
March 29 - May 4, 2013

This winter Brooklyn painter and writer Stephen Maine sat down with artist Linda Francis to discuss her involvement in the fields of new music and performance within the greater context of her painting practice.
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Tags: Alexander Calder, Fred Rzewski, Gregory Reeve, Hunter College, I Ching, John Cage, Linda Francis, Malcolm Goldstein, Merce Cunningham, Morton Feldman, Musica Elettronica Viva, Phil Corner, Poetry Project, Robert Rauschenberg, S.E.M. Ensemble, St. Mark's, Stephen Maine, University of New Hampshire
Tags: Bridget McCarthy, Claude Monet, Constance DeJong, Gabriele Evertz, Georges Seurat, Hunter College, Hunter College Times Square Gallery, Joan Reutershan, Josef Albers, Lisa Corinne Davis, Mark Rothko, New York, Nicoline Strom-Jensen, Rotem Linial, Sanford Wurmfeld, Susan Crile, Theresa Andrea Morrison, Willam C. Agee

August 6 - September 17, 2011
MINUS SPACE is pleased to present Pointing a Telescope at the Sun, a group exhibition highlighting abstract color painting by five highly-influential NYC-based artists: Gabriele Evertz, Vincent Longo, Doug Ohlson, Robert Swain, and Sanford Wurmfeld. The exhibition is dedicated to the memory of Doug Ohlson (1936-2010) who passed away last year at age 73.

Changha Hwang, Satellite 3/3, 2010-2011 Acrylic on cotton canvas 28 x 28 inches April 7 – May 7, 2011 Benrimon Contemporary is pleased to announce Three-Fold, Changha Hwang’s first solo exhibition with the gallery. Hwang creates abstract paintings that deal with spatial and temporal notions of painting. The artist’s main concern is the relationship between the “Controlled” and the “Uncontrolled” in the process of composing color, line and shape in painting. Hwang is fascinated by [...]

March 26 - April 30, 2011
MINUS SPACE is delighted to announce the exhibition Li Trincere: Elements. This is the Manhattan-based painter’s first solo exhibition with the gallery. The exhibition will feature a pair of new shaped paintings and a suite of new large pastel drawings on paper.
Tags: Alan Uglow, Daniel Levine, Don Voisine, East Village, Gabriele Bryers Gallery, Galerie Rolf Ricke, Gary Lang, Hunter College, Julian Pretto/Berland Hall, Kamikaze Club, Li Trincere, Mark Dagley, Mission Gallery, Neil Campbell, Olivier Mosset, Pyramid Club, Sharon Brant, Southampton College, Stark Gallery, Steven Parrino, The World

Our fourth VIEWLIST exhibition is conceived by artist and MINUS SPACE director Matthew Deleget.
Ever since I was a graduate student at Pratt Institute in Brooklyn in the mid-1990s, I've been thinking about another art school on the other side of the East River: Hunter College. Since at least the 1950s, Hunter has been and continues to be one of the leading champions of color and abstraction, not to mention painting, among art schools in the United States. Hunter remains a beacon in today's post-everything art world.

October 23 - December 4, 2010
MINUS SPACE is honored to announce the solo exhibition Robert Swain: Primary Research. This is the artist’s first solo exhibition with the gallery and it will focus on his life-long investigation into color sensation.
Tags: Albright-Knox Art Gallery, American Republic Insurance Company, Brazil, City University of New York, College Art Association, Colombia, Columbus Gallery of Fine Arts, Corcoran Gallery of Art, Denver Art Museum, Detroit Institute of Art, Eugene Goossen, Everson Art Museum, France, Gabriele Evertz, Grand Palais, Guatemala, Harris Bank, Hunter College, IBM, John Baldwin, John Simon Guggenheim Memorial Foundation, Johnson & Johnson, Karl Knaths, Kunsthaus Zurich, Kynaston McShine, Marcia Tucker, Massachusetts, Matthew Deleget, Metropolitan Museum of Art, Mexico, Milwaukee Art Museum, Museum of Modern Art, National Endowment for the Arts, New York State Council on the Arts, Nicaragua, Pan-American Highway, Park Place Gallery, Robert Swain, Schering Laboratories, Spain, Switzerland, Tate Gallery, Texas, The American University, Tony Smith, Travenol Laboratories, Tupperware World Headquarters, United Kingdom, University of Buffalo, University of Madrid, Venezuela, Virginia, Virginia Museum of Fine Arts, Walker Art Center, Washington DC, Whitney Museum of American Art, William Agee
Conversations with Robert Swain Directed and edited by Peter Canale Stocan Films, 2010 A 5-part online film series covering the life and work of NYC artist Robert Swain. Interview by Matthew Deleget, artist and founder of MINUS SPACE. Produced to accompany the exhibition Visual Sensations: The Paintings of Robert Swain: 1967 – 2010 at Hunter College/Times Square Gallery in New York, NY, from October 7 – November 13, 2010. Part 1: New York & The [...]

