Julian Dashper in New Caledonia, July 2008

August 7 – September 4, 2010

MINUS SPACE is honored to announce the memorial exhibition Julian Dashper (1960-2009): It Is Life. The exhibition marks the one-year anniversary of the New Zealand artist’s death and it will feature a single work by Julian entitled Future Call, as well as written tributes to him by more than 70 artists internationally.

Julian Dashper is one of the most significant reductive artists of his generation. He was one of MINUS SPACE’s earliest international collaborators and supporters, starting around the time of our inception in 2003. Julian has had a core presence in our project ever since. Renowned for his generosity to others, he was highly esteemed both as an artist and individual, and is dearly missed by his family, friends, and the community of artists. As evident in the written tributes to him by artists to be included in the exhibition, Julian’s practice extended well beyond the walls of his studio. He was a “husband, father, friend, partner, collaborator, teacher, mentor, and advocate”. His life and work directly impacted hundreds of artists and others around the globe. His influence and legacy will continue for many years to come.

For Julian Dashper (1960-2009): It Is Life, MINUS SPACE will present Julian’s work Future Call consisting of a single telephone installed in the gallery that is periodically called from New Zealand, which is 16 hours ahead of New York City, only to be left ringing and unanswered. Traditionally completed by Julian, Future Call will be performed throughout the exhibition by Julian’s wife, artist Marie Shannon.

In addition, more than 70 artists and other individuals from around the globe contributed texts to the exhibition, including personal notes, memories, anecdotes, criticism, correspondence, poems, and elegies:

Soledad Arias, Marcus Bering, Channa Boon, Ralf Brög, Henry Brown & Millicent Borges Accardi, Mary-Louise Browne, Vicente Butron, Melanie Crader & Mick Johnson, Christoph Dahlhausen, Kasarian Dane, Judy Darragh & Rosanna Albertini, Christopher Dean, Matthew Deleget & Rossana Martinez, Ali Duffey, Daniel Feingold, Linda Francis, Alicia Frankovich, Zipora Fried, Andrea Gaskin, Daniel Göttin & Gerda Maise, Michelle Grabner, Billy Gruner & Sarah Keighery, Vaughan Gunson, Jenny Halliday, Lynne Harlow, Miriam Harris, Gilbert Hsiao, William Hsu, Simon Ingram, Kyle Jenkins, Ian Jervis, Jeffrey Cortland Jones, James Juszczyk, Steve Karlik, Mark Kirby, WJM Kok, Keira Kotler, Elodie Lesourd, Stephen Little, Joshua Lux, MariaMaria, Jackie Meier, Moreno Miorelli, Dane Mitchell, Victoria Munro, Geoff Newton, John Nixon, Rose Nolan, Salvatore Panatteri, Carrie Patterson, Nathan Pohio, Gwynneth Porter, Mel Prest, Linda Roche, Layla Rudneva-Mackay, Rene Rusjan, Erik Saxon, Karen Schifano, Marie Shannon, Sandra Smith, Barbara Strathdee, Clary Stolte, Robert Swain, David Thomas, Mandy Thomsett-Taylor, Tilman, Jan van der Ploeg, Machiel van Soest, Erica van Zon, Jan Maarten Voskuil, Isha Welsh, Marcus Williams, Emi Winter, Rachael Wren, Patricia Zarate, and others.

Fittingly, Julian Dashper was born on February 29, 1960 (leap year day). During his career, he mounted more than 140 solo exhibitions of his work worldwide, including in New Zealand, Australia, Asia, Europe, and the United States. In 2001, he was awarded a Fulbright Fellowship to be an artist in residence at the Chinati Foundation in Marfa, TX. A 25-year retrospective of Julian’s work, entitled Midwestern Unlike You and Me, curated by Christopher Cook and David Raskin, traveled the United States during 2005-2006, making stops at the Sioux City Art Center, IA; Sheldon Memorial Art Gallery, NE; and Ulrich Museum of Art, KS. Julian’s work was included in our comprehensive group exhibition MINUS SPACE at P.S.1 Contemporary Art Center in NYC in 2008-2009. Julian died on July 30, 2009, and is survived by his wife Marie Shannon and their teenage son Leo.

