Mark Dagley: Structural Solutions

Installation view of Mark Dagley: Structural Solutions, MINUS SPACE, Brooklyn, NY, 2012

September 7 - October 27, 2012

MINUS SPACE is pleased to announce the exhibition Mark Dagley: Structural Solutions, the artist’s first solo exhibition of new paintings in New York City in 15 years. The exhibition will feature three oversized paintings – the artist’s largest works created to-date – which will be exhibited on flat aluminum blocks on the floor and leaned against the gallery walls.

Read more »

Max Gimblett: Oxherding, Japan Society Gallery, New York, NY

japansociaty-gimblett

Max Gimblett, Catching the Ox, 2008 Sumi ink and mineral spirits on HMP Woodstock, handmade paper 23 x 31 inches October 1, 2010 – January 16, 2011 The product of a collaborative meditation by two internationally known artistic visionaries, Max Gimblett and Lewis Hyde, oxherding is based on the Song-Dynasty Chinese “Oxherding Series,” a Zen Buddhist parable of self-discovery comprised of pictures and verse. A contemporary American set of perspectives on this greatly venerated Buddhist […]

Read more »

Max Gimblett: Parade – The Presence of Beauty, Hamish Morrison Gallery, Berlin, Germany

hamishmorrison-gimblett

Max Gimblett, Orpheus, 2004 Gesso, polyurethane, pencil, epoxy, pigment, moon gold leaf on wood panel 70 x 70 inches June 19 – August 1, 2009 Hamish Morrison Gallery presents, for the first time in Germany, New Zealand artist Max Gimblett (* 1935). His work enjoys special recognition in his home country with which he has retained many links, but especially in the United States where he has lived since the 1970s. This year his works […]

Read more »

Max Gimblett: The Midnight Sun, Haines Gallery, San Francisco, CA

hainesgallery-gimblett3

  Max Gimblett, Figure of Eight, 1999 15 inch quatrefoil January 8 – February 28, 2009 Max Gimblett’s ninth solo exhibition, The Midnight Sun, at Haines Gallery includes recent paintings of the visual and intellectual cross-cultural complexity that has been the hallmark of his work for decades. In the new double squares and quatrefoils, Gimblett uses patinas of epoxy and polyurethane, layers of gesso, acrylic and vinyl polymers, and surfaces of black and white and iridescent silver and gold, united by […]

Read more »

Punk Noise & Paint, Interview with Mark Dagley, by Don Voisine

Abstract artist and musician Mark Dagley has been working in New York and Europe for over twenty-five years. Drawing from various postwar art movements and developments: Op Art, Washington Color School, Monochrome Painting, as well as European modes of art making, such as Support/Surface and Radical Painting, Mark has created a diffuse, yet particularly American body of work. Last spring Mark retrieved a group of paintings he had in storage at his parents’ home in […]

Read more »

Post a Comment | No Comments »

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,