The Indiscipline of Painting: International Abstraction from the 1960s to Now, Warwick Arts Centre, Coventry, England

bernard frieze-indiscipline of painting

Bernard Frize, Suite Segond 100 No 3, 1980 Household paint on canvas 51 x 64 inches  January 14 – March 10, 2012 The Indiscipline of Painting is an international group exhibition including works by forty-nine artists from the 1960s to now. Selected by British painter Daniel Sturgis, it considers how the languages of abstraction have remained urgent, relevant and critical as they have been revisited and reinvented by subsequent generations of artists over the last […]

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The Indiscipline of Painting: International Abstraction from the 1960s to Now, Tate St Ives, St Ives, England

mary heilman

Mary Heilmann, Primalon Ballroom, 2002 October 8, 2011 – January 3, 2012 The Indiscipline of Painting is an international group exhibition including works by forty-nine artists from the 1960s to now. Selected by British painter Daniel Sturgis, it considers how the languages of abstraction have remained urgent, relevant and critical as they have been revisited and reinvented by subsequent generations of artists over the last 50 years. It goes on to demonstrate the way in […]

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Hartmut Böhm in Construction in Process 1981 – the community that came?, Museum Stzuki, Lodz, Poland

construction in process

The project Construction in Process 1981 – the community that came? refers to the legendary international exhibition opened in Łódź almost two months before martial law was introduced. Artists from Łódź, representing various art disciplines, invited 54 leading artists from all over the world to partake in the show and create art works here, on the spot.

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Jack Tworkov: True and False, Mitchell-Innes & Nash, New York, NY

mitchellinnes-tworkov

Jack Tworkov, Variables II, 1964-65 Oil on canvas, 60 x 80 inches January 15 – February 20, 2010 Jack Tworkov was among the central figures of New York’s Abstract Expressionist school. Throughout his more than five-decade career, he created paintings and drawings distinguished by their intensity of gesture and intellectual rigor. In the period covered by the exhibition (1960-1975), Tworkov began to move away from his interest in the purely gestural composition and toward a […]

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