SUPPORT
We would like to thank artists Marie Shannon, Victoria Munro, and Jan van der Ploeg for their tremendous assistance in organizing this exhibition. We would also like to thank all of the artists who contributed heartfelt texts to the show. MINUS SPACE’s programming is made possible by the generous support of The Golden Rule Foundation, as well as individual donors. We thank you!

PRESS
Summer Group Shows, by Robert Shuster, Village Voice, August 25, 2010
Julian Dashper: It Is Life at MINUS SPACE, by Tana Mitchell, PROCESS Blog, August 18, 2010
Julian Dashper (1960-2009): It Is Life at MINUS SPACE, James Kalm Report, August 8, 2010
A Must-See, Artlog, August 7, 2010
Artlog’s Top Art & Culture Picks, Huffington Post, August 4, 2010
Be Prepared to Go With the Flow, by Adam Gifford, New Zealand Herald, July 31, 2010

MINUS SPACE
98 4th Street, Buzzer #28
Brooklyn, NY 11231
> directions

Works from the 25 – 25 IS (2010) on the floor at SNO
(l to r, t to b) Tilman, Tallman, Heerkens, Hallard, Hsiao,
Arts, Voskuil, Winkler, Andrews, Roux, Dahlhausen,
Van Der Graaf, Deleget, Van Der Aa

August 7-29, 2010

Solo Installations
Guido Winkler & Iemke van Dijk

25 -25 IS Box
The 25 – 25 IS box contains work of 25 artists at 25 x25 cm. The edition consists of 75 boxes. Available at 395 EUR / 575 AUD. Participating artists include: Justin Andrews, Linda Arts, Chris Ashley, Sanne Bruggink, Christoph Dahlhausen, Matthew Deleget, Rene Eicke, Billy Gruner, Brent Hallard, Jose Heerkens, Gilbert Hsiao, Arjan Janssen, Sarah Keighery, Alexandra Roozen, Leopoldine Roux, Giles Ryder, Clary Stolte, John Tallman, Tilman, Richard Van Der Aa, Iemke Van Dijk, Jasper Van Der Graaf, Henriette Van ‘t Hoog, Jan Maarten Voskuil and Guido Winkler.

IS Group Show
Participating artists include: Jose Heerkens, Henriette van ‘t Hoog, Arjan Janssen, Jasper van der Graaf and Jan Maartin Voskuil

Gilbert Hsiao, Quiet Fire, 2010
Acrylic on wood, 70 cm x 70 cm

June 10 – July 25, 2010

dr. julius | ap is pleased to announce Gilbert Hsiao: Light Noise, a solo exhibition of new paintings by the Berlin-based artist. Hsiao will present a suite of new acrylic paintings on irregularly-shaped wooden panels.

For more than twenty years, Hsiao has explored the mechanics of visual perception. His paintings of the past decade are characterized by their use of intricately overlayed, exacting stripes of color. Hsiao’s new paintings on view at dr. julius | ap highlight his recent adoption of shaped wooden panels. The shapes created an active, continuously shifting surface, with no traditional sense of top or bottom, left or right. Hsiao new paintings seem to simultaneously defy both the eye and one’s sense of gravity.

In making his work, Hsiao uses two crucial tools: masking tape and an industrial paint sprayer. His palette is broad and leans toward the industrial, often utilizing metallic, fluorescent, and iridescent colors. Unlike much reductive, pattern-based painting, however, Hsiao approaches his practice spontaneously and makes each painting intuitively. In other words, Hsiao’s paintings are not executed according to a predetermined plan, but rather are the sum of a series of improvised decisions.

After 30 years in Brooklyn, NY, USA, Gilbert Hsiao (b. 1956, USA) now lives and works in Berlin, Germany. His work has been exhibited internationally, including in the United States, Australia, New Zealand, The Netherlands, and Germany. He recently mounted solo exhibition at Gallery Sonja Roesch (Houston) and MINUS SPACE (Brooklyn). Recent group exhibitions include P.S.1 Contemporary Art Center / MoMA (New York), McKenzie Fine Art (New York), IS Projects (Leiden, The Netherlands), Sydney Non Objective (Australia), and Gesellschaft für Kunst und Gestaltung (Bonn). Hsiao was awarded a Fellowship in Painting from the New York Foundation for the Arts in 2008. His work is included in a number of public, corporate, and private collections worldwide.

