Wall Works, The Painting Center, New York, NY

paintingcenter-wall

Installation view April 28 – May 21, 2011 The Painting Center is pleased to present “Wall Works,” an exhibition of painting, drawing and installation engaging the gallery’s walls as the primary support and framing device. The participating artists are Rob Nadeau, Morgan O’Hara, Nancy Olivier, Jim Osman, Gary Petersen, Steel Stillman and Dannielle Tegeder. Opening the evening of Thursday, April 28, from 6:00 to 8:00 pm, and continuing through May 21, “Wall Works” is curated […]

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Panel Discussion: Daniel G. Hill, Melville House, Brooklyn, NY, June 9, 2010

Daniel Hill discusses his work with Melville House curator, Jim Osman and moderator, Matthew Deleget, co-founder of MINUS SPACE on the occasion of Hill’s exhibit, Print, at Melville House Gallery on June 9, 2010. Print is an exhibition of Daniel Hill’s recent digital prints that use photography, painting and printmaking to investigate surface and light and their role in the formation of images. The work is a meditation on the nature and meaning of the […]

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Daniel G. Hill: Print, Melville House Bookstore, Brooklyn, NY

melville-hill

May 6 – June 25, 2010 Curated by Jim Osman, Print is an exhibition of Hill’s recent digital prints that use photography, painting and printmaking to investigate surface and light and their role in the formation of images. The work is a meditation on the nature and meaning of the digital print in the context of the perplexing network of abstraction, illusion and representation. Daniel Hill has been exhibiting in New York City for over […]

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Jim Osman: New Work, Melville House Bookstore, Brooklyn, NY

Melville House Publishing, Jim Osman

May 29 – August 28, 2009 Widely shown local Brooklyn artist Jim Osman exhibits his beautifully rendered objects that blurr the lines between painting and sculpture with great wit, charm and beauty. Osman uses drawing as a building tool to bring physicality into his work—whether by the thickness of a line, or the way paint sits on a page creating an edge and subtle shadow. The subject matter—a mixture of architectural and furniture forms—helps push/pull […]

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