Mark Dagley, Final Sequence, 2007
Acrylic on canvas, 10 x 10 inches

April 19 – May 8, 2010
Opening: Wednesday, April 21, 2010

A survey of reductive strategies by artists living in and around New York City. Presenting a single work from each artist, as well as an open letter to the artist community affiliated with RMIT Non Objective. The exhibition originated at Sydney Non Objective in 2007, and later travelled to Curtin University in Perth in 2008.

Participating Artists
Soledad Arias, Richard Bottwin, Sharon Brant, Michael Brennan, Bibi Calderaro, Mark Dagley, Gabriele Evertz, Daniel Feingold, Kevin Finklea, Linda Francis, Zipora Fried, Julio Grinblatt, Lynne Harlow, Gilbert Hsiao, Andrew Huston, Steve Karlik, Daniel Levine, Sylvan Lionni, Rossana Martinez, Juan Matos Capote, Manfred Mohr, Karen Schifano, Analia Segal, Edward Shalala, Robert Swain, Li-Trincere, Don Voisine, Douglas Witmer & Michael Zahn

SUPPORT
MINUS SPACE extends a BIG THANKS to artists Simon Morris and Billy Gruner for traveling the exhibition to Wellington! Additional thanks goes to the staff of The Engine Room and Massey University for their support of the exhibition.

MINUS SPACE’s programming is made possible by the generous support of The Golden Rule Foundation, as well as individual donors. We thank you!

September 12 – October 31, 2009

Gallery Sonja Roesch announces a solo exhibition of recent work by Gilbert Hsiao, featuring perceptually-based abstraction painted on shaped wooden panels. Hsiao has been exploring the mechanics of visual perception since the 1980s. The viewer perceives oscillation through the illusion of a continuous wave produced by the physiological experience of space and movement. Meticulously layered stripes in tightly woven structures create a musical rhythm and repose.

“Shape/Anti-Shape” showcases Hsiao’s recent exploration of the use of irregularly shaped supports as a means of organizing pictorial space. The result is a continuously moving surface, which is reinforced through the shape of the painting. Metallic and fluorescent paint is applied with a vintage compressorless sprayer, creating a textured surface that makes these paintings an absorbing experience whether viewed close up or from a distance.

Gilbert Hsiao currently lives and works in Berlin, Germany, after thirty years in Brooklyn, New York. He studied Art History at Columbia University before receiving his BFA from Pratt Institute in Brooklyn. His work has been exhibited internationally, most recently in Australia, the Netherlands, and Germany as well as in the United States, where he exhibited at P.S.1 in New York. Hsiao is a recent recipient of a fellowship in painting from the New York Foundation for the Arts and is represented in a number of private, corporate and public collections.

Work by Gilbert Hsiao

August 1-30, 2009

July 31 – August 29, 2009
New Hours: Fridays & Saturdays, 12-6pm
There is no opening event for this exhibition.

MINUS SPACE project space
98 4th Street, Brooklyn, NY 11231
between Hoyt + Bond | Carroll Gardens / Gowanus
Hours: Fridays & Saturdays, 12-6pm
Directions | Downtown Brooklyn Galleries Map

We are pleased to announce our summer group exhibition Open House for Butterflies featuring work by seven international reductive artists.

Participating artists include:

Justin Andrews (Melbourne, Australia)
Hartmut Böhm (Berlin, Germany)
Michelle Grabner (Chicago)
Daniel Göttin (Basel, Switzerland)
Gilbert Hsiao (Berlin, Germany / NYC)
Victoria Munro (NYC / Auckland, New Zealand)
Karen Schifano (NYC)

We are also delighted to announce our new flatfiles and bookstore. Our flatfiles feature works by select reductive artists working around the globe, including drawings, prints, photographs, works on paper, editions, and multiples. Some paintings, sculpture, and design objects are also available. Our bookstore features dozens of publications on reductive art and ideas on the international level, including artist monographs, exhibition catalogs, journals, ephemera, and select vintage books.

SUPPORT
MINUS SPACE’s programming is made possible by the generous support of The Golden Rule Foundation, as well as individual donors. We thank you!

Brent Hallard, Spa-t_kiss, 2009
Japanese acrylic resin on plastic paper,
mounted on layers (white-grey-white) of corrugated plastic

June 6 – July 5, 2009

IS projects is pleased to announce a new project entitled Kosmos, featuring a selection of work by artists working with light and space: Brent Hallard, Jose Heerkens, Gilbert Hsiao, Caroline de Lannoy, and Giles Ryder.

