Pictures about Pictures: Discourses in Painting from Albers to Zobernig, Museum Moderner Kunst, Vienna, Austria

mumok-pictures

Poul Gernes, Zielscheibenbild / Target B, 1966-68 Opening: March 25, 2010 Curated by Renate Wiehager, “Pictures about Pictures. Discourses in Painting” – is the Daimler Art Collection’s exhibition title for the Museum Moderner Kunst in Vienna. About 130 works ranging from Classical Modernism and the post-war avant-garde via European Zero and Minimalism to international contemporary art are being presented. The exhibition is structured into thematic fields, each of which presents discursive references to historical and current […]

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Konkret: The Heinz and Anette Teufel Collection, Kunstmuseum Stuttgart, Stuttgart, Germany

stuttgart-teufel

Zdenek Sykora & Bridget Riley Richard Paul Lohse & Manfred Mohr October 3, 2009 – January 10, 2010 Heinz Teufel, the famous gallery owner and collector, died in 2007. He was a great patron of Concrete Art in Germany. From opening his first gallery in 1966 in Koblenz up to his 1998 activities in Berlin he consequently pursued a stringent gallery profile – independent of the fluctuating fashions of the art world. Including works by […]

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Classical: Modern II — Abstraction, Informel, Stuttgart & Karlsruhe Painting School, Daimler Contemporary, Berlin, Germany

    Domnick Foundation in the Staatsgalerie Stuttgart, 1952 March 7 — June 1, 2008 The Daimler Collection is pleased to announce the exhibition “Classical Modern II” at Daimler Contemporary, Haus Huth, Potsdamer Platz in Berlin. The “Classical : Modern I” exhibition, 2006, largely presented concrete and constructive tendencies in the Daimler Collection from Classical Modernism up to the post-war art period, while the second part of the series intends to introduce the complementary areas […]

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Alma Tischler & Tilman, Gallery Sonja Roesch, Houston, TX

  Alma Tischler (left) & Tilman (right) September 8 — October 27, 2007 Alma Tischler and Tilman were both master students from Guenther Fruhtrunk at the MA Academy in Munich. He is known for his radiating colorful geometrically structured paintings. While rejecting the figure reference, the structure of parallel lines in different thicknesses becomes a pattern where color becomes form as well as figure. Even though both Tischler and Tilman went their own way to […]

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Hartmut Böhm interview with Matthew Deleget

Hartmut Bohm interview with Matthew Deleget, MINUS SPACE

Hartmut Böhm, Quadratrelief 32, 1968 Plexiglas, 127 x 127 x 5.5 cm Peter C. Ruppert Collection Museum im Kultur-speicher, Würzburg, Germany The following interview was published on MINUS SPACE in February 2004 in conjunction with Hartmut Böhm’s spotlight exhibition. Matthew Deleget: I would like to begin our interview – your first published in English – with a brief discussion of the art climate in Germany directly following World War II. You were born in Kassel, […]

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