Tuesday, April 21, 2009, 6-8pm

Wine bar and hors d’oeuvres

Gary Snyder Project Space
250 West 26th Street
4th floor, between 7th & 8th Ave.
New York, NY 10001

for inquiries please call 646 325 4581

Tickets
$25 NOS Donor
$50 NOS Patron
$100 NOS Benefactor, includes
or more acknowledgment in 2009 catalogue

Raffle
Win a DAN WALSH work
Tickets: 1 for $30, 2 for $50, 5 for $100
All other works for sale $500 and under

Artists:
Andisheh Avini, Tanya Barr, John Beech, Marina Berio, Richard Bottwin, Sharon Brant, Michael Brennan, Eric Brown, Angela Cumberbirch, Mark Dagley, Christoph Dahlhausen, Stephen Dean, Matthew Deleget, Anne Deleporte, Gabriele Evertz, Manuela Filiaci, Kevin Finklea, Linda Francis, Douglas Gordon, Daniel Göttin, Nora Griffin, Gilbert Hsiao, Andrew Huston, Steve Karlik, Tania Kitchell, Karl Klingbiel, Lluis Lleo, Rossana Martinez, Norman Mooney, Matt Mullican, Scott Ogden, Salvatore Panatteri, Jan van der Ploeg, Andreas Reiter Raabe, Judy Rifka, Gary Rough, Jackie Saccoccio, Karen Schifano, Kate Shepherd, Motoe Shiratori, Jason Silva, Melissa Staiger, Tilman, Li-Trincere, Ian Tyson, Don Voisine, Jan Maarten Voskuil, Dan Walsh, Rob Wynne, Michael Zahn & Harry Zernicke

* List in formation

Special thanks to Susan Madden, John Melick and Gary Snyder for their assistance.

If you are unable to attend and would like to make a fully tax deductible contribution,
please make check payable to Non-Objectif Sud send to:

Non-Objectif Sud
560 Lorimer Street, Brooklyn, NY 11211, USA

Non-Objectif Sud is a non-for-profit 501(c) (3), all financial contibutions are tax deductible
to the fullest extent of the law.

Installation view

February 13 – March 7, 2009

Installation view

December 5, 2008 – January 31, 2009

Curated by Tilman & Jan Maarten Voskuil

Participating Artists: Justin Andrews (AU), Karina Bisch (FR), Krysten Cunningham (US), Ward Denys (BE), Terence Haggerty (UK/US), Clemens Hollerer (AT), Simon Ingram (NZ), Fabian Luyten (BE), Camila Oliveira Fairclough (BR/UK), Jeena Shin (NZ), Morgane Tschiember (FR), Lars Wolter (DE), Carrie Yamaoka (US)

On the occasion of the first Brussels Biennial, CCNOA, in cooperation with Brussels-based artist & curator Tilman and Dutch artist & curator Jan Maarten Voskuil, is pleased to present the exhibition YO, MO’ MODERNISM… as part of the Brussels Biennial Off-Program. The exhibitions will feature the work of 25 artists from Belgium, elsewhere in Europe and abroad who investigate the premises of modernism and question and/or highlight aspects and principles of modernism within contemporary art practice.

The terms ‘modernism’ and ‘modern art’ are generally used to describe the succession of art movements that critics and historians have identified since the realism of Courbet, culminating in abstract art and its developments up to the 1960s. The term modernism is used to describe the style and theory of art from the 1880s on lasting into the mid-20th century. It commonly applies to those forward-looking artists, architects and designers who self-consciously rejected the past as a model for the art of the present, advocated a return to the basic fundamentals of art and subsequently created a new and diverse vocabulary. With the invention of photography, the realistic approach to painting and sculpture became unnecessary, and artists began searching for new ways of visualizing and thinking about the nature, materials, and function of art. Freedom of expression, experimentation, and radicalism became constituent parts of their artistic practice. They believed that art should stem from colour and form and not from depiction of the natural world. But modern art has often also been driven by various social and political agendas. These were often utopian, and modernism was in general associated with ideal visions of human life and society and a belief in progress.

Due to the complexity of the subject as well as the size of our exhibition space, YO, MO’ MODERNISM… will be presented in two parts. While part 1 will focus on contemporary artists whose works explicitly expand on and refer to concepts, conceptions and ideals within the modernist movement, part 2 will present works by artists whose artistic practice is no longer driven by the social or metaphysical utopias of the pioneers of modernism, but have taken a rather extroverted stance towards modernist ideas, exploring and expanding on the subtleties of our daily environment as well as on popular culture and its constituents. Dogmatic and pragmatic statements of the heroes of past decades have been replaced by a playful approach towards art-making and its implications today, and have subsequently led to the exploration of other areas of contemporary culture, like sound, architecture, music, generic materials, video, etc. This has broadened the comprehension and perception of abstract art, its forms, functions and validity, and the perspective on the reciprocal transfer between the material realities of art and life.