May 8-29, 2009

RMIT University School of Art and Sydney Non Objective present contemporary non-objective practice from MINUS SPACE New York. A survey of reductive strategies by artists living in and around New York City. Presenting a single work from each artist, as well as an open letter to the artist community affiliated with RMIT Non Objective.  The exhibition originated at Sydney Non Objective in 2007, and later travelled to Curtin University in Perth in 2008.

Participating Artists
Soledad Arias, Richard Bottwin, Sharon Brant, Michael Brennan, Bibi Calderaro, Mark Dagley, Gabriele Evertz, Daniel Feingold, Kevin Finklea, Linda Francis, Zipora Fried, Julio Grinblatt, Lynne Harlow, Gilbert Hsiao, Andrew Huston, Steve Karlik, Daniel Levine, Sylvan Lionni, Rossana Martinez, Juan Matos Capote, Manfred Mohr, Karen Schifano, Analia Segal, Edward Shalala, Robert Swain, Li-Trincere, Don Voisine, Douglas Witmer & Michael Zahn 

MINUS SPACE is a sponsored project of the New York Foundation for the Arts. Funding for this exhibition has been generously provided by the Golden Rule Foundation.

MINUS SPACE extends a heartfelt thanks to artists David Thomas and Billy Gruner for bringing the show to Melbourne!  Additional thanks to Daniel Argyle for his assistance.

Tuesday, April 21, 2009, 6-8pm

Wine bar and hors d’oeuvres

Gary Snyder Project Space
250 West 26th Street
4th floor, between 7th & 8th Ave.
New York, NY 10001

for inquiries please call 646 325 4581

Tickets
$25 NOS Donor
$50 NOS Patron
$100 NOS Benefactor, includes
or more acknowledgment in 2009 catalogue

Raffle
Win a DAN WALSH work
Tickets: 1 for $30, 2 for $50, 5 for $100
All other works for sale $500 and under

Artists:
Andisheh Avini, Tanya Barr, John Beech, Marina Berio, Richard Bottwin, Sharon Brant, Michael Brennan, Eric Brown, Angela Cumberbirch, Mark Dagley, Christoph Dahlhausen, Stephen Dean, Matthew Deleget, Anne Deleporte, Gabriele Evertz, Manuela Filiaci, Kevin Finklea, Linda Francis, Douglas Gordon, Daniel Göttin, Nora Griffin, Gilbert Hsiao, Andrew Huston, Steve Karlik, Tania Kitchell, Karl Klingbiel, Lluis Lleo, Rossana Martinez, Norman Mooney, Matt Mullican, Scott Ogden, Salvatore Panatteri, Jan van der Ploeg, Andreas Reiter Raabe, Judy Rifka, Gary Rough, Jackie Saccoccio, Karen Schifano, Kate Shepherd, Motoe Shiratori, Jason Silva, Melissa Staiger, Tilman, Li-Trincere, Ian Tyson, Don Voisine, Jan Maarten Voskuil, Dan Walsh, Rob Wynne, Michael Zahn & Harry Zernicke

* List in formation

Special thanks to Susan Madden, John Melick and Gary Snyder for their assistance.

If you are unable to attend and would like to make a fully tax deductible contribution,
please make check payable to Non-Objectif Sud send to:

Non-Objectif Sud
560 Lorimer Street, Brooklyn, NY 11211, USA

Non-Objectif Sud is a non-for-profit 501(c) (3), all financial contibutions are tax deductible
to the fullest extent of the law.

Installation in cafe space

Exhibition in cafe space continues until May 2009.

(Boiler Room exhibition closed on January 26, 2009.)  

MINUS SPACE
Curated by Phong Bui
P.S.1 Contemporary Art Center
A Museum of Modern Art Affiliate
Long Island City, NY  

The exhibition is curated by artist, Brooklyn Rail publisher, and P.S.1. Curatorial Advisor Phong Bui, and includes the work of 54 artists from 14 countries. The exhibition marks MINUS SPACE’s 5th anniversary.