October 7 – November 13, 2010 Opening reception: Thursday, October 7, 6-8pm Curated by Gabriele Evertz with the assistance of Teri Lehner, Jenny Liu, and Rachel Stokoe Visual Sensations: The Paintings of Robert Swain: 1967 – 2010 is the first major New York survey of work by Hunter College Professor of Art Robert Swain. Swain has been a professor at Hunter College since 1968 and is one of the most significant color field painters of [...]

Doug Ohlson (from Artnet Magazine, July 1, 2010) Doug Ohlson, 73, New York painter of sensuous color abstractions, died on June 29 at Bellevue Hospital from injuries suffered from a fall. Born in Cherokee, Iowa, Ohlson served in the Marines before coming to New York in 1961 to pursue a career as an artist. One of the last of a long line of “formalist” painters who sought to give color a pure, non-illusionist pictorial vitality, [...]

Karen Schifano, Gorey, 2009 April 1-30, 2010 BLANK SPACE is pleased to present The Space Between, an exhibition of paintings by artists Karen Schifano and Paige Williams. Both Schifano and Williams’ abstract work in this exhibition focuses on transition, inviting the viewer to experience the tension within and between evocative moments. Exploring shifting spaces, both emotional and literal ? these works are minimalistic yet deceptively complex. Karen Schifano’s Doors paintings are abstract pictures of doors [...]

Marietta Hoferer, Big C-9 (detail), 2010 Pencil and tape on paper, 60 x 60 inches March 6 – April 11, 2010 Marietta Hoferer’s luminous pencil and tape drawings also employ rigorous formal technique but with an entirely different outcome. Hoferer begins her process by laying out a grid in pencil on paper, and then adds layers of tape that shift in tonality over time. The results are shimmering geometric patterns that appear defined by logic [...]

Helio Oiticica & Neville D’Almeida Block-experiment in Cosmococa, CC1 Trashiscapes, 1973 Room installation with slide projectors, sound, mattresses, pillows & nail files February 4 – May 1, 2010 The Hunter College Art Galleries presents an exhibition featuring a rare glimpse into the collaboration between artists Hélio Oiticica and Neville D’Almeida Beyond Participation: Hélio Oiticica and Neville D’Almeida in New York. The collaboration between renowned Brazilian artists Hélio Oitica and Nevielle D’Almeida from the late 1960s [...]

A Letter from the Judd Foundation: November 30, 2009 Dear Friends, I am very pleased to announce the start of the Donald Judd Catalogue Raisonné through the appointment of the Catalogue Raisonné Committee and a Catalogue Raisonné Manager, Katy Rogers. Ms. Rogers, who is currently completing the Robert Motherwell Catalogue Raisonné, will manage the project with the advisement of the committee. The production of a Catalogue Raisonné is a natural extension of our mission to [...]
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Tags: Barbara Hunt McLanahan, Bark Frameworks, Barnett Newman, Brydon Smith, Christie's, Dedalus Foundation, Donald Judd, Dudley Del Balso, Egon Schiele, El Museo del Barrio, Flavin Judd, Germany, Harry N. Abrams, Heidi Colsman-Freyberger, Hunter College, International Art Critics Association, International Print Center New York, James Bruce Dearing, Jasper Johns, Jorg Schellmann, Judd Foundation, Katy Rogers, Mariette Josephus Jitta, Metropolitan Museum of Art, Museum of Fine Arts Houston, Museum of Modern Art, National Gallery of Canada, National Gallery Ottawa, Philipps-Universität, Robert Motherwell, Roberta Smith, Trust for Public Land, Whitney Museum, William C. Agee, Yale University Press

