Revolt | Reform | Result, Rocket, London, England

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Rocket/Jonathan Stephenson presents the first London exhbition dedicated to Post-War Domestic Dutch Furniture by Friso Kramer, Wim Rietveld, Martin Visser, Cees Braakman, Rudolf Wolf, and others. Furniture, objects, books, and graphics from the 1950s, 60s, and 70s are exhibited from Dutch manufacturers such as De Cierkel, Pastoe, 't Spectrum, Gispen, Auping, and Tomado.

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Mondrian in Paris: 1912 – 1938, Centre Pompidou, Paris, France

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Piet Mondrian, Composition en rouge, bleu et blanc II, 1937 Mondrian / Holtzman trust. Collection Centre Pompidou, RMN December 1, 2010 – March 21, 2011 A new exhibition studies the interwoven progress of the artistic movement De Stijl and Piet Mondrian, its leading figure. This important retrospective is the very first in France to shed light on this key moment in the history of 20th century art. Beginning towards the end of the century’s first […]

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Van Doesburg and the International Avant-Garde: Constructing a New World, Stedelijk Museum De Lakenhal, Leiden, The Netherlands

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Theo van Doesburg Cornelis van Eesteren, Model Maison d’Artiste, 1923 Reconstruction 1982 Collection Gemeentemuseum Den Haag October 20, 2009 – January 3, 2010 In close cooperation with Tate Modern in London, Stedelijk Museum De Lakenhal in Leiden presents a major exhibition on Theo van Doesburg (1883-1931), and this artist’s influence on the international avant-garde. Energetically and enthusiastically, Van Doesburg broke new ground as the initiator, ambassador, promoter and organiser of the new art. The 300-plus […]

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Minimalism and After I: Objects for Imaginative and Real Use, Daimler Contemporary, Berlin, Germany

  Nic Hess, König Gerrit [King Gerrit], 2007 (detail) September 21, 2007 — January 27, 2008 The Daimler Art Collection presents the exhibition Minimalism and Applied I at Daimler Contemporary, Haus Huth, Potsdamer Platz in Berlin. The exhibition explores the relationship that exists between minimalist formal language and applied art. As the subtitle of the exhibition suggests these ‘transfers’ can be useful for imagination, association and play. Our exhibition at the same time represents the […]

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