| posts tagged ‘Gabriele Evertz’ |
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Escape from New York, Curated by Matthew Deleget, The Engine Room, Massey University, Wellington, New Zealandposted April 22nd, 2010
Mark Dagley, Final Sequence, 2007 April 22 – May 8, 2010 The Engine Room MINUS SPACE is delighted to announce the group exhibition Escape from New York at The Engine Room, Massey University, Wellington, New Zealand, from April 22 – May 8, 2010. Curated by Matthew Deleget, the exhibition surveys reductive strategies by 29 artists living in and around New York City. Each artist will present a single small work, as well as an open letter to the local community of artists. Escape from New York originated at Sydney Non Objective, Sydney, Australia, in 2007, and later traveled to Curtin University in Perth in 2008 and Project Space Spare Room, RMIT University in Melbourne in 2009. Participating Artists: Also on view at The Engine Room: Collective Monochrome: Billy Gruner & Sarah Keighery. SUPPORT MINUS SPACE’s programming is made possible by the generous support of The Golden Rule Foundation, as well as individual donors. We thank you! Continuing Color Abstraction, The Painting Center, New York, NYposted April 9th, 2010
Gabriele Evertz, Contrast and Assimilation April 13 – May 8, 2010 The Painting Center presents Continuing Color Abstraction curated by Rella Stuart-Hunt. This invitational exhibition includes Lisa Abbott-Canfield, Carla Aurich, Ellen Banks, Siri Berg, Audrey Bergensten, Doug Canfield, Beth Caspar, Sherri Cobb, Dan Crews, Gabriele Evertz, Halsey Hathaway, Changa Hwang, Joanne Klein, Charles Koegel, Charlotte Nicholson, Pierre Obando, Susan Post, Shawn Powell, Russell Roberts, James Vanderberg, Ken Weathersby and Jean Wolff. Color abstraction has been a subject for painters for almost a century. The innovative masters of this genre in the early 20th century made a concerted decision to create space directly through the experience of canvas and paint as an object in itself. By the sensual experience and further contemplation of their works, these artists opened up the possibilities in paint for visual meaning to take place in the eye/mind of the viewer. These 22 painters continue to explore and discover ways of using color and paint on canvas. Though the earlier practitioners tended to live and paint during a time when life seemed to be moving at a slower pace, these artists, by their very choice to use paint on canvas as their medium, express themselves today in counterpoint to the barrage of fast-paced media constantly vying for ones attention. Their art may invite a quiet response or an intellectually and visually challenging one, or a balance between these two; but seen as a whole the exhibition Continuing Color Abstraction presents a visual conversation among artists who are deliberately creating a more or a less structured use of color and space. It is to be hoped that individually and by juxtaposition, these paintings will elicit a slower paced response by the viewer. Escape from New York, Curated by Matthew Deleget, Project Space Spare Room, RMIT University, Melbourne, Australiaposted May 8th, 2009
May 8-29, 2009 RMIT University School of Art and Sydney Non Objective present contemporary non-objective practice from MINUS SPACE New York. A survey of reductive strategies by artists living in and around New York City. Presenting a single work from each artist, as well as an open letter to the artist community affiliated with RMIT Non Objective. The exhibition originated at Sydney Non Objective in 2007, and later travelled to Curtin University in Perth in 2008. Participating Artists SUPPORT MINUS SPACE extends a heartfelt thanks to artists David Thomas and Billy Gruner for bringing the show to Melbourne! Additional thanks to Daniel Argyle for his assistance.