Mark Dagley, Final Sequence, 2007
Acrylic on canvas, 10 x 10 inches

April 22 – May 8, 2010
Floor Talk: Wednesday, April 21, 12noon

The Engine Room
Massey University
East End Block 1
Wallace Street
Wellington, New Zealand
T: 801 5799 x62170
Hours: Tuesday-Saturday, 12-4pm
web site

MINUS SPACE is delighted to announce the group exhibition Escape from New York at The Engine Room, Massey University, Wellington, New Zealand, from April 22 – May 8, 2010.

Curated by Matthew Deleget, the exhibition surveys reductive strategies by 29 artists living in and around New York City. Each artist will present a single small work, as well as an open letter to the local community of artists.

Escape from New York originated at Sydney Non Objective, Sydney, Australia, in 2007, and later traveled to Curtin University in Perth in 2008 and Project Space Spare Room, RMIT University in Melbourne in 2009.

Participating Artists:
Soledad Arias, Richard Bottwin, Sharon Brant, Michael Brennan, Bibi Calderaro, Mark Dagley, Gabriele Evertz, Daniel Feingold, Kevin Finklea, Linda Francis, Zipora Fried, Julio Grinblatt, Lynne Harlow, Gilbert Hsiao, Andrew Huston, Steve Karlik, Daniel Levine, Sylvan Lionni, Rossana Martinez, Juan Matos Capote, Manfred Mohr, Karen Schifano, Analia Segal, Edward Shalala, Robert Swain, Li-Trincere, Don Voisine, Douglas Witmer & Michael Zahn

Also on view at The Engine Room: Collective Monochrome: Billy Gruner & Sarah Keighery.

SUPPORT
MINUS SPACE extends a BIG THANKS to artists Simon Morris (NZ) and Billy Gruner (AUS) for traveling the exhibition to Wellington. Additional thanks goes to the staff of The Engine Room and Massey University for their support of the exhibition.

MINUS SPACE’s programming is made possible by the generous support of The Golden Rule Foundation, as well as individual donors. We thank you!

Installation views

Participating Artists:
Douglas Allsop, Dieter Balzer, Rafael Barrios, Michael Burges, Freddy Chandra, Carlos Cruz-Diez, Carlos Estrada-Vega, Brad Howe, Gilbert Hsiao, Jae Ko, Hans Kotter, Camill Leberer, Milen Miltchev, Manfred Mohr, Dany Paal, Jürgen Paas, Frank Piasta, Regine Schumann, Kane Shimoosake, Klaus Staudt, Gaby Terhuven, Wolfram Ullrich, Achim Zeman

September 12 – October 31, 2009

Gallery Sonja Roesch announces a solo exhibition of recent work by Gilbert Hsiao, featuring perceptually-based abstraction painted on shaped wooden panels. Hsiao has been exploring the mechanics of visual perception since the 1980s. The viewer perceives oscillation through the illusion of a continuous wave produced by the physiological experience of space and movement. Meticulously layered stripes in tightly woven structures create a musical rhythm and repose.

“Shape/Anti-Shape” showcases Hsiao’s recent exploration of the use of irregularly shaped supports as a means of organizing pictorial space. The result is a continuously moving surface, which is reinforced through the shape of the painting. Metallic and fluorescent paint is applied with a vintage compressorless sprayer, creating a textured surface that makes these paintings an absorbing experience whether viewed close up or from a distance.

Gilbert Hsiao currently lives and works in Berlin, Germany, after thirty years in Brooklyn, New York. He studied Art History at Columbia University before receiving his BFA from Pratt Institute in Brooklyn. His work has been exhibited internationally, most recently in Australia, the Netherlands, and Germany as well as in the United States, where he exhibited at P.S.1 in New York. Hsiao is a recent recipient of a fellowship in painting from the New York Foundation for the Arts and is represented in a number of private, corporate and public collections.

