Revelation: Major Paintings by Jules Olitski, Kemper Museum of Contemporary Art, Kansas City, MO

jules olitski

Jules Olitski, Prince Patutski Pleasures, 1962 Magna acrylic on canvas 90 x 88 inches May 20 – August 28, 2011 This exhibition draws together more than 30 significant works from public and private collections and highlights important periods and themes from Olitski’s career. With works from his early Stain Paintings of the 1960s to his Late Paintings, this is the first exhibition of the artist’s paintings since his death in 2007. Russian-born artist Jules Olitski […]

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Kenneth Noland: Paintings, 1958-1968, Mitchell-Innes & Nash, New York, NY

mitchell-noland

Installation view March 17 – April 30, 2011 Mitchell-Innes & Nash is pleased to announce its first solo exhibition of paintings by Kenneth Noland, on view in the Chelsea gallery from March 17 – April 30. The exhibition, “Kenneth Noland: Paintings, 1958-1968,” will feature major paintings dating from the artist’s first decade of mature work. It will include significant early examples of the circle, stripe and chevron compositions that would become Noland’s signature forms throughout […]

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Spray!, D’Amelio Terras, New York, NY

damelioterras-spray

Installation view July 8 – August 13, 2010 Participating Artists: Dan Christensen, Keltie Ferris, Katharina Grosse, Jacqueline Humphries, Rosy Keyser, Yayoi Kusama, Robert Moskowitz, Jules Olitski, Stephen Prina, Sterling Ruby, David Smith A valve is opened and thousands of liquid particles of paint are rapidly forced from a sealed pressurized container, emerging as a fine mist. Spray!, a group exhibition that examines artists who have embraced the invention of aerosol spray paint in making art. […]

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Punk Noise & Paint, Interview with Mark Dagley, by Don Voisine

Abstract artist and musician Mark Dagley has been working in New York and Europe for over twenty-five years. Drawing from various postwar art movements and developments: Op Art, Washington Color School, Monochrome Painting, as well as European modes of art making, such as Support/Surface and Radical Painting, Mark has created a diffuse, yet particularly American body of work. Last spring Mark retrieved a group of paintings he had in storage at his parents’ home in […]

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Color as Field: American Painting, 1950-1975, Smithsonian American Art Museum, Washington, DC

    Kenneth Noland, Following Sea, 1974 Acrylic on canvas, 98 x 98 inches February 29 — May 26, 2008 Color field painting, which emerged in the United States in the 1950s, is characterized by pouring, staining, or spraying thinned paint onto raw canvas, creating vast chromatic expanses. Exemplified in the work of Helen Frankenthaler, Morris Louis, Kenneth Noland, Jules Olitski, Larry Poons, and Frank Stella, these paintings constitute one of the crowning achievements of […]

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Color as Field: American Painting, 1950-1975, Denver Art Museum, Denver, Colorado

Morris Louis, Floral V, 1959-60  November 9, 2007 — February 3, 2008 Color field paintings are expansive canvases washed with flat areas of solid color. Color as Field is the first exhibition to bring together the works of major color field painters. The show features about 40 color field paintings and explores their sources, meaning, and impact. The exhibition includes paintings by color field artists such as Helen Frankenthaler, Morris Louis, Kenneth Noland, Jules Olitski, […]

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Robert Yasuda at Elizabeth Harris Gallery, by Michael Brennan

  Robert Yasuda, Coco-Palm (2006) Robert Yasuda’s work stands well in a corner. His current exhibition includes three narrow corner paintings (“Half Full,” “Simple Truth,” and “Bonjour”) that work like studs or posts, rising vertically with a strenuous elegance, adding a sense of rigor to his otherwise atmospheric abstractions. Yasuda has favored the corner for some time, and his work, even in group shows, always seems to shine from that unlikely spot. Formally, they recall […]

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