Drawing from Code: Works from the Anne and Michael Spalter Collection, deCordova Sculpture Park and Museum, Lincoln, MA

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Jean-Pierre Hébert, Untitled, 2001 Pen and ink 21 x 21 inches January 29 – April 24, 2011 Drawing with Code brings together a selection of computer-generated art by the form’s earliest and most important practitioners from the 1950s to today. The Providence-based collection of Anne and Michael Spalter is one of the largest and most important of its kind in the U.S. and shines a new light onto a darkened corner of the art historical […]

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Digital Pioneers, Victoria and Albert Museum, London, United Kingdom

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Installation view December 7, 2009 – April 25, 2010 This display provides an overview of the first decades of the computer’s history in art and design. It includes some of the earliest computer-generated works in the V&A’s collections, many of which have never been exhibited in the UK before. From the 1960s until the early 1980s, digital pioneers worked directly with computer hardware and software to produce graphic images unlike anything that had gone before. […]

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Imaging by Numbers: A Historical View of the Computer, Space, Color, and Motion, Mary and Leigh Block Museum of Art, Evanston, IL

    Installation view with work by MINUS SPACE artist Manfred Mohr at left January 17 — April 6, 2008 Examining the intersection of digital technology and the graphic arts, Imaging by Numbers surveys the use of computers in printmaking and drawing through approximately 60 works created by nearly 40 North American and European artists from the 1950s to the present. Space, Color, and Motion presents time-based computer artworks by four artists exhibited in the […]

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