La invención concreta [Concrete Invention] traces the development of geometric abstraction in Latin America from the 1930s to the 1970s.
The exhibition will emphasize the articulation and shift between concretist and neo-concretist art.
Karlos Cárcamo, Hard Edge Painting (Stan 153), 2011 Latex and enamel paint on canvas over panel 48 x 48 inches April 7 – May 14, 2011 “Combining my interest in urban culture and art history I navigate toward making work that is in constant dialog with each other. Through the use of high and low cultural iconography and art historical references I create a working space between both cultural identities in which samples could be […]
Lygia Clark, Bicho – em si (Creature – in itself), 1962 Aluminium 12 x 9 x 8 inches September 8 – October 9, 2010 My fundamental problem is the exercise of freedom, taking into account what I already am and that which I have been transformed into by my work.’ Lygia Clark One of the most original artists of the twentieth century, Lygia Clark (1920 – 1988) transformed the practice of geometric abstraction with a […]
Geraldo de Barros, Pampulha, Sao Paulo, Brazil, [From the Series Fotoforma], 1949 Silver gelatin, 29 x 28 cm Edition 5 of 15, Print 2006 September 8 – October 6, 2010 Austin/Desmond Fine Art, London is delighted to present Abstraction-Creation, an exhibition uniting twenty-nine abstract artists from South America and Europe. The title Abstraction-Creation refers to the European abstract art movement of the same name founded by Theo van Doesburg in Paris in 1931. This somewhat loose […]
Rubem Ludolf, Untitled, 2004 Oil on canvas 80 x 100 cm Considered one of the top names in Brazilian neoconcretism, painter, architect and landscaper Rubem Ludolf died aged 78 on Monday, July 26, in Rio de Janeiro. Victim of an aneurysm in the aorta, the artist was admitted for ten days in the Samaritan Hospital. Self-taught in the early career in the mid-1950s, Ludolf was a student of Ivan Serpa Free Course in Painting from […]
Paul Henry Ramirez, BLACKOUT (installation view), 2010 Mural, paintings, relief, furniture & lighting A Centennial Commission, Newark Museum, NJ Photograph by Raymond Adams Wednesday, April 28, 2010 Reception 6-7pm, Program 7-8pm Free, pre-registration required. Call 973.596.6550 or e-mail: email@example.com Newark Museum Billy Johnson Auditorium 49 Washington Street Newark, NJ 07102 www.newarkmuseum.org directions Matthew Deleget will moderate a discussion with an international group of contemporary artists including Lenora de Barros, Paul Henry Ramirez and Don Voisine. The […]
February 7 – April 11, 2010 For the 100th birthday of the philosopher Max Bense, ZKM will present an exhibition showing his international impact on the fine arts and literature, which can be compared to that of Umberto Eco and Marshall McLuhan. The exhibition, which carries forth the ZKM series “Philosophy and Art,” presents Bense as poet and author, scholar of the arts and literature, as well as exhibition curator and publicist. Bense, who was […]
Helio Oiticica Vermelho cortando o branco, 1958 Oil on canvas, 52 x 60 cm The Adolpho Leirner Collection of Brazilian Constructive Art at the Museum of Fine Arts, Houston & Projeto Helio Oiticica November 19, 2009 – February 21, 2010 Haus Konstruktiv completes its exhibition programme for 2009 with the presentation of one of the most significant collections of Brazilian Concrete-Constructive art: “Dimensions of Constructive Art in Brazil” showcases for the first time in Europe […]
Helio Oiticica, Metaesquema 167, 1956 Gouache on board, 16 x 16 1/8 inches December 17 – February 6, 2010 Drawings, 1954–58 brings together over twenty rare works by the Brazilian artist Hélio Oiticica (1937–1980), a pioneer in Modernism and multi-disciplinary practice whose works-on-paper have not yet been exhibited independently. The exhibition features works from the artist’s three major drawing series: Grupo Frente, Sêco, and Metaesquema. Hélio Oiticica: Drawings, 1954–58 will be on view at Galerie […]
February 17 – May 23, 2010 The first exhibition to bring together South American and US geometric abstraction, Constructive Spirit: Abstract Art in South and North America, 1920s-50s features more than 90 works by 70 artists from Argentina, Brazil, the United States, Uruguay and Venezuela. Constructive Spirit examines the connections, both conceptual and personal, among abstract artists, suggesting parallels that cut across time, national borders, and a range of media, including paintings, sculptures, prints, photographs, […]
Photo: O Globo From ArtForum.com O Globo’s Eduardo Fradkin reports that more than a thousand works by Brazilian artist Helio Oiticica (1937–1980) were destroyed Friday in a fire at the house of his brother, César Oiticica, in Rio de Janeiro. His brother was responsible for the artist’s collection; he estimates that 90 percent of the collection he held was lost. In 2007, the Tate Modern and the Museum of Fine Arts in Houston staged major […]