Work by Gilbert Hsiao

August 1-30, 2009

July 31 – August 29, 2009

We are pleased to announce our summer group exhibition Open House for Butterflies featuring work by seven international reductive artists.

Participating artists include:

Justin Andrews (Melbourne, Australia)
Hartmut Böhm (Berlin, Germany)
Michelle Grabner (Chicago)
Daniel Göttin (Basel, Switzerland)
Gilbert Hsiao (Berlin, Germany / NYC)
Victoria Munro (NYC / Auckland, New Zealand)
Karen Schifano (NYC)

We are also delighted to announce our new flatfiles and bookstore. Our flatfiles feature works by select reductive artists working around the globe, including drawings, prints, photographs, works on paper, editions, and multiples. Some paintings, sculpture, and design objects are also available. Our bookstore features dozens of publications on reductive art and ideas on the international level, including artist monographs, exhibition catalogs, journals, ephemera, and select vintage books.

SUPPORT
MINUS SPACE’s programming is made possible by the generous support of The Golden Rule Foundation, as well as individual donors. We thank you!

MINUS SPACE
98 4th Street, Brooklyn, NY 11231
between Hoyt + Bond | Carroll Gardens / Gowanus
Hours: Fridays & Saturdays, 12-6pm
Directions

Brent Hallard, Spa-t_kiss, 2009
Japanese acrylic resin on plastic paper,
mounted on layers (white-grey-white) of corrugated plastic

June 6 – July 5, 2009

IS projects is pleased to announce a new project entitled Kosmos, featuring a selection of work by artists working with light and space: Brent Hallard, Jose Heerkens, Gilbert Hsiao, Caroline de Lannoy, and Giles Ryder.

May 8-29, 2009

RMIT University School of Art and Sydney Non Objective present contemporary non-objective practice from MINUS SPACE New York. A survey of reductive strategies by artists living in and around New York City. Presenting a single work from each artist, as well as an open letter to the artist community affiliated with RMIT Non Objective.  The exhibition originated at Sydney Non Objective in 2007, and later travelled to Curtin University in Perth in 2008.

Participating Artists
Soledad Arias, Richard Bottwin, Sharon Brant, Michael Brennan, Bibi Calderaro, Mark Dagley, Gabriele Evertz, Daniel Feingold, Kevin Finklea, Linda Francis, Zipora Fried, Julio Grinblatt, Lynne Harlow, Gilbert Hsiao, Andrew Huston, Steve Karlik, Daniel Levine, Sylvan Lionni, Rossana Martinez, Juan Matos Capote, Manfred Mohr, Karen Schifano, Analia Segal, Edward Shalala, Robert Swain, Li-Trincere, Don Voisine, Douglas Witmer & Michael Zahn 

SUPPORT
MINUS SPACE is a sponsored project of the New York Foundation for the Arts. Funding for this exhibition has been generously provided by the Golden Rule Foundation.

MINUS SPACE extends a heartfelt thanks to artists David Thomas and Billy Gruner for bringing the show to Melbourne!  Additional thanks to Daniel Argyle for his assistance.

Tuesday, April 21, 2009, 6-8pm

Wine bar and hors d’oeuvres

Gary Snyder Project Space
250 West 26th Street
4th floor, between 7th & 8th Ave.
New York, NY 10001

for inquiries please call 646 325 4581

Tickets
$25 NOS Donor
$50 NOS Patron
$100 NOS Benefactor, includes
or more acknowledgment in 2009 catalogue

Raffle
Win a DAN WALSH work
Tickets: 1 for $30, 2 for $50, 5 for $100
All other works for sale $500 and under

