The Daimler Art Collection is pleased to announce the exhibition Minimalism in Germany. The Sixties II at Daimler Contemporary, Potsdamer Platz, in Berlin. The first exhibition in the Minimalism in Germany 1960s series in 2010 comprehensively showed major trends in reduced, abstract 1960s art in Germany from the Daimler Art Collection.
Joaquin Torres Garcia Fresque Constructif au Grand Pain, 1929 December 3, 2010 – January 14, 2011 For its inaugural exhibition, Arevalo Gallery presents From Absolute to Minimal a group exhibition featuring works by Post-War Latin American artists and their international counterparts all of whose work was defined by the ultimate search for the Absolute. It was through Kazimir Malevich’s search for an artistic expression void of representation that the quest for the absolute was first […]
Poul Gernes, Zielscheibenbild / Target B, 1966-68 Opening: March 25, 2010 Curated by Renate Wiehager, “Pictures about Pictures. Discourses in Painting” – is the Daimler Art Collection’s exhibition title for the Museum Moderner Kunst in Vienna. About 130 works ranging from Classical Modernism and the post-war avant-garde via European Zero and Minimalism to international contemporary art are being presented. The exhibition is structured into thematic fields, each of which presents discursive references to historical and current […]
Charlotte Posenenske, Vierkantrohre Serie D, 1967 (Reconstruction 2009) March 12 – May 30, 2010 The initial exhibition at Daimler Contemporary in 2010 will show major 1960s trends in German abstract art from the Daimler Art Collection: Constructivism, Zero, Minimal Art, Concept and Seriality. Starting with 1950s predecessors – such as Josef Albers, Norbert Kricke and Siegfried Cremer – the show considers abstract art developments in the cities of Frankfurt, Düsseldorf, Krefeld, Stuttgart, Berlin and Munich, […]