October 17 – November 31, 2008

On the occasion of the first Brussels Biennial, CCNOA, in cooperation with Brussels-based artist & curator Tilman and Dutch artist & curator Jan Maarten Voskuil, is pleased to present the exhibition YO, MO’ MODERNISM… as part of the Brussels Biennial Off-Program. The exhibitions will feature the work of 34 artists from Belgium, elsewhere in Europe and abroad who investigate the premises of modernism and question and/or highlight aspects and principles of modernism within contemporary art practice.

Participating artists: John Armleder (CH), Krijn de Koning (NL), Fergus Martin (IR), Gerold Miller (DE), John Nixon (AU), Perry Roberts (UK/BE), Michal Skoda (CZ), Esther Stocker (IT/AT), Gerold Tagwerker (AT), Simon Ungers (DE), Beat Zoderer (CH)

In the Project Space: Ingrid Maria Sinibaldi (FR), Julian Dashper (NZ)

In the Multimedia Space, AUSTRIAN ABSTRACTS: dextro (AT), Tina Frank (AT), Karoe Goldt (DE), LIA (AT), Andres Ramirez Gaviria (CO), Michaela Schwentner (AT), Curator / Commissaire Norbert Pfaffenbichler (AT)

Installation view

August 30 — October 5, 2008

Participating artists: Geeske Bijker, Rene van den Bos, Noël Drieghe, Daniel Göttin, Jasper van der Graaf, Arjan Jansen, Ditty Ketting, Jan van der Ploeg, Tonneke Sengers, Jan Maarten Voskuil.

Image by Ward Denys

August 31 — September 14, 2008

Organized by Billy Gruner (AUS), Tilman (D/B) & Jan van der Ploeg (NL) in cooperation with CCNOA Brussels (B). Participating artists include: Julian Dashper (NZ), Koen Delaere (NL), Ward Denys (B), Sacha Goerg (CH/B), Michelle Grabner (USA), Billy Gruner (AUS), Ro Hagers ((NL), Kyle Jenkins (AUS), Sarah Keigherty (AUS), Andrew Leslie (AUS), Gerold Miller (D), Leopoldine Roux (F/B), Ton Schuttelaar (NL), Ingrid-Maria Sinibaldi (F), Michal Skoda (CZ), John Tallman (USA), Tilman (D/B), Jan van der Ploeg (NL), Machiel van Soest (NL), Pieter Vermeersch (B), Jan Maarten Voskuil (NL) & Lars Wolter (D).

August 24 —September 7, 2008

Gallery Le Petit Port in Leiden presents the international group show Leiden Assemblage No. 1. Guest curators and artists Billy Gruner (AUS) and Jan Maarten Voskuil gathered an international group of artists to integrate their work as a ’social assemblage’ in a surround mural by Daniel Gottin (CH). This Swiss artist known for his spatial interventions, often with tape, made a design especially for the front room or window space from Le Petit Port. Invited artists are aside Gottin and the curators Daniel Argyle (AUS), Jasper van der Graaf, Kyle Jenkins (AUS), Andrew Leslie (AUS), Tilman (B), Thomas Wildner, Guido Winkler and Giles Ryder (AUS). They are all working in the ‘Modernist’ field of non objective art. This is an area nowadays often to be described as a decorative quoting or individual appropriation of former visual appearances without the original ideological social concepts. In the Leiden assemblage some of this ideology will be revived. By nature of the space, the window gallery is a prominent part of the street, the show will direct itself to virtual everybody passing by; bringing back in memory the ideal social cultural participation. More important, the group concept drives the artists to modestly submit into a Gesamtkunstwerk.

Installation view

June 26 — August 10, 2008

Thomas Wildner, certain improbability, 1 move, 59 steps, 2006

May 9 — July 5, 2008

Kunstverein Medienturm in Graz presents the group show UNFINISHED BUSINESS – DUTCH ABSTRACTS. The exhibition with Dutch-based artists, working in the field of non-objective /abstract art, features as a second part of a duo exhibition, the first part being AUSTRIAN ABSTRACTS in Amsterdam, 2006. Nowadays, one can sense a new interest in modernism and its variants amongst younger artists all over the world. For Holland and Austria being totally different countries with a very different history in modernism and very different geographic and political positions, it’s interesting to look closer into the local aspects in this usually unlocal territory of art. UNFINISHED BUSINESS is about isolation breaking the isolation. It’s about locality and internationalism, new and traditional ways of generating abstraction and its about progression and reference.  Participating artists include Geeske Bijker, Krijn de Koning, Driessens & Verstappen, Jan Robert Leegte, Peter Luining, Remko Scha, Martijn Schuppers, Jasper van der Graaf, Jan van der Ploeg, Jochem van der Spek, Ab van Hanegem, Jan Maarten Voskuil & Thomas Wildner.