Artists:
Andisheh Avini, Tanya Barr, John Beech, Marina Berio, Richard Bottwin, Sharon Brant, Michael Brennan, Eric Brown, Angela Cumberbirch, Mark Dagley, Christoph Dahlhausen, Stephen Dean, Matthew Deleget, Anne Deleporte, Gabriele Evertz, Manuela Filiaci, Kevin Finklea, Linda Francis, Douglas Gordon, Daniel Göttin, Nora Griffin, Gilbert Hsiao, Andrew Huston, Steve Karlik, Tania Kitchell, Karl Klingbiel, Lluis Lleo, Rossana Martinez, Norman Mooney, Matt Mullican, Scott Ogden, Salvatore Panatteri, Jan van der Ploeg, Andreas Reiter Raabe, Judy Rifka, Gary Rough, Jackie Saccoccio, Karen Schifano, Kate Shepherd, Motoe Shiratori, Jason Silva, Melissa Staiger, Tilman, Li-Trincere, Ian Tyson, Don Voisine, Jan Maarten Voskuil, Dan Walsh, Rob Wynne, Michael Zahn & Harry Zernicke

* List in formation

Special thanks to Susan Madden, John Melick and Gary Snyder for their assistance.

If you are unable to attend and would like to make a fully tax deductible contribution,
please make check payable to Non-Objectif Sud send to:

Non-Objectif Sud
560 Lorimer Street, Brooklyn, NY 11211, USA

Non-Objectif Sud is a non-for-profit 501(c) (3), all financial contibutions are tax deductible
to the fullest extent of the law.

Installation in cafe space

Exhibition in cafe space continues until May 2009.

(Boiler Room exhibition closed on January 26, 2009.)  

MINUS SPACE
Curated by Phong Bui
P.S.1 Contemporary Art Center
A Museum of Modern Art Affiliate
Long Island City, NY  

The exhibition is curated by artist, Brooklyn Rail publisher, and P.S.1. Curatorial Advisor Phong Bui, and includes the work of 54 artists from 14 countries. The exhibition marks MINUS SPACE’s 5th anniversary.

Participating Artists
Soledad Arias, Shinsuke Aso, Marcus Bering, Hartmut Böhm, Richard Bottwin, Sharon Brant, Michael Brennan, Henry Brown, Vicente Butron, Bibi Calderaro, Melanie Crader, Mark Dagley, Julian Dashper, Christopher Dean, Matthew Deleget, Lynne Eastaway, Gabriele Evertz, Daniel Feingold, Kevin Finklea, Linda Francis, Zipora Fried, Daniel Göttin, Julio Grinblatt, Billy Gruner, Terry Haggerty, Lynne Harlow, Gilbert Hsiao, Andrew Huston, Simon Ingram, Inverted Topology, Kyle Jenkins, Mick Johnson, Steve Karlik, Sarah Keighery, Andrew Leslie, Daniel Levine, Sylvan Lionni, Lotte Lyon, Gerhard Mantz, Rossana Martinez, Juan Matos Capote, Douglas Melini, Manfred Mohr, Salvatore Panatteri, Dirk Rathke, Karen Schifano, Analia Segal, Edward Shalala, Tilman, Li-Trincere, Jan van der Ploeg, Don Voisine, Douglas Witmer & Michael Zahn

Ongoing Performance
Bibi Calderaro: PRESENT
Thursdays, 1-4pm, and Saturdays, 12-3pm, in the P.S.1 Cafe

Gary Petersen, Smashed, 2008
Oil on canvas, 56 x 40 inches

January 8 – February 7, 2009

This exhibition examines many of the ways in which artists use line as the dominant element in creating abstract imagery. Mark Dagley’s paintings of spherical webs of interlaced lines reference information technologies, the development of social networking sites and the global environment of interdependence while reflecting systems of interconnectedness, both spiritual and mechanistic. Gilbert Hsiao’s optically-charged, shaped canvases are painted in a reductive but vibrant palette and rely on simple, repeated patterns to achieve an overall complexity and visceral sensation in the viewer. Using camera-less photography techniques, Maureen McQuillan’s silvery networks of shadowy line create strange, unsteady images of light and focus, suggesting perceptions of both natural and virtual phenomena. In Gelah Penn’s site-specific installation, The Naked Kiss, the artist manipulates colored monofilaments and other tendril-like materials to reveal the complexities of movement and flowing expansion and the accretion of lines and shadows. Tautly bending, acid-hued bands of color compress and expand space in Gary Petersen’s paintings. Brightly colored parallel lines playfully flex, angle and curve as they define voids and create movement. In late 2001 Mary Temple began making ink on vellum drawings of a repeated and overlapping elliptical shape. Each drawing is identified with the number of discrete marks it contains and is part of a series she created to complete one million of these individual gestures.

