Turning the World Upside Down, by Rocio Aranda-Alvarado

  A number of previous museum survey exhibitions of 20th-century Latin American art have been hounded by legitimate criticism concerning how specific artworks were read, how categories were named, and how the history of art in the region was characterized. Within this somewhat fraught context, Inverted Utopias: Avant-Garde Art in Latin America, held at the Museum of Fine Arts, Houston, from June 20 to September 12, 2004, takes a refreshing approach to the contribution Latin […]

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