The Colección Patricia Phelps de Cisneros (CPPC) is proud to partner with MINUS SPACE for this brief presentation of a selection of abstract art from Latin America. The CPPC is a 'museum without walls', a collection dedicated to generating thought and knowledge about the material culture and heritage of Latin America. As such, the collection travels extensively around the world, and also sponsors an active publication and research program.
A key figure of the Paris avant-garde in the 1950s and ’60s, Jesús Soto (1923–2005) is widely recognized for his groundbreaking innovations in color theory, serial composition, and movement in art. Less well-known is the wide range of styles and mediums that he explored early on. Drawing inspiration from optics and serial music, Soto employed repeating geometric forms and superimposed surfaces to convey a sense of physical displacement.
Poul Gernes, Zielscheibenbild / Target B, 1966-68 Opening: March 25, 2010 Curated by Renate Wiehager, “Pictures about Pictures. Discourses in Painting” – is the Daimler Art Collection’s exhibition title for the Museum Moderner Kunst in Vienna. About 130 works ranging from Classical Modernism and the post-war avant-garde via European Zero and Minimalism to international contemporary art are being presented. The exhibition is structured into thematic fields, each of which presents discursive references to historical and current […]
Steven Parrino, Untitled, 1993 October 11, 2009 – January 3, 2010 The MAGASIN is starting its season with a portrait of the artist Olivier Mosset. The exhibition takes the form of a tribute, gathering works by different artists, but never showing Olivier Mossetʼs own work. The artists are of all generations, from Carl André to Stéphane Kropf including the famous group of artists 1m3 among the youngest. As a key figure of the artistic scene […]