Robert Swain: Primary Research

Detail of paint samples from the artist’s color library, arranged by hue, value, and saturation

October 23 - December 4, 2010

MINUS SPACE is honored to announce the solo exhibition Robert Swain: Primary Research. This is the artist’s first solo exhibition with the gallery and it will focus on his life-long investigation into color sensation.

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Michelle Grabner: Get Better Mrs. Michelle!

Michelle Grabner, Untitled (installation detail), 2010, silverpoint and black gesso on paper, 30 x 22 inches each; Installation view at MINUS SPACE, Brooklyn, 2010

March 27 – May 1, 2010

MINUS SPACE is delighted to announce a new exhibition of drawings by Chicago-based artist Michelle Grabner. Grabner works primarily in painting, drawing, and printmaking, and her practice is commonly organized around straightforward mathematical systems.

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VIEWLIST: There are many things in the air and all of them are for free, Conceived by Michelle Grabner

Xavier Veilhan, Le Grand Mobile, 2004-2006, metallic structure, engines, 25 PVC spheres, 
75 x 350 cm in diameter

Our second VIEWLIST exhibition is conceived by Chicago-based artist Michelle Grabner.

"So I think what comes next is a web with big holes blown in it. A spiderweb in a storm. The turtles get knocked out from under it, the platform sinks through the cloud. A lot of the inherent contradictions of the web get revealed, the contradictions in the oxymorons smash into each other." -- Bruce Sterling, February 2009

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Sensory Overload: Light, Motion Sound and the Optical in Art Since 1945, Milwaukee Art Museum, Milwaukee, Wisconsin

    Erwin Redl, Matrix XV, 2007 LED Installation with fiber-optics, 30 x 30 feet January 24, 2008 — October 2009 Sensory Overload tracks the development of Kinetic and Op art, whose optical stimulation and interactivity introduced new dimensions to art. Stanley Landsman’s Walk-In Infinity Chamber (1968), which has not been on view for nearly fifteen years, together with Erwin Redl’s dramatic Matrix XV (2007), a 25 x 50 foot LED installation, punctuate this extraordinary […]

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