Participating Artists
Soledad Arias, Shinsuke Aso, Marcus Bering, Hartmut Böhm, Richard Bottwin, Sharon Brant, Michael Brennan, Henry Brown, Vicente Butron, Bibi Calderaro, Melanie Crader, Mark Dagley, Julian Dashper, Christopher Dean, Matthew Deleget, Lynne Eastaway, Gabriele Evertz, Daniel Feingold, Kevin Finklea, Linda Francis, Zipora Fried, Daniel Göttin, Julio Grinblatt, Billy Gruner, Terry Haggerty, Lynne Harlow, Gilbert Hsiao, Andrew Huston, Simon Ingram, Inverted Topology, Kyle Jenkins, Mick Johnson, Steve Karlik, Sarah Keighery, Andrew Leslie, Daniel Levine, Sylvan Lionni, Lotte Lyon, Gerhard Mantz, Rossana Martinez, Juan Matos Capote, Douglas Melini, Manfred Mohr, Salvatore Panatteri, Dirk Rathke, Karen Schifano, Analia Segal, Edward Shalala, Tilman, Li-Trincere, Jan van der Ploeg, Don Voisine, Douglas Witmer & Michael Zahn

Ongoing Performance
Bibi Calderaro: PRESENT
Thursdays, 1-4pm, and Saturdays, 12-3pm, in the P.S.1 Cafe

Gary Petersen, Smashed, 2008
Oil on canvas, 56 x 40 inches

January 8 – February 7, 2009

This exhibition examines many of the ways in which artists use line as the dominant element in creating abstract imagery. Mark Dagley’s paintings of spherical webs of interlaced lines reference information technologies, the development of social networking sites and the global environment of interdependence while reflecting systems of interconnectedness, both spiritual and mechanistic. Gilbert Hsiao’s optically-charged, shaped canvases are painted in a reductive but vibrant palette and rely on simple, repeated patterns to achieve an overall complexity and visceral sensation in the viewer. Using camera-less photography techniques, Maureen McQuillan’s silvery networks of shadowy line create strange, unsteady images of light and focus, suggesting perceptions of both natural and virtual phenomena. In Gelah Penn’s site-specific installation, The Naked Kiss, the artist manipulates colored monofilaments and other tendril-like materials to reveal the complexities of movement and flowing expansion and the accretion of lines and shadows. Tautly bending, acid-hued bands of color compress and expand space in Gary Petersen’s paintings. Brightly colored parallel lines playfully flex, angle and curve as they define voids and create movement. In late 2001 Mary Temple began making ink on vellum drawings of a repeated and overlapping elliptical shape. Each drawing is identified with the number of discrete marks it contains and is part of a series she created to complete one million of these individual gestures.

Exhibition poster

October 19, 2008 – May 4, 2009

(Daniel Göttin’s ceiling work in the cafe continues through summer 2009)

We are delighted to announce our exhibition at P.S.1 Contemporary Art Center, an affiliate of The Museum of Modern Art in New York. P.S.1 is one of the oldest and largest non-profit arts centers in the United States solely devoted to contemporary art.

The exhibition is curated by artist, Brooklyn Rail publisher, and P.S.1. Curatorial Advisor Phong Bui, and includes the work of 54 artists from 14 countries. The exhibition marks MINUS SPACE’s 5th anniversary.

We greatly thank curator Phong Bui and the remarkable staff at P.S.1, the participating artists and their galleries, and our generous donors, whose financial support made this exhibition possible.

Participating Artists
Soledad Arias, Shinsuke Aso, Marcus Bering, Hartmut Böhm, Richard Bottwin, Sharon Brant, Michael Brennan, Henry Brown, Vicente Butron, Bibi Calderaro, Melanie Crader, Mark Dagley, Julian Dashper, Christopher Dean, Matthew Deleget, Lynne Eastaway, Gabriele Evertz, Daniel Feingold, Kevin Finklea, Linda Francis, Zipora Fried, Daniel Göttin, Julio Grinblatt, Billy Gruner, Terry Haggerty, Lynne Harlow, Gilbert Hsiao, Andrew Huston, Simon Ingram, Inverted Topology, Kyle Jenkins, Mick Johnson, Steve Karlik, Sarah Keighery, Andrew Leslie, Daniel Levine, Sylvan Lionni, Lotte Lyon, Gerhard Mantz, Rossana Martinez, Juan Matos Capote, Douglas Melini, Manfred Mohr, Salvatore Panatteri, Dirk Rathke, Karen Schifano, Analia Segal, Edward Shalala, Tilman, Li-Trincere, Jan van der Ploeg, Don Voisine, Douglas Witmer & Michael Zahn

