Touch, ParisCONCRET, Paris, France

parisconcret-touch

Installation view thru October 23, 2010 “I’ve chosen artists’ work that I feel share something of a fetish with/in the production/object, particularly based on an aesthetic predisposition that can run formally, culturally, adding the social/personal. How I personally interpret this is with a Tokyo sensibility, how Japanese respond to objects and their placement, their positioned sense of worth, a cuteness, an austere vs. touch. The exhibition consists of individual pieces, multiples, or artists books, which may sit on the […]

Read more »

Interview with Douglas Witmer, by Chris Ashley

introduction Douglas Witmer makes paintings with a purpose.  I mean this in two ways — he makes paintings purposefully, and his paintings have a purpose.  This is not to say in the least that his paintings are predetermined and strictly didactic.  Despite their apparently structured appearance they are expressive rather than merely planned and executed, and porous rather than closed in meaning. Witmer’s varied and improvised use of color, surface, form, and material is surprisingly […]

Read more »