April 25 – June 6, 2009 Charlie James Gallery is pleased to announce LA’s first solo show of internationally renowned artist-activist Steve Lambert. You may have encountered Steve’s work already, though you may not be aware of it. Maybe you saw him interviewed on CNN, or listened to him on NPR. Lambert’s work operates in popular culture, using everyday language and humor to convey ideas that both subvert and expand the worlds of art, free [...]

David Malek, Proposal for a Truncated Infinite Grid (Painting for Robert Barry), 2009 Enamel on panel, 36 x 36 inches March 4 – April 12, 2009 Smith-Stewart presents the US solo debut of New York artist David Malek. The exhibition features twelve new paintings. For Smith-Stewart, Malek produced a series of geometric abstractions in a dynamic color palette that fill an entire wall in the gallery from floor to ceiling. Here Malek is exploring a [...]

Michael Brennan: Knife Paintings MINUS SPACE project space, Brooklyn, 2006 Skeleton Star, Knife Painting #3 (left) Bishop, Knife Painting #2 (right) Jacob Gossett: How long have you been teaching here at Pratt and what brought you to this school? Michael Brennan: I’ve been teaching here for 10 years—I went here for MFA from ’90 to 92. I was out of Pratt for several years, showing some and doing a lot of writing [...]
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Tags: Carl Dreyer, Clyfford Still, Cooper Union, David Batchelor, David Row, Edouard Manet, Gallery 210, Gerry Hayes, Giorgio Morandi, Hunter College, Interviews, Jack Goldstein, Jacob Gossett, Johann Wolfgang von Goethe, Josef Albers, Kollektiv magazine, Linda Francis, Michael Brennan, P.S.1, Pratt Institute, Robert Bresson, Ross Neher, Willem de Kooning, Yasujiro Ozu
Lisa Hamilton, Open Secret, 2008 Oil on canvas, 36 x 32 inches October 17 — November 30, 2008 Jane Kim / Thrust Projects presents works by New York abstract painter Lisa Hamilton. Lisa Hamilton’s work is focused on the process of geometric constructions of color, shape, and line with an assertion of the materiality of paint. Building up and stripping down to the essential elements allows Hamilton to create and juxtapose opposing visual [...]
Purchase on Amazon.com Born in Buffalo, New York, Ad Reinhardt (1913–1967) was a highly influential pioneer of conceptual and minimal art. His influence as teacher, writer, activist and critic was as significant as his art – Reinhardt taught at Brooklyn College from 1947 to 1967, and during this time also lectured at the California School of Fine Arts, the University of Wyoming, Yale University and Hunter College, New York. In latter times Ad Reinhardt [...]
Installation view of Nick Stillman, Cool White, 2007 September 6 — October 20, 2007 Curated by Christa Blatchford, Chad Nelson, and Pierre Obando, the exhibition features Harrell Fletcher, Josh Greene, Fritzia Irizar Rojo, Clifford Owens, John Pilson, Nick Stillman, and MS artist Michael Zahn.
The following interview was published on MINUS SPACE in December 2004 in conjunction with Linda Francis’ spotlight exhibition. Matthew Deleget: I would like to begin our interview with a brief discussion of your background. You were born and raised in New York City (The Bronx). What was you first contact with the arts? Was visual art something that was understood and supported? Linda Francis: At the time, one could get a decent education [...]