Ongoing Performance
Bibi Calderaro: PRESENT
Thursdays, 1-4pm, and Saturdays, 12-3pm, in the P.S.1 Cafe

Interview
MINUS SPACE: The Art of Reduction, by Phong Bui
P.S.1 Newspaper, Fall/Winter 2008

Press / Blogs
Drunkard’s Walk vs. PMU, Ethan Ham blog, December 18, 2008

MINUS SPACE at P.S.1 Contemporary Art Center / MoMA, Abstract Contemporary Art Blog, December 18, 2008

Top Ten 2008, by Jerry Saltz, Artnet Magazine, December 15, 2008 (MINUS SPACE is cited in #10)

The Year in Art: The Top Nine Shows (and One Event), by Jerry Saltz, New York Magazine, December 7, 2008 (MINUS SPACE is cited in #10)

Michael Brennan at 210 Gallery and P.S.1, by Paul Corio, November 16, 2008

Interview with Simon Ingram / MINUS SPACE exhibition at P.S.1, New York, Vernissage TV, November 10, 2008

MINUS SPACE, by Eva Lake, November 10, 2008

MINUS SPACE at P.S.1, The James Kalm Report, November 2, 2008

Update, Henri Art Magazine, November 1, 2008

Reductive Art at P.S.1, by Jon Meyer, October 25, 2008

Gallery Credits
Hartmut Böhm courtesy of Bartha Contemporary, London, UK
Richard Bottwin courtesy of Pentimenti Gallery, Philadelphia, PA; Metaphor Contemporary Art, Brooklyn, NY
Sharon Brant courtesy of Elizabeth Moore Fine Art, New York, NY
Melanie Crader courtesy of Gallery Sonja Roesch, Houston, TX
Mark Dagley courtesy of Abaton Garage, Jersey City, NJ
Julian Dashper courtesy of Esso Gallery, New York, NY
Matthew Deleget courtesy of Gallery Sonja Roesch, Houston, TX
Gabriele Evertz courtesy of Ober Gallery, Kent, CT
Daniel Feingold courtesy of Gabinete de Arte Raquel Arnaud, Sao Paolo, Brazil
Kevin Finklea courtesy of Margaret Thatcher Projects, New York, NY; Pentimenti Gallery, Philadelphia, PA
Daniel Göttin courtesy of Hebel_121, Basel, Switzerland
Julio Grinblatt courtesy of Ruth Benzacar Galeria de Arte, Buenos Aires, Argentina; Galeria Baro-Cruz, Sao Paulo, Brazil; Laura Marsiaj Arte Contemporanea, Rio de Janeiro, Brazil
Terry Haggerty courtesy of Andreas Grimm Gallery, New York, NY
Lynne Harlow courtesy of Cade Tompkins Editions, Providence, RI
Gilbert Hsiao courtesy of Gallery Sonja Roesch, Houston, TX
Andrew Huston courtesy of Elizabeth Moore Fine Art, New York, NY
Simon Ingram courtesy of Gow Langsford Gallery, Auckland, New Zealand
Mick Johnson courtesy of Gallery Sonja Roesch, Houston, TX
Steve Karlik courtesy of Anita Schwartz Galeria de Arte, Rio de Janeiro, Brazil
Andrew Leslie courtesy of Annandale Galleries, Sydney, Australia; John Buckley Gallery, Melbourne, Australia
Sylvan Lionni courtesy of Freight + Volume, New York, NY
Lotte Lyon courtesy of Aoyama Meguro, Tokyo, Japan
Rossana Martinez courtesy of Gallery Sonja Roesch, Houston, TX
Manfred Mohr courtesy of Bitforms Gallery, New York, NY
Dirk Rathke courtesy of Gallery Sonja Roesch, Houston, TX 
Analia Segal courtesy of DPM Gallery, Miami, FL; Guayaquil, Ecuador
Tilman courtesy of CCNOA center for contemporary non-objective art, Brussels, Belgium
Jan van der Ploeg courtesy of Aschenbach & Hofland Galleries, Amsterdam, The Netherlands
Don Voisine courtesy of Abaton Garage, Jersey City, NJ; McKenzie Fine Art, New York, NY
Michael Zahn courtesy of Eleven Rivington, New York, NY

Additional Credits
Poster & Flash Animation: Level Design Studio

IS projects announces its second limited edition box featuring work by the artists from the show ‘The Speed of Colour’. This box contains 5 pigment piezo prints (including a folding sculptural pop up piece) and one silkscreen. This is a limited edition of 41 sets and sells for 235 Euros. Boxes may be ordered from guido[at]guidowinkler.com.

