Mark Dagley & John Nixon in Elementary Painting, Kunstmuseum St. Gallen, St. Gallen, Switzerland

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An orange surface on a baking sheet with a simple white frame, or an orange accent on a small-scale canvas...? What is the deciding factor that differentiates painting and crafts as art forms? How do today's artists deal with the starting point of painting since this problem appeared to have been long resolved but is challenged once again by each generation? These are the kind of questions to which the Elementary Painting exhibition at the Kunstmuseum St. Gallen devotes itself: It confronts the classic colour field paintings with situations which initially determine the paintings by their borders.

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The Indiscipline of Painting: International Abstraction from the 1960s to Now, Warwick Arts Centre, Coventry, England

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Bernard Frize, Suite Segond 100 No 3, 1980 Household paint on canvas 51 x 64 inches  January 14 – March 10, 2012 The Indiscipline of Painting is an international group exhibition including works by forty-nine artists from the 1960s to now. Selected by British painter Daniel Sturgis, it considers how the languages of abstraction have remained urgent, relevant and critical as they have been revisited and reinvented by subsequent generations of artists over the last […]

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The Indiscipline of Painting: International Abstraction from the 1960s to Now, Tate St Ives, St Ives, England

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Mary Heilmann, Primalon Ballroom, 2002 October 8, 2011 – January 3, 2012 The Indiscipline of Painting is an international group exhibition including works by forty-nine artists from the 1960s to now. Selected by British painter Daniel Sturgis, it considers how the languages of abstraction have remained urgent, relevant and critical as they have been revisited and reinvented by subsequent generations of artists over the last 50 years. It goes on to demonstrate the way in […]

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Cave Painting, PSM Galerie, Berlin, Germany

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Installation view June 3 – July 18, 2009 PSM announces an exhibition organized by the New York-based critic and curator, Bob Nickas. “Cave Painting,” which brings together works by twenty-seven artists, evolved as a result of Nickas’s research for his book, painting abstraction, to be published in September by Phaidon Press. He initiated the project with months of studio visits in New York, Los Angeles, London, Paris, and Berlin. Most of the artists in the […]

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John M. Armleder: Olivier Mosset New Paintings, Galerie Andrea Caratsch, Zurich, Switzerland

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  Installation view March 7 – March 28, 2009 “I believe the work that is considered to be mine is someone else’s…anybody’s… the whole world. My work is a cultural event, an inevitable event. If all artists were to disappear, art would be produced by others with a different understanding, different means and different materials. As an individual, an artist simply fills a void. He is the means to an end, so that this arrangement, this accumulation of events […]

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