
"I was aware of op as a historical movement of course; I was an art history major at Columbia before deciding to move into fine art. And op is one of the most distinguishable styles out there."

"I was aware of op as a historical movement of course; I was an art history major at Columbia before deciding to move into fine art. And op is one of the most distinguishable styles out there."
Post a Comment | No Comments »
Tags: Anonima Group, Brent Hallard, Bridget Riley, Carlos Cruz-Diez, Columbia University, D. Wigmore Fine Art, Ed Miezkowski, Edna Andrade, Francis Celentano, Francis Hewitt, Gilbert Hsiao, Jackson Pollock, Jesus Raphael Soto, Julian Stanczak, Paolo Uccello, Paul Cezanne, Philip Glass, Phillip Taffe, Piet Mondrian, Responsive Eye, Richard Annuskiewicz, Steve Reich, Stuart Davis, Tadasky, Victor Vasarely, Visual Discrepancies blog, WKCR

George Ortman’s painted constructions of the 1950s and early 1960s are pioneering works. Their reductive geometry and modular color were widely seen as being at the forefront of young artists move away from abstract expressionism.
Post a Comment | No Comments »
Tags: Algus Greenspon Gallery, California, Dada, Donald Judd, Ellsworth Kelly, Ellswoth Kelly, Frank Stella, George Ortman, Georges Seurat, Henri Matisse, Hilton Kramer, Jasper Johns, Joseph Cornell, Kenneth Noland, Lee Bontecou, Marcel Duchamp, Morris Louis, New York, Paolo Uccello, Robert Rauschenberg, Stable Gallery, Stanley William Hayter, Tanager Gallery