George Ortman’s painted constructions of the 1950s and early 1960s are pioneering works. Their reductive geometry and modular color were widely seen as being at the forefront of young artists move away from abstract expressionism.
Organized as part of The Phillips Collection’s 90th anniversary, Eye to Eye features a group of paintings by modern American artist Joseph Marioni in the context of the museum permanent collection.
Installation view March 17 – April 30, 2011 Mitchell-Innes & Nash is pleased to announce its first solo exhibition of paintings by Kenneth Noland, on view in the Chelsea gallery from March 17 – April 30. The exhibition, “Kenneth Noland: Paintings, 1958-1968,” will feature major paintings dating from the artist’s first decade of mature work. It will include significant early examples of the circle, stripe and chevron compositions that would become Noland’s signature forms throughout […]
Howard Mehring, Untitled (gray all-over), c. 1960-1962 Magna on canvas, 108 x 118 inches September 17 – October 31, 2009 Conner Contemporary Art presents Conversations in Lyrical Abstraction: 1958-2009, an exhibition that elicits visual conversations among work by Morris Louis, Alma Thomas, Howard Mehring Jeremy Blake, and Leo Villareal. Breathing luminous color and varying in media from stain paintings to digitally controlled light emitting diodes, this select gathering of abstract images showcases Lyrical Abstraction as […]
“The Rose Art Museum on the Brandeis campus houses what is widely recognized as the finest collection of modern and contemporary art in New England. With more than 6,000 objects — paintings, sculptures, works on paper and new media — the Rose collection has particular strengths in American Modernism, American Social Realism, post-War American, Abstract Expressionism, Minimalism, Surrealism and Photorealism. Recent acquisitions include works by Nam June Paik, Anri Sala, William Kentridge, Thomas […]
Paul Feeley: Corfu (February 22), 1962 Oil-based enamel on canvas, 60 x 48 inches September 13 — October 25, 2008 The exhibition includes nine enamel on canvas paintings made between 1961 and 1964. Feeley’s abstract works with their bright colors, simple repetitive forms and symmetrical compositions occupy an important place in the history of twentieth-century American art. Feeley, alongside Morris Louis and Kenneth Noland, worked against the grain of the prevailing Abstract Expressionists […]
Abstract artist and musician Mark Dagley has been working in New York and Europe for over twenty-five years. Drawing from various postwar art movements and developments: Op Art, Washington Color School, Monochrome Painting, as well as European modes of art making, such as Support/Surface and Radical Painting, Mark has created a diffuse, yet particularly American body of work. Last spring Mark retrieved a group of paintings he had in storage at his parents’ home in […]
Kenneth Noland, Following Sea, 1974 Acrylic on canvas, 98 x 98 inches February 29 — May 26, 2008 Color field painting, which emerged in the United States in the 1950s, is characterized by pouring, staining, or spraying thinned paint onto raw canvas, creating vast chromatic expanses. Exemplified in the work of Helen Frankenthaler, Morris Louis, Kenneth Noland, Jules Olitski, Larry Poons, and Frank Stella, these paintings constitute one of the crowning achievements of […]
Morris Louis, Floral V, 1959-60 November 9, 2007 — February 3, 2008 Color field paintings are expansive canvases washed with flat areas of solid color. Color as Field is the first exhibition to bring together the works of major color field painters. The show features about 40 color field paintings and explores their sources, meaning, and impact. The exhibition includes paintings by color field artists such as Helen Frankenthaler, Morris Louis, Kenneth Noland, Jules Olitski, […]
Although he has shown extensively in Europe for many years, it’s only in the past decade, when he began showing with Peter Blum, that his stature in America has grown large in a more public way. This, despite the fact that Marioni exhibited his work at Bykert Gallery in the 70’s, was tapped by Brice Marden for a show at Artists Space, and was included in a recent Whitney Biennial. However, it took the New […]