Jan Maarten Voskuil, There Is No Point In Orange, 2008
Acrylic on linen, 60 x 60 x 15 cm

April 25 — May 25, 2008

Installation view with work by Kyle Jenkins

December 8, 2007 — January 15, 2008

The inaugural exhibition at IS featuring international artists Richard van der Aa, Justin Andrews, Sanne Bruggink, Christoph Dahlhausen, Matthew Deleget, Iemke van Dijk, Jasper van der Graaf, Billy Gruner, Clemens Hollerer, Kyle Jenkins, Sarah Keighery, Gracia Khouw, Arjan Janssen, Maike Mei Lan, Rossana Martinez, Jan van der Ploeg, Perry Roberts, Tilman, Jan Maarten Voskuil and Guido Winkler.  Includes original texts by Billy Gruner and Jan Maarten Voskuil.

Installation view of main gallery

Perry Roberts & Emmanuelle Villard

Tilman & Clemens Hollerer

Ward Denis

June 18 — September 23, 2007

Curated by Petra Bungert, Center for Contemporary Non-Objective Art (CCNOA), Pas de soucis …, French for ‘no worries, mate’, conveys the laissez-faire attitude conditional to the noonday heat of southern France. Such an environment may seem antithetical to the rigorous and disciplined art practice, yet one need only think of Paul Cézanne’s tireless gaze upon Mont Ste-Victoire — located not so far away — as he explored and developed a new visual language and human perception that would change the course of art and thus create a cool compatibility between summer nonchalance and artistic thought and exercise. 

This year NOS and CCNOA present the work of 21 international artists — John Armleder, John Beech, Cedric Christie, Ward Denys, Clemens Hollerer, Andrew Huston, Renée Levi, Mathieu Mercier, Gerold Miller, Olivier Mosset, Benjamin Rivière, Perry Roberts, Gerwald Pockenschaub, Léopoldine Roux, Michal Skoda, Tilman & Wolfgang Glum, Emmanuelle Villard, Jan Maarten Voskuil, Dan Walsh, and Beat Zoderer — who explore the boundless territories of abstract, nonobjective, concrete, and conceptual art through a dialogue of form and color, working with an eclectic choice of materials, including industrial-based and found objects. By alternately fusing the abstract, the decorative, and the utilitarian, their works interact on the borders of painting, sculpture, installation, architecture, and video, while presenting a complex visual vocabulary, both playful and serious, and expressing the dynamic diversity and relevance of abstract art practice today.  The exhibition includes large site-specific indoor and outdoor installations, paintings, objects, multiples, audio and video works and is accompanied by a 24-pages full-color publication.

Wednesday, April 18, 2007, 6-9pm

Non Objectif Sud (NOS) is located at La Barralière, a Provençal farm house in the Côtes du Rhône valley, 50 km north of Avignon in France.

NOS is an alternative to the commercial art gallery and institutional space, situated within a rural environment. Once a year, NOS invites several artists to spend a few days at La Barralière and to create works in situ, collaborate and install an exhibition. NOS held its first exhibition in summer 2006 in collaboration with Billy Gruner (director of Sydney Non Objective).

Participating artists Pam Aitken, Andisheh Avini, Jörg Badura, John Beech, Daniel Correlo, Angela Cumberbirch, Matthew Deleget, Anthony Farrell, Manuela Filiaci, Zipora Fried, Hubie Frowein, Pedro Gomez, Yvo Hartmann, Andrew Huston, Kyle Jenkins, Beth Kirkland, Jeremy Kirwan-Ward, Tania Kitchell, Louis Lleó, Rossana Martinez, Clive Murphy, Jan van der Ploeg, Gary Rough, Helen Smith, Tilman, Jan Maarten Voskuil & Michael Zahn.

March 16 — April 19, 2007

Features artists Matilde Alessandra (I), Tom Benson (UK), Julian Dashper (NZL), Ward Denys (B), Zipora Fried (A/USA), Klaas Kloosterboer (NL), Renée Levi (CH), Gerold Miller (D), Perry Roberts (GB/B), Michal Skoda (CZ), Clary Stolte (NL), Jan van der Ploeg (NL), Pieter Vermeersch (B), Emmanuelle Villard (F), Jan Maarten Voskuil (NL) and Guy De Bièvre (B).

Installation view