Exhibition poster

October 19, 2008 – May 4, 2009

(Daniel Göttin’s ceiling work in the cafe continues through summer 2009)

We are delighted to announce our exhibition at P.S.1 Contemporary Art Center, an affiliate of The Museum of Modern Art in New York. P.S.1 is one of the oldest and largest non-profit arts centers in the United States solely devoted to contemporary art.

The exhibition is curated by artist, Brooklyn Rail publisher, and P.S.1. Curatorial Advisor Phong Bui, and includes the work of 54 artists from 14 countries. The exhibition marks MINUS SPACE’s 5th anniversary.

We greatly thank curator Phong Bui and the remarkable staff at P.S.1, the participating artists and their galleries, and our generous donors, whose financial support made this exhibition possible.

Participating Artists
Soledad Arias, Shinsuke Aso, Marcus Bering, Hartmut Böhm, Richard Bottwin, Sharon Brant, Michael Brennan, Henry Brown, Vicente Butron, Bibi Calderaro, Melanie Crader, Mark Dagley, Julian Dashper, Christopher Dean, Matthew Deleget, Lynne Eastaway, Gabriele Evertz, Daniel Feingold, Kevin Finklea, Linda Francis, Zipora Fried, Daniel Göttin, Julio Grinblatt, Billy Gruner, Terry Haggerty, Lynne Harlow, Gilbert Hsiao, Andrew Huston, Simon Ingram, Inverted Topology, Kyle Jenkins, Mick Johnson, Steve Karlik, Sarah Keighery, Andrew Leslie, Daniel Levine, Sylvan Lionni, Lotte Lyon, Gerhard Mantz, Rossana Martinez, Juan Matos Capote, Douglas Melini, Manfred Mohr, Salvatore Panatteri, Dirk Rathke, Karen Schifano, Analia Segal, Edward Shalala, Tilman, Li-Trincere, Jan van der Ploeg, Don Voisine, Douglas Witmer & Michael Zahn

Ongoing Performance
Bibi Calderaro: PRESENT
Thursdays, 1-4pm, and Saturdays, 12-3pm, in the P.S.1 Cafe

Interview
MINUS SPACE: The Art of Reduction, by Phong Bui
P.S.1 Newspaper, Fall/Winter 2008

Press / Blogs
Drunkard’s Walk vs. PMU, Ethan Ham blog, December 18, 2008

MINUS SPACE at P.S.1 Contemporary Art Center / MoMA, Abstract Contemporary Art Blog, December 18, 2008

Top Ten 2008, by Jerry Saltz, Artnet Magazine, December 15, 2008 (MINUS SPACE is cited in #10)

The Year in Art: The Top Nine Shows (and One Event), by Jerry Saltz, New York Magazine, December 7, 2008 (MINUS SPACE is cited in #10)

Michael Brennan at 210 Gallery and P.S.1, by Paul Corio, November 16, 2008

Interview with Simon Ingram / MINUS SPACE exhibition at P.S.1, New York, Vernissage TV, November 10, 2008