Includes prints by Henriëtte van ‘t Hoog (pop-up), John de rijke (silkscreen), John Tallman, Gilbert Hsiao, Eric de Nie & Tony Harding.  Essay by Marijke Uittenbroek. Dimensions 30×42cm.

Henriette van ‘t Hoog, Untitled, 2008
Acrylic on wall, 113 x 190 x 50 cm

June 15 — July 13, 2008

Participating artists include Eric De Nie, Tony Harding, Gilbert Hsiao, John De Rijke, John Tallman, and Henriette van ‘t Hoog. Accompanied with an edition of 6 prints, 30 x 42cm, 235 euros.

2008 Artists’ Fellowships
New York Foundation for the Arts, NYC

Gilbert Hsiao
Painting Fellowship

Gilbert Hsiao
Encounter, 2006
Acrylic on wood panel
30 inches diameter

Douglas Melini
Painting Fellowship

Douglas Melini
Tight Resemblances, 2005
Acrylic on canvas
26 x 22 inches

183rd Annual Invitational Exhibition
National Academy Museum, NYC

Edward Shalala
Leo Meissner Prize in Graphics

Edward Shalala
Untitled: String as Painting in Nature, 2006
Photograph

Don Voisine
H. W. Ranger Fund 
Purchase Award

Don Voisine
AVA, 2006
Oil on wood
50 x 40 inches

March 8 – May 3, 2008

An exhibition examining pattern painting in the information age, featuring four NYC-based artists Henry Brown, Terry Haggerty, Gilbert Hsiao & Douglas Melini.

The title of the exhibition, Machine Learning, is inspired by a part of artificial intelligence concerned with the development of algorithms that allow computers to “learn”.   Machine learning recognizes patterns within massive sets of information and has a wide range of real-world applications, the most ubiquitous of which is the Internet search engine.

The exhibition Machine Learning examines the relationship between abstraction and the information age, and presents four artists making new forms of pattern-based painting. The exhibition raises multiple questions.  How has abstraction responded to the irresistible siren call of the Internet?  How has abstraction digested the appearance, logic, and behavior of the Internet?  And finally, with every conceivable kind of information now available at the click of a mouse, what are contemporary abstract artists’ core concerns?

The exhibition originated at The Boyden Gallery, St. Mary’s College of Maryland, St. Mary’s City, MD in September 2007, and then traveled to The Painting Center, New York, NY in December 2007. A color catalog accompanies the exhibition.

* Machine Learning is a sponsored project of the New York Foundation for the Arts.  The exhibition, tour, and catalog are made possible by grants from the Wolf Kahn & Emily Mason Foundation, The Golden Rule Foundation, and Louise & Anne Abrons Foundation.

Press
Machine Learning: Reductive artists get to the point, by Olivia Flores Alvarez, Houston Press, March 9, 2007
The Front Row: Machine Leaning at Gallery Sonja Roesch, Interview with Henry Brown, Matthew Deleget & Gilbert Hsiao, Houston Public Radio (KUHF.FM), April 24, 2008

November 27 – December 22, 2007

An exhibition examining pattern painting in the information age, featuring four NYC-based artists Henry Brown, Terry Haggerty, Gilbert Hsiao & Douglas Melini, with a special project room installation by Michael Zahn. 

The title of the exhibition, Machine Learning, is inspired by a part of artificial intelligence concerned with the development of algorithms that allow computers to “learn”.   Machine learning recognizes patterns within massive sets of information and has a wide range of real-world applications, the most ubiquitous of which is the Internet search engine.

The exhibition Machine Learning examines the relationship between abstraction and the information age, and presents four artists making new forms of pattern-based painting. The exhibition raises multiple questions.  How has abstraction responded to the irresistible siren call of the Internet?  How has abstraction digested the appearance, logic, and behavior of the Internet?  And finally, with every conceivable kind of information now available at the click of a mouse, what are contemporary abstract artists’ core concerns?

The exhibition will later travel to Gallery Sonja Roesch in Houston, TX.  A catalog accompanied the exhibition.

* Machine Learning is a sponsored project of the New York Foundation for the Arts.  The exhibition, tour, and catalog are made possible by grants from the Wolf Kahn & Emily Mason Foundation, The Golden Rule Foundation, and Louise & Anne Abrons Foundation.