Tags: Abhay Ashtekar, Alanna Heiss, Alfred Kren, Allan Kaprow, Andy Warhol, Arnulf Rainer, Art Workers' Coalition, Artnet Magazine, Barry Le Va, Brad Davis, Buckminster Fuller, Carrie Rickey, Carter Ratcliff, Christian Bonnefoi, Condeso/Lawler Gallery, Creative Time, Daisy Youngblood, David Bohm, David Reed, David Shapiro, D’Arcy Thompson, Dia Art Foundation, Doug Ohlson, Eric Fabre, Fischbach Gallery, Food, Francois Morellet, Fred Sandback, Galerie Jean Chauvelin, Gene Goossen, Gene Highstein, Gislain Mollet-Vieville et J. P. Najar, Gregory Reeve, Hal Bromm, Helen Herrick, Henri Matisse, Henri Michaux, Holly Solomon, Hunter College, Ileana Sonnabend, Interviews, James Carroll, James Joyce, Jan Groth, Jane Kaufman, Jasper Johns, Jean Clay, Jean Paul Najar, Joel Shapiro, John Cage, John Weber, Jon and Joanne Hendricks, Jonathan Borofsky, Joseph Beuys, Judy Rifka, Keith Sonnier, Larry Poons, Laurie Anderson, Lee Bontecou, Leo Castelli, Leo Steinberg, Linda Francis, Louis DeBroglie, Louise Bourgeois, Louisiana Museum of Modern Art, Lyman Kipp, Macula, Martin Barre, Matthew Deleget, Mel Bochner, Michael Brennan, Milton Brutten, Museum of Modern Art, New Arts Program, Nicholas Davies, P.S.1, Paula Cooper, Pirogine, Ray Parker, Rene Block, Richard Artschwager, Richard Nonas, Richard Tuttle, Robert Grosvenor, Robert Huot, Robert Kushner, Robert Morris, Robert Rauschenberg, Roberto Matta, Ron Gorchov, Ronnie Bladen, Scientific American, Shusaku Arakawa, Sol Lewitt, Stadtische Galerie im Lenbachhaus, Stephen Paul Miller, Susan Rothenberg, Suzie Harris, Taylor Mead, The Kitchen, Tiffany Bell, Tommy Schmidt, Tony Smith, Town Hall, Twyla Tharp, University of New Hampshire, Ursula Meyer, Vinnie Longo, Werner Heisenberg, Yve-Alain Bois, Yvonne Rainer
The following interview was published on MINUS SPACE in May 2004 in conjunction with Laura Sue Phillip’s spotlight exhibition. Matthew Deleget: Let’s start at the beginning of your career. You grew up in California and did your undergraduate work at the California College of the Arts in San Francisco. A few years later, in the early 1990s, you earned your MFA at Hunter College in New York. What kind of work were you making [...]
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Tags: Andy Goldsworthy, Artist in the Marketplace, Bronx Museum of the Arts, California College of the Arts, David Reed, George W. Bush, Hunter College, Interviews, Joan Mitchell, Jonathan Lasker, Laura Sue Phillips, Lydia Dona, Matthew Deleget, Moira Dryer, Peter Halley, Richard Tuttle, Sean Scully, Sidney Janis Gallery, Sigmund Freud, Tema Celeste, Tom Nozkowski, Valerie Jaudon, Vincent Longo
The following interview was published on MINUS SPACE in March 2004 in conjunction with Richard Bottwin’s spotlight exhibition. Rossana Martinez: I would like to start our interview at the beginning of your career. You came of age as an artist during the early 1970s in and around New York City. What kind of work were you making at that time? Were there any specific artists, exhibitions, or events that had a profound impact on [...]
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Tags: Aleksandr Rodchenko, Christine Pfister, Donald Judd, DUMBO Arts Center, El Lissitsky, Empire-Fulton Ferry State Park, Frank Lloyd Wright, Gallery Joe, Hunter College, Interviews, Joy Glidden, Kazimir Malevich, Kevin Finklea, Le Corbusier, Lehman College, Louis Kahn, Max Bill, Mies Van Der Rohe, Mitchell Giurgola, Museum of Modern Art, Pennsylvania State University, Pentimenti Gallery, Pratt Institute, Richard Bottwin, Rossana Martinez, Tony Smith, Venturi & Rauch, Vladimir Tatlin, Whitney Museum