MINUS SPACE, by Eva Lake, November 10, 2008

MINUS SPACE at P.S.1, The James Kalm Report, November 2, 2008

Update, Henri Art Magazine, November 1, 2008

Reductive Art at P.S.1, by Jon Meyer, October 25, 2008

Gallery Credits
Hartmut Böhm courtesy of Bartha Contemporary, London, UK
Richard Bottwin courtesy of Pentimenti Gallery, Philadelphia, PA; Metaphor Contemporary Art, Brooklyn, NY
Sharon Brant courtesy of Elizabeth Moore Fine Art, New York, NY
Melanie Crader courtesy of Gallery Sonja Roesch, Houston, TX
Mark Dagley courtesy of Abaton Garage, Jersey City, NJ
Julian Dashper courtesy of Esso Gallery, New York, NY
Matthew Deleget courtesy of Gallery Sonja Roesch, Houston, TX
Gabriele Evertz courtesy of Ober Gallery, Kent, CT
Daniel Feingold courtesy of Gabinete de Arte Raquel Arnaud, Sao Paolo, Brazil
Kevin Finklea courtesy of Margaret Thatcher Projects, New York, NY; Pentimenti Gallery, Philadelphia, PA
Daniel Göttin courtesy of Hebel_121, Basel, Switzerland
Julio Grinblatt courtesy of Ruth Benzacar Galeria de Arte, Buenos Aires, Argentina; Galeria Baro-Cruz, Sao Paulo, Brazil; Laura Marsiaj Arte Contemporanea, Rio de Janeiro, Brazil
Terry Haggerty courtesy of Andreas Grimm Gallery, New York, NY
Lynne Harlow courtesy of Cade Tompkins Editions, Providence, RI
Gilbert Hsiao courtesy of Gallery Sonja Roesch, Houston, TX
Andrew Huston courtesy of Elizabeth Moore Fine Art, New York, NY
Simon Ingram courtesy of Gow Langsford Gallery, Auckland, New Zealand
Mick Johnson courtesy of Gallery Sonja Roesch, Houston, TX
Steve Karlik courtesy of Anita Schwartz Galeria de Arte, Rio de Janeiro, Brazil
Andrew Leslie courtesy of Annandale Galleries, Sydney, Australia; John Buckley Gallery, Melbourne, Australia
Sylvan Lionni courtesy of Freight + Volume, New York, NY
Lotte Lyon courtesy of Aoyama Meguro, Tokyo, Japan
Rossana Martinez courtesy of Gallery Sonja Roesch, Houston, TX
Manfred Mohr courtesy of Bitforms Gallery, New York, NY
Dirk Rathke courtesy of Gallery Sonja Roesch, Houston, TX 
Analia Segal courtesy of DPM Gallery, Miami, FL; Guayaquil, Ecuador
Tilman courtesy of CCNOA center for contemporary non-objective art, Brussels, Belgium
Jan van der Ploeg courtesy of Aschenbach & Hofland Galleries, Amsterdam, The Netherlands
Don Voisine courtesy of Abaton Garage, Jersey City, NJ; McKenzie Fine Art, New York, NY
Michael Zahn courtesy of Eleven Rivington, New York, NY

Additional Credits
Poster & Flash Animation: Level Design Studio

IS projects announces its second limited edition box featuring work by the artists from the show ‘The Speed of Colour’. This box contains 5 pigment piezo prints (including a folding sculptural pop up piece) and one silkscreen. This is a limited edition of 41 sets and sells for 235 Euros. Boxes may be ordered from guido[at]guidowinkler.com.

Includes prints by Henriëtte van ‘t Hoog (pop-up), John de rijke (silkscreen), John Tallman, Gilbert Hsiao, Eric de Nie & Tony Harding.  Essay by Marijke Uittenbroek. Dimensions 30×42cm.

Henriette van ‘t Hoog, Untitled, 2008
Acrylic on wall, 113 x 190 x 50 cm

June 15 — July 13, 2008

Participating artists include Eric De Nie, Tony Harding, Gilbert Hsiao, John De Rijke, John Tallman, and Henriette van ‘t Hoog. Accompanied with an edition of 6 prints, 30 x 42cm, 235 euros.

2008 Artists’ Fellowships
New York Foundation for the Arts, NYC

Gilbert Hsiao
Painting Fellowship

Gilbert Hsiao
Encounter, 2006
Acrylic on wood panel
30 inches diameter

Douglas Melini
Painting Fellowship

Douglas Melini
Tight Resemblances, 2005
Acrylic on canvas
26 x 22 inches

183rd Annual Invitational Exhibition
National Academy Museum, NYC

Edward Shalala
Leo Meissner Prize in Graphics

Edward Shalala
Untitled: String as Painting in Nature, 2006
Photograph

Don Voisine
H. W. Ranger Fund 
Purchase Award

Don Voisine
AVA, 2006
Oil on wood
50 x 40 inches

An exhibition examining pattern painting in the information age, featuring four NYC-based artists Henry Brown, Terry Haggerty, Gilbert Hsiao & Douglas Melini.

