June 21 — September 20, 2008

H29 presents La Vie en Rond, including nearly 50 artists from Belgium, Europe, the US and Australia. Many of the participating artist have long been working exclusively with the formal vocabulary of the round: meander, dot, circle or shere. The media ranges from wall painting, video, photography, sculpture and performance.

May 24 – June 7, 2008

H29 presented Words Fail Me, a group exhibition featuring artists Steve Karlik, Li-Trincere & Don Voisine. The exhibition was curated by Matthew Deleget, artist and co-founder of MINUS SPACE in Brooklyn, New York.

Abstraction has a tenuous relationship with language. It often eludes description. Words Fail Me included three New York City-based painters, each of whom contributed one painting to the exhibition.

Installation view (left to right):
Li-Trincere, Steve Karlik & Don Voisine

May 3-17, 2008

March 1-15, 2008

February 9-23, 2008

January 12-26, 2008

Sealed Confessions is an exhibition of Tayo Heuser’s latest works on paper. Conceived specifically for H29– an artist-run gallery space in Brussels known as an international showcase for contemporary abstract art–the exhibition marks a shift in the artist’s creative process and brings a “new life” to her current production. The centerpiece of the exhibition is a set of three large abstract drawings including words spelled out across their surfaces: Everything, Conceal, Nothing. Accompanied by another set of three drawings, also abstract in form yet confessional in character; a small sculpture containing written confessions of people concealed with black ink; and a participatory drawing inviting visitors to write and then erase their own confessions, Sealed Confessions explores, as its title suggests, the act of confession as both a declaration of beliefs, intentions, and emotions and a call for privacy, confidentiality, and truth.

November 3-24, 2007

September 22 — October 10, 2007

In this current exhibition Untitled (To Dan Flavin), Salvatore Panatteri is transforming the virtually ‘invisible’, or non-colour, into concrete form so it becomes the focal point of his work. Produced by exposing sheets of photographic paper to the colour temperature of fluorescent light, the resulting series of monochromatic works look at the implication of light to the given environment.

April 21 — May 5, 2007