Richard Serra Drawing: A Retrospective, Metropolitan Museum of Art, New York, NY

metropolitan-serra

Richard Serra, out-of-round X, 1999 Paintstick on handmade Hiromi paper 79 ½ x 79 inches Private Collection April 13 – August 28, 2011 Organized by the Menil Collection, the first retrospective of the drawings of American contemporary artist Richard Serra will be on view at The Metropolitan Museum of Art from April 13, 2011, through August 28, 2011. Richard Serra Drawing: A Retrospective traces the crucial role that drawing has played in Richard Serra’s work […]

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Becoming Modern in America: Life Magazine 1936-1972 & New Paintings by Loren Munk

Detail of Life Magazine, August 8, 1949

December 11, 2010 - January 29, 2011

MINUS SPACE is pleased to announce the exhibition Becoming Modern in America. The twofold exhibition will feature more than 20 vintage issues of Life magazine spanning the years 1936-1972, as well as two recent paintings by Brooklyn, New York-based painter Loren Munk.

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Robert Swain: Primary Research

Detail of paint samples from the artist’s color library, arranged by hue, value, and saturation

October 23 - December 4, 2010

MINUS SPACE is honored to announce the solo exhibition Robert Swain: Primary Research. This is the artist’s first solo exhibition with the gallery and it will focus on his life-long investigation into color sensation.

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Judd Foundation Announces Catalogue Raisonne Committee

Donald Judd

A Letter from the Judd Foundation: November 30, 2009 Dear Friends, I am very pleased to announce the start of the Donald Judd Catalogue Raisonné through the appointment of the Catalogue Raisonné Committee and a Catalogue Raisonné Manager, Katy Rogers. Ms. Rogers, who is currently completing the Robert Motherwell Catalogue Raisonné, will manage the project with the advisement of the committee. The production of a Catalogue Raisonné is a natural extension of our mission to […]

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Mandala: The Perfect Circle, Rubin Museum of Art, New York, NY

rubin-mandala

Installation view August 14, 2009 – January 11, 2010 The mandala, one of Himalayan Buddhism’s most ubiquitous symbols, is created as an artistic aid for meditation. Depicting a realm that is both complex and sacred, the mandala is a visualization tool meant to advance practitioners toward a state of enlightenment. Mandala: The Perfect Circle explores the various manifestations of these objects, simultaneously explaining their symbolism, describing how they fulfill their intended function, and demonstrating their […]

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Giorgio Morandi: 1890-1964, Metropolitan Museum of Art, New York, NY

  Giorgio Morandi, Still Life (Natura morta), 1956 Oil on canvas; 9 7/8 x 13 7/8 inches September 16 — December 14, 2008 This is a comprehensive survey—the first in this country—of the career of Giorgio Morandi, one of the greatest 20th-century masters of still-life and landscape painting in the tradition of Chardin and Cézanne. The exhibition presents approximately 110 paintings, watercolors, drawings, and etchings from his early “metaphysical” works to his late evanescent still […]

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Jasper Johns: Gray, By Douglas W. Druick & James Rondeau, Published by Art Institute of Chicago, 2007

Click image to purchase on Amazon.com The exhibition catalogue includes essays by James Rondeau; Douglas Druick; Mark Pascale, associate curator, prints and drawings, Art Institute of Chicago; Richard Shiff, Effie Marie Cain Regents Chair in Art, University of Texas-Austin; Barbara Rose, noted Johns scholar; and Kelly Keegan, assistant painting conservator, and Kristin Lister, conservator of paintings, Art Institute of Chicago; as well as an interview with the artist by Nan Rosenthal, senior consultant, Department of […]

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Interview with Douglas Witmer, by Chris Ashley

introduction Douglas Witmer makes paintings with a purpose.  I mean this in two ways — he makes paintings purposefully, and his paintings have a purpose.  This is not to say in the least that his paintings are predetermined and strictly didactic.  Despite their apparently structured appearance they are expressive rather than merely planned and executed, and porous rather than closed in meaning. Witmer’s varied and improvised use of color, surface, form, and material is surprisingly […]

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