Cildo Meireles, Cruzeiro do Sul, 1969-70 Courtesy of the artist February 11 – April 26, 2009 The MACBA presents the largest exhibition in Spain of the Brazilian artist Cildo Meireles. On the floor, a sea of broken glass, which crackles and crunches underfoot time and time again. Before your eyes, a maze in which there are no walls, only prison bars, fences, curtains, aquariums with translucent fish swimming around, their bones easily visible to the naked […]
Lygia Clark, Dialogue Goggles, 1968 Dear MINUS SPACE friends, Thanks for your great feedback so far on our new site! It is really exciting to hear your response. We would like to highlight and encourage you to use the ShareThis and Comment links at the bottom of all our Log posts and other pages. The ShareThis link will enable you to share MINUS SPACE content on social media like Facebook and MySpace, on blogs using […]
Katarzyna Kobro, Spatial Composition 9, 1933 thru March 1, 2009 The exhibition Katarzyna Kobro/Lygia Clark is a project comparing and contrasting artistic output of two great figures of the 20th century culture – artists whose achievements have constituted the canon of world art. Katarzyna Kobro (1898 – 1951), a sculptor, painter and art theoretician is considered as one of the most outstanding representatives of Polish and international constructivist avant-garde. Lygia Clark (1920 – 1988) […]
Hélio Oiticica, Metaesquema No. 348, 1958 Gouache on board, 18 1/8 x 22 3/4 inches New Perspectives in Latin American Art, 1930–2006: Selections from a Decade of Acquisitions thru February 25, 2008 This exhibition presents some two hundred works by Latin American artists that have been added to the collection over the past ten years. The works on view embrace several artistic mediums and comprises a variety of styles, from early modernism and geometric […]
Purchase on Amazon.com Colorful and playful kinetic sculptures, experimental objects designed to be catalysts for community building, manifestos calling for joy and the negation of melancholy: these are the elements that have shaped The Geometry of Hope. The title of this richly illustrated, 340-page volume brings together two threads that epitomize postwar abstract art from Latin America: on the one hand, geometry, precision, clarity and reason; on the other, a utopian sense of hope. […]
Waldemar Cordeiro, Idéia visível (Visible Idea), 1956 Acrylic on masonite, 59.9 x 60cm September 12 — December 8, 2007 The Geometry of Hope comprises some 125 works of art from the collection of Patricia Phelps de Cisneros (CPPC) and provides the most comprehensive scholarly overview to date of Latin American Geometric Abstraction from the 1930s-1970s. Organized chronologically, The Geometry of Hope will focus on key cities in the development of abstraction in the Americas: […]
Maurício Nogueira Lima, Rhythmic Object 2 (second version), 1953 The Adolpho Leirner Collection, The Museum of Fine Arts, Houston May 20 — September 23, 2007 The Museum of Fine Arts, Houston, has acquired the Adolpho Leirner Collection of Brazilian Constructive Art, a group of 98 works made in the 1950s and ‘60s by Sergio Camargo, Lygia Clark, Waldemar Cordeiro, Hélio Oiticica, Lygia Pape, Alfredo Volpi and other Brazilian abstractionists and assembled by Adolpho Leirner […]
Maurício Nogueira Lima, Rhythmic Object 2 (second version), 1953 The Adolpho Leirner Collection, The Museum of Fine Arts, Houston The Museum of Fine Arts, Houston, has acquired the Adolpho Leirner Collection of Brazilian Constructive Art, a group of 98 works made in the 1950s and ‘60s by Sergio Camargo, Lygia Clark, Waldemar Cordeiro, Hélio Oiticica, Lygia Pape, Alfredo Volpi and other Brazilian abstractionists and assembled by Adolpho Leirner (b. 1935). “Dimensions of Constructive […]
Hélio Oiticica, detail of Tropicália (1967) Tropicália is an incredible exhibition — the first comprehensive survey of one of the most significant chapters in modern cultural history, a period beginning in the late 1960s when daring experiments in Brazilian art, music, film, architecture and theater converged. The exhibition features artists Lygia Clark, Antônio Dias, Nelson Leirner, Hélio Oiticica, and Lygia Pape, among many others. Don’t miss it.
The following interview was published on MINUS SPACE in December 2003 in conjunction with Bibi Calderaro’s spotlight exhibition. Rossana Martinez: Faith, fertility, atoms, soul, and emptiness are some of the things you mention in your statement. I am curious to know what faith means to you in your work? What does fertility mean in your work? Bibi Calderaro: The idea that forms carry an inner balance, strength, and the potential for provoking thoughts […]