American Abstract Artists presents Sensory Impact, a group exhibition held at Morgan Stanley & Co. in Purchase, NY.
Organized by artists Matthew Deleget (New York) and Emi Winter (Oaxaca), the exhibition MINUS SPACE en Oaxaca: Panorama de 31 artistas internacionales features 31 reductive artists from around the world associated with MINUS SPACE in Brooklyn, New York.
American Abstract Artists presents ABSTRACTION (Abstraction to the Power of Infinity), curated by Janet Kurnatowski. ABSTRACTION celebrates the perseverance of non-figurative and non-objective art, including the practitioners, pioneers and those currently working in the traditions of abstraction. This exhibition shows the recent work of 76 members of the American Abstract Artists (AAA), along with four guest exhibitors.
It was May 11, 1971 when the Musée d’Art Moderne de la Ville de Paris opened the influential exhibition “Computer Graphics – Une Esthétique Programmée”. A solo exhibition by Manfred Mohr, it featured the first display in a museum of works entirely calculated and drawn by a digital (rather than analog) computer.
Works by Manfred Mohr (left) and Jan van Munster. June 17 – September 11, 2011 Galerie Linde Hollinger in Ladenburg, Germany, presents Manfred Mohr: Works from 1977-2011 and Jan van Munster: Neon.
Gilbert Hsiao, Dual, 2007 Acrylic on panel 32 x 32 inches May 21 – July 15, 2011 Participating Artists: Alice Adams, Babe Shapiro, Ce Roser, Cecily Kahn, Charles Hinman, Clover Vail, Corey Postiglione, Creighton Michael, Daniel G. Hill, David Mackenzie, David Reed, David Row, Don Voisine, Dorothea Rockburne, Edward Shalala, Emily Berger, Gabriele Evertz, Gail Gregg, Gilbert Hsiao, Heidi Gluck, Henry Brown, Irene Lawrence, Irene Rousseau, James Gross, James Juszczyk, James O. Clark, James Seawright, […]
The project Construction in Process 1981 – the community that came? refers to the legendary international exhibition opened in Łódź almost two months before martial law was introduced. Artists from Łódź, representing various art disciplines, invited 54 leading artists from all over the world to partake in the show and create art works here, on the spot.
Installation view. April 30 – June 8, 2011 ParallelResonance is the 4th cycle of artwork, which Manfred Mohr produced as a software artwork, beside a series of pictures. In the series Mohr is exploring in his characteristically straight forward forms and colours the tension fields between the shifting black and white lines and plaines. The changing colours of the background range in pastel-coloured shades. Beside the software pieces the exhibition also features large-scale and small […]
Installation view March 23 – April 21, 2011 ParallelResonance is the latest series of Manfred Mohr and the software pieces are exhibited for the first time internationally at Gallery [DAM] Cologne. parallelResonance is the 4th cycle of artwork, which Manfred Mohr produced as a software artwork, beside a series of pictures. In the series Mohr is exploring in his characteristically straight forward forms and colours the tension fields between the shifting black and white lines […]
Installation view March 27 – May 19, 2011
Jean-Pierre Hébert, Untitled, 2001 Pen and ink 21 x 21 inches January 29 – April 24, 2011 Drawing with Code brings together a selection of computer-generated art by the form’s earliest and most important practitioners from the 1950s to today. The Providence-based collection of Anne and Michael Spalter is one of the largest and most important of its kind in the U.S. and shines a new light onto a darkened corner of the art historical […]
Works by: Manfred Mohr, Josef Linschinger Dora Maurer, Karl-Heinz Adler Karl Gerstner, Vesna Kovacic July 31 – October 30, 2010 Participating Artists: Karl-Heinz Adler, Rita Ernst, Karl Gerstner, Hans-Jörg Glattfelder, Wolfgang Körber, Vesna Kovacic, Josef Linschinger, Dora Maurer, Manfred Mohr, Marcello Morandini, Axel Rohlfs
April 22 - May 8, 2010
MINUS SPACE is delighted to announce the group exhibition Escape from New York at The Engine Room, Massey University, Wellington, New Zealand, from April 22 - May 8, 2010. Curated by Matthew Deleget, the exhibition surveys reductive strategies by 29 artists living in and around New York City. Each artist will present a single small work, as well as an open letter to the local community of artists.
