gallery from March 17 – April 30. The exhibition, “Kenneth Noland: Paintings, 1958-1968,” will feature major paintings dating from the artist’s first decade of mature work. It will include significant early examples of the circle, stripe and chevron compositions that would become Noland’s signature forms throughout […]

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New American Abstraction: 1960-1975, Gary Snyder Gallery, New York, NY

  Installation view November 8 – December 20, 2008 Participating artists: Richard Anuszkiewicz, Karl Benjamin, Leon Berkowitz, Ilya Bolotowsky, Hilton Brown, Lawrence Calcagno, Clarence Carter, Francis Celentano, Roy Colmer, Gene Davis, Thomas Downing, Paul Feeley, Frederick Hammersley, Ward Jackson, Tadaaki Kuwayama, Lyman Kipp, Beatrice Mandelman, Howard Mehring, Rakuko Naito, Ray Parker, Milton Resnick, Max Schnitzler, Vivian Springford, Albert Stadler, Sidney Wolfson, Jack Youngerman

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Tony Smith: Sculpture, Painting, Drawing, Matthew Marks Gallery (522 W. 22nd), New York, NY

    Installation view  September 13 — October 25, 2008 The exhibition presents two large-scale sculptures, Willy (1962) and New Piece (1966), made in Smith’s signature steel, painted black. Accompanying these works is a set of twenty charcoal drawings from 1954 and a single 14-foot long black and white painting, both of which represent the artist’s largest works in their respective mediums. Together, the works in this exhibition illustrate the diverse nature of Smith’s oeuvre. […]

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Paul Feeley: Nine Paintings, Matthew Marks Gallery (523 West 24th), New York, NY

    Paul Feeley: Corfu (February 22), 1962  Oil-based enamel on canvas, 60 x 48 inches  September 13 — October 25, 2008 The exhibition includes nine enamel on canvas paintings made between 1961 and 1964. Feeley’s abstract works with their bright colors, simple repetitive forms and symmetrical compositions occupy an important place in the history of twentieth-century American art. Feeley, alongside Morris Louis and Kenneth Noland, worked against the grain of the prevailing Abstract Expressionists […]

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Chris Martin, Mitchell-Innes & Nash, New York, NY

  Chris Martin, Untitled, 2007 Oil and collage on canvas, 54 x 49 inches January 26 — March 2, 2008 Mitchell-Innes & Nash presents an exhibition of new paintings by Chris Martin. Martin’s paintings are investigations in color, form and texture, ranging from bold and graphic to gestural and expressionistic. Their surfaces are often distressed or collaged with elements including shellacked Wonder Bread, broken vinyl records and papier mâché forms. Martin is deeply engaged with […]

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