The title of the exhibition, Machine Learning, is inspired by a part of artificial intelligence concerned with the development of algorithms that allow computers to “learn”.   Machine learning recognizes patterns within massive sets of information and has a wide range of real-world applications, the most ubiquitous of which is the Internet search engine.

The exhibition Machine Learning examines the relationship between abstraction and the information age, and presents four artists making new forms of pattern-based painting. The exhibition raises multiple questions.  How has abstraction responded to the irresistible siren call of the Internet?  How has abstraction digested the appearance, logic, and behavior of the Internet?  And finally, with every conceivable kind of information now available at the click of a mouse, what are contemporary abstract artists’ core concerns?

The exhibition originated at The Boyden Gallery, St. Mary’s College of Maryland, St. Mary’s City, MD in September 2007, and then traveled to The Painting Center, New York, NY in December 2007. A color catalog accompanies the exhibition.

SUPPORT
Machine Learning is a sponsored project of the New York Foundation for the Arts.  The exhibition, tour, and catalog are made possible by grants from the Wolf Kahn & Emily Mason Foundation, The Golden Rule Foundation, and Louise & Anne Abrons Foundation.

PRESS
Machine Learning: Reductive artists get to the point, by Olivia Flores Alvarez, Houston Press, March 9, 2007
The Front Row: Machine Leaning at Gallery Sonja Roesch, Interview with Henry Brown, Matthew Deleget & Gilbert Hsiao, Houston Public Radio (KUHF.FM), April 24, 2008

An exhibition examining pattern painting in the information age, featuring four NYC-based artists Henry Brown, Terry Haggerty, Gilbert Hsiao & Douglas Melini, with a special project room installation by Michael Zahn. 

The title of the exhibition, Machine Learning, is inspired by a part of artificial intelligence concerned with the development of algorithms that allow computers to “learn”.   Machine learning recognizes patterns within massive sets of information and has a wide range of real-world applications, the most ubiquitous of which is the Internet search engine.

The exhibition Machine Learning examines the relationship between abstraction and the information age, and presents four artists making new forms of pattern-based painting. The exhibition raises multiple questions.  How has abstraction responded to the irresistible siren call of the Internet?  How has abstraction digested the appearance, logic, and behavior of the Internet?  And finally, with every conceivable kind of information now available at the click of a mouse, what are contemporary abstract artists’ core concerns?

The exhibition will later travel to Gallery Sonja Roesch in Houston, TX.  A catalog accompanied the exhibition.

SUPPORT
Machine Learning is a sponsored project of the New York Foundation for the Arts.  The exhibition, tour, and catalog are made possible by grants from the Wolf Kahn & Emily Mason Foundation, The Golden Rule Foundation, and Louise & Anne Abrons Foundation.

PRESS
Intelligent Design, by John Goodrich, New York Sun, December 27, 2007

An exhibition examining pattern painting in the information age, featuring four NYC-based artists Henry Brown, Terry Haggerty, Gilbert Hsiao & Douglas Melini.

The title of the exhibition, Machine Learning, is inspired by a part of artificial intelligence concerned with the development of algorithms that allow computers to “learn”. Machine learning recognizes patterns within massive sets of information and has a wide range of real-world applications, the most ubiquitous of which is the Internet search engine.

The exhibition Machine Learning examines the relationship between abstraction and the information age, and presents four artists making new forms of pattern-based painting. The exhibition raises multiple questions. How has abstraction responded to the irresistible siren call of the Internet? How has abstraction digested the appearance, logic, and behavior of the Internet? And finally, with every conceivable kind of information now available at the click of a mouse, what are contemporary abstract artists’ core concerns?

The exhibition will later travel to New York and Houston. A color catalog accompanies the exhibition

SUPPORT
Machine Learning is a sponsored project of the New York Foundation for the Arts. The exhibition, tour, and catalog are made possible by grants from the Wolf Kahn & Emily Mason Foundation, The Golden Rule Foundation, and Louise & Anne Abrons Foundation.