Installation views Participating Artists: Douglas Allsop, Dieter Balzer, Rafael Barrios, Michael Burges, Freddy Chandra, Carlos Cruz-Diez, Carlos Estrada-Vega, Brad Howe, Gilbert Hsiao, Jae Ko, Hans Kotter, Camill Leberer, Milen Miltchev, Manfred Mohr, Dany Paal, Jürgen Paas, Frank Piasta, Regine Schumann, Kane Shimoosake, Klaus Staudt, Gaby Terhuven, Wolfram Ullrich, Achim Zeman
Installation view December 7, 2009 – April 25, 2010 This display provides an overview of the first decades of the computer’s history in art and design. It includes some of the earliest computer-generated works in the V&A’s collections, many of which have never been exhibited in the UK before. From the 1960s until the early 1980s, digital pioneers worked directly with computer hardware and software to produce graphic images unlike anything that had gone before. […]
February 7 – April 11, 2010 For the 100th birthday of the philosopher Max Bense, ZKM will present an exhibition showing his international impact on the fine arts and literature, which can be compared to that of Umberto Eco and Marshall McLuhan. The exhibition, which carries forth the ZKM series “Philosophy and Art,” presents Bense as poet and author, scholar of the arts and literature, as well as exhibition curator and publicist. Bense, who was […]
Installation views of exhibition Entwicklungen Clockwise: Manfred Mohr, Anton Stankowsky, Leon Polk Smith, Camille Graeser, Richard Lohse, Manfred Mohr, Kenneth Snelson October 31, 2009 – April 5, 2010 Participating Artists: Camille Graeser, Edgar Gutbub, Heijo Hangen, Matti Kujasalo, Verena Loewensberg, Richard-Paul Lohse, Jan Meyer-Rogge, Manfred Mohr, Aurelie Nemours, Leon Polk Smith, Kenneth Snelson, Jurg Stauble, Anton Stankowski, Norbert Thomas, Martin Willing
Zdenek Sykora & Bridget Riley Richard Paul Lohse & Manfred Mohr October 3, 2009 – January 10, 2010 Heinz Teufel, the famous gallery owner and collector, died in 2007. He was a great patron of Concrete Art in Germany. From opening his first gallery in 1966 in Koblenz up to his 1998 activities in Berlin he consequently pursued a stringent gallery profile – independent of the fluctuating fashions of the art world. Including works by […]
May 8-29, 2009
RMIT University School of Art and Sydney Non Objective present contemporary non-objective practice from MINUS SPACE New York. A survey of reductive strategies by artists living in and around New York City. Presenting a single work from each artist, as well as an open letter to the artist community affiliated with RMIT Non Objective.
Manfred Mohr, Laserglyph, 1992 Steel/painted, 110 x 130 cm March 13 – April 30, 2009 “Since 1968, I exclusively work with a computer and therefore with the logic of a programming language to create art. Through this radical approach in creating my art which I consider an important part of my contribution to a systematic art, I learned an astonishing new way of thinking about my work. In fact, the computer became a physical […]
Installation in cafe space Exhibition in cafe space continues until May 2009. (Boiler Room exhibition closed on January 26, 2009.) MINUS SPACE Curated by Phong Bui P.S.1 Contemporary Art Center A Museum of Modern Art Affiliate Long Island City, NY The exhibition is curated by artist, Brooklyn Rail publisher, and P.S.1. Curatorial Advisor Phong Bui, and includes the work of 54 artists from 14 countries. The exhibition marks MINUS SPACE’s 5th anniversary. […]
Heinz Teufel and the Concrete Artists of His Generation. Featuring artists Andreas Brandt, Zdenek Sykora, Horst Bartnig, and MINUS SPACE artist Manfred Mohr. Documentary, 70 minutes, German, stereo, color, 2007, 19.90 Euros. Rekordproduktion, Berlin, Germany.
December 6, 2008 – January 17, 2009
Manfred Mohr, P-1271_16627, 2007-08 Stills, Injet on paper September 27 — November 15, 2008
October 19, 2008 - May 4, 2009
MINUS SPACE is delighted to announce our exhibition at P.S.1 Contemporary Art Center, an affiliate of The Museum of Modern Art in New York. P.S.1 is one of the oldest and largest non-profit arts centers in the United States solely devoted to contemporary art. The exhibition is curated by artist, Brooklyn Rail publisher, and P.S.1. Curatorial Advisor Phong Bui, and includes the work of 54 artists from 14 countries. The exhibition marks MINUS SPACE's 5th anniversary.
September 9 — October 10, 2008
Manfred Mohr, P350-d, 1984-91, 200 x 200 cm View of It from Bit: Manfred Mohr & Gabriel Orozco Grazyna Kulczyk Foundation bit international – [Nove] tendencije Computer und visuelle Forschung – Zagreb 1961-1973 ZKM | Medienmuseum Karlsruhe, Germany February 23, 2008 — February 22, 2009 Infinity and Beyond: Mathematics in Contemporary Art The Heckscher Museum of Art, Huntington, New York April 19 — June 22, 2008 Bildertausch 3: New Presentation of […]
Mel Bochner, Theorem of Pythagoras, 1997 Wood engraving on handmade paper, 22 x 17-1/2 inches April 19 — June 22, 2008 Our era is driven by the possibilities inherent in reducing countless observations to one mathematical formula and of generating seemingly random phenomena from a set of precise rules. The geometry of the universe has been summarized in E=mc 2, the Book of Life has been translated into the four-letter code of DNA, and […]
March 15 — April 30, 2008
March 7 — May 3, 2008
Installation view with work by MINUS SPACE artist Manfred Mohr at left January 17 — April 6, 2008 Examining the intersection of digital technology and the graphic arts, Imaging by Numbers surveys the use of computers in printmaking and drawing through approximately 60 works created by nearly 40 North American and European artists from the 1950s to the present. Space, Color, and Motion presents time-based computer artworks by four artists exhibited in the […]
September 14 — October 27, 2007
August 3 - September 2, 2007
A group exhibition surveying reductive strategies by artists living in and around New York City. Each artist will present a single work, as well as an open letter to the artist community affiliated with Sydney Non Objective.
Manfred Mohr, P-671-A, 2003 April 24 — July 1, 2007 We congratulate MINUS SPACE artist Manfred Mohr on recently being named the winner of the d.velop digital art award given out by the Digital Art Museum Berlin.