Press
Intelligent Design, by John Goodrich, New York Sun, December 27, 2007

September 4-28, 2007

An exhibition examining pattern painting in the information age, featuring four NYC-based artists Henry Brown, Terry Haggerty, Gilbert Hsiao & Douglas Melini.

The title of the exhibition, Machine Learning, is inspired by a part of artificial intelligence concerned with the development of algorithms that allow computers to “learn”. Machine learning recognizes patterns within massive sets of information and has a wide range of real-world applications, the most ubiquitous of which is the Internet search engine.

The exhibition Machine Learning examines the relationship between abstraction and the information age, and presents four artists making new forms of pattern-based painting. The exhibition raises multiple questions. How has abstraction responded to the irresistible siren call of the Internet? How has abstraction digested the appearance, logic, and behavior of the Internet? And finally, with every conceivable kind of information now available at the click of a mouse, what are contemporary abstract artists’ core concerns?

The exhibition will later travel to New York and Houston. A color catalog accompanies the exhibition

* Machine Learning is a sponsored project of the New York Foundation for the Arts. The exhibition, tour, and catalog are made possible by grants from the Wolf Kahn & Emily Mason Foundation, The Golden Rule Foundation, and Louise & Anne Abrons Foundation.

August 3 – September 2, 2007

A group exhibition surveying reductive strategies by artists living in and around New York City. Each artist will present a single work, as well as an open letter to the artist community affiliated with Sydney Non Objective.

Participating Artists:
Soledad Arias, Richard Bottwin, Sharon Brant, Michael Brennan, Bibi Calderaro, Mark Dagley, Gabriele Evertz, Daniel Feingold, Kevin Finklea, Linda Francis, Zipora Fried, Julio Grinblatt, Lynne Harlow, Gilbert Hsiao, Andrew Huston, Steve Karlik, Daniel Levine, Sylvan Lionni, Rossana Martinez, Juan Matos Capote, Manfred Mohr, Karen Schifano, Analia Segal, Edward Shalala, Robert Swain, Li-Trincere, Don Voisine, Douglas Witmer & Michael Zahn

> SNO 30 Catalog

* Escape from New York is a sponsored project of the New York Foundation for the Arts.  Funding has been generously provided by The Golden Rule Foundation.

Letters

Soledad Arias > view letter

Richard Bottwin > view letter

Sharon Brant > view letter

Michael Brennan > view letter

Bibi Calderaro > view letter

Mark Dagley > view letter

Gabriele Evertz > view letter

Daniel Feingold > view letter

Kevin Finklea > view letter

Linda Francis > view letter

Zipora Fried > view letter

Julio Grinblatt > view letter

Lynne Harlow > view letter

Gilbert Hsiao > view letter

Andrew Huston > view letter

Steve Karlik > view letter

Daniel Levine > view letter

Sylvan Lionni > view letter

Rossana Martinez > view letter

Juan Matos Capote > view letter

Manfred Mohr > view letter

Karen Schifano > view letter

Analia Segal > view letter

Edward Shalala > view letter

Robert Swain > view letter

Li-Trincere  > view letter

Don Voisine > view letter

Douglas Witmer > view letter part 1 / letter part 2

Michael Zahn > view letter

Gilbert Hsiao, Encounter, 2006
Sprayed acrylic on wood panel, 42 x 42 inches

Gabriele Evertz, Motion Parallax, 1998
Acrylic on canvas, 72 x 72 inches

March 8 — April 14, 2007

Curated by Robert C. Morgan, exhibition includes Bridget Riley, Richard Anuszkiewicz, Julian Stanczak, Victor Vasarely, Josef Albers, Sandford Wurmfeld, Robert Swain, Gabriele Evertz, Rakuko Natio, Gilbert Hsiao, Soon Ja Han, Jon Groom, Beverly Fishman, Ryszard Wasko, and Michelle Hinebrook.  Curated by Robert C. Morgan.  A catalog will accompany the exhibition.  There will also be an artists talk on March 9 at 6pm, Pratt Manhattan, Room 213 with Jan Groom, Soonja Han, Ryszard Wasko, and Sanford Wurmfeld.

September 2006

Brooklyn artist Gilbert Hsiao’s installation consisted of experimental striped paintings on rowlux (vinyl with an iridescent appearance), as well as a curated selection of record album covers that relate to, have influenced or resemble his work.