FINAL WEEKEND: MINUS SPACE at P.S.1 Contemporary Art Center/MoMAposted May 1st, 2009
Installation view Closes Monday, May 4, 2009 The exhibition is curated by artist, Brooklyn Rail publisher, and P.S.1. Curatorial Advisor Phong Bui. The exhibition marks MINUS SPACE’s 5th anniversary. We greatly thank curator Phong Bui and the remarkable staff at P.S.1, the participating artists and their galleries, and our generous donors, whose financial support made this exhibition possible. Exhibiting Artists PLEASE NOTE: Our exhibition in P.S.1’s Boiler Room space closed on January 26, 2009. Non-Objectif Sud 2009 Fundraiser, Gary Snyder Project Space, New York, NYposted April 21st, 2009
Tuesday, April 21, 2009, 6-8pm Wine bar and hors d’oeuvres Gary Snyder Project Space for inquiries please call 646 325 4581 Tickets Raffle Artists: * List in formation Special thanks to Susan Madden, John Melick and Gary Snyder for their assistance. If you are unable to attend and would like to make a fully tax deductible contribution, Non-Objectif Sud Non-Objectif Sud is a non-for-profit 501(c) (3), all financial contibutions are tax deductible Color Exchange: Gabriele Evertz, Julian Jackson, Susanne Jung & Gabriele Schade-Hasenberg, Metaphor Contemporary Art, Brooklyn, NYposted March 20th, 2009
Gabriele Evertz, Four Blues + Green, 2008 March 27 – April 26, 2009 Berlin-New York Metaphor Contemporary Art presents the exhibition COLOR EXCHANGE: BERLIN / NEW YORK featuring the work of four painters; Gabriele Evertz, Julian Jackson, Susanne Jung and Gabriele Schade-Hasenberg. This exhibition was organized by Gabriele Evertz and Galerie Parterre in Berlin, where it was on view in Berlin January 28 – March 1, 2009. The exhibition is accompanied by a full color brochure catalog in English and German with an essay by the eminent Berlin contemporary color theorist and art historian, Dr. Matthias Bleyl, published by Galerie Parterre, Berlin. The exhibition was supported in part by the Berlin Senate Cultural Affairs Department. These four painters, two from Berlin, two from New York, stake out unique positions on the nature of color’s impact on our psyche, extending the bounderies of the objective laws of color behavior in order to make for surprising and subjective experiences. As Gabriele Evertz states in her curatorial statement; “This phenomenological approach insists on the primacy of the viewer’s dynamic experience. [each artist is] concerned with a systematic investigation of color phenomena based on scientific inquiry and perceptual observation. What unites all four artists is their adherence to color as the sole content in painting, which allows for pictorial elements to be organized according to sensations… much in the manner of Albers, Reinhardt, and Rothko. Upon reflection, sympathetic insights can turn into perceptive revelations.” As Dr. Matthias Bleyl states in his catalog notes; “both New Yorkers [Evertz, Jackson], despite their individual styles, tend towards a polychromatic palette, whereas both Berliners [ Jung, Schade-Hasenberg], tend towards a restrained, almost monochromatic color scheme.” Gabriele Evertz was born in Berlin, Germany and received her early education there. After settling in the US she studied at Pratt Institute and then Hunter College where she received a Master’s Degree in Painting in 1990. Currently, Gabriele Evertz presents her work at P.S.1 / MoMA with the group Minus Space. Also in 2008, her paintings were on view at Metaphor Contemporary Art, the Painting Center, and the Sideshow Gallery, all in New York, and at the Ulrich Museum in Wichita, Kansas. Gabriele Evertz is member of the American Abstract Artists. Her work can be found in numerous private and public collections and museums in the US and abroad. Gabriele Evertz received awards from the DAAD and the Foundation for the Arts. She participated in panel discussions, as visiting critic, and as external examiner in the Netherlands. She has organized exhibitions and writes on color problems in painting. She is an Associate Professor of Art at Hunter College, City University of New York. Julian Jackson was born in Richmond, Virginia, USA. He studied painting, printmaking, photography, and performance at Mass. College of Art, Boston, MA and Virginia Commonwealth University, Richmond, VA. He is a member and secretary of the American Abstract Artists. Julian Jackson has been awarded fellowships from the MacDowell Colony, the Millay Colony, Virginia Center for Creative Arts, Soaring Gardens and most recently was a visiting artist at the Oberpfaelzer Kuenstlerhaus in Schwandorf, Germany. His works can be found in numerous private and public collections and museums in the US and abroad. His paintings have been widely exhibited nationally and internationally. Most recent exhibitions include the solo exhibitions Watching Fire, in 2009 at Galerie Kaysser in Munich, Germany and in 2007 The Elements at Kathryl Markel Fine Arts, New York City, and A Warmth in Winter at Gallery Kaysser, Munich and again at Tease Art in Berlin with Galerie Kaysser in 2008. His work was included in Kuf/Mold at the Istanbul Biennial, Istanbul, Turkey and in 2008 at Jan Kolle Gallery, Ghent, Belgium. Julian Jackson lives and works in Brooklyn, New York. He will be exhibiting works from the Speed of Light series circa 2000. Susanne Jung was born in Prien / Chiemsee, Germany. She studied at the UdK, Berlin with Kuno Gonschior and Frank Badur, and having received a NICA grant, at Hunter College, CUNY in New York City. In 2000, she graduated with a Master’s Degree in Painting and was the recipient of the UdK President’s Graduate Student Award. The following year she was granted a scholarship from the foundation Kulturfond, Berlin. Susanne Jung’s paintings are shown in national and international exhibitions. In 2008 her works were on view at the Goethe Institut, San Francisco and at the Verein fuer aktuelle Kunst, Oberhausen. She presented her works in an extensive solo show at the Gallery Weisser Elefant, Berlin, as well as at the Stiftung-Kuenstlerhaus, Munich. Further,in 2008, she participated in group shows at the pp projects, Hamburg, the foundation Starke, Berlin and at the KunstHaus in Potsdam. Susanne Jung lives and works in Berlin. She will be exhibiting new works from 2008. Gabriele Schade-Hasenberg was born in Gelsenkirchen, Germany. She studied Chemistry and Pharmaceutics and is an autodidactic painter. Her paintings have been shown in national and international exhibitions. In 1999, she participated in the exhibition Die Farbe hat mich (Rot) at the Karl Ernst-Osthaus Museum, Hagen, followed by solo shows at Gallery Renate Schröder, Cologne in 2001 and 2002. Also in 2002, her work was on view at the Muecsarnok Artspace, Budapest, Hungary in colour – a life of its own. The most important exhibitions include, in 2003, participations at the Mies van der Rohe-Haus, Berlin and Seeing Red: An International Exhibition of Nonobjective Painting, at the Hunter College/Times Square Gallery in New York City. She was invited to show her work in the exhibition Die Farbe hat mich II (nicht nur Rot) at the Karl Ernst-Osthaus Museum in 2004. Her work is included in numerous private and public collections, among others the Karl Ernst-Osthaus Museum, Hagen and the museum of the city of Lüdenscheid. Gabriele Schade-Hasenberg lives and works in Berlin. She will be exhibiting recent works from 2004-2007. Minus Space at P.S.1 Extendedposted January 22nd, 2009
Installation in cafe space Exhibition in cafe space continues until May 2009. (Boiler Room exhibition closed on January 26, 2009.)
MINUS SPACE The exhibition is curated by artist, Brooklyn Rail publisher, and P.S.1. Curatorial Advisor Phong Bui, and includes the work of 54 artists from 14 countries. The exhibition marks MINUS SPACE’s 5th anniversary. Participating Artists Ongoing Performance Minus Space, Curated by Phong Bui, P.S.1 Contemporary Art Center / A Museum of Modern Art Affiliate, Long Island City, NYposted October 19th, 2008
Exhibition poster October 19, 2008 – May 4, 2009 (Daniel Göttin’s ceiling work in the cafe continues through summer 2009) We are delighted to announce our exhibition at P.S.1 Contemporary Art Center, an affiliate of The Museum of Modern Art in New York. P.S.1 is one of the oldest and largest non-profit arts centers in the United States solely devoted to contemporary art. The exhibition is curated by artist, Brooklyn Rail publisher, and P.S.1. Curatorial Advisor Phong Bui, and includes the work of 54 artists from 14 countries. The exhibition marks MINUS SPACE’s 5th anniversary. We greatly thank curator Phong Bui and the remarkable staff at P.S.1, the participating artists and their galleries, and our generous donors, whose financial support made this exhibition possible. Participating Artists Ongoing Performance Interview Press / Blogs MINUS SPACE at P.S.1 Contemporary Art Center / MoMA, Abstract Contemporary Art Blog, December 18, 2008 Top Ten 2008, by Jerry Saltz, Artnet Magazine, December 15, 2008 (MINUS SPACE is cited in #10) The Year in Art: The Top Nine Shows (and One Event), by Jerry Saltz, New York Magazine, December 7, 2008 (MINUS SPACE is cited in #10) Michael Brennan at 210 Gallery and P.S.1, by Paul Corio, November 16, 2008 Interview with Simon Ingram / MINUS SPACE exhibition at P.S.1, New York, Vernissage TV, November 10, 2008 MINUS SPACE, by Eva Lake, November 10, 2008 MINUS SPACE at P.S.1, The James Kalm Report, November 2, 2008 Update, Henri Art Magazine, November 1, 2008 Reductive Art at P.S.1, by Jon Meyer, October 25, 2008 Gallery Credits Additional Credits
Spectrum: Gabriele Evertz, Margaret Neill, Julie Gross & Elizabeth Terhune, Metaphor Contemporary Art, Brooklyn, NYposted April 27th, 2008
Escape from New York, Curated by Matthew Deleget, Sydney Non Objective, Sydney, Australiaposted August 3rd, 2007
August 3 – September 2, 2007 A group exhibition surveying reductive strategies by artists living in and around New York City. Each artist will present a single work, as well as an open letter to the artist community affiliated with Sydney Non Objective. Participating Artists: SUPPORT
Letters Soledad Arias > view letter Richard Bottwin > view letter Sharon Brant > view letter Michael Brennan > view letter Bibi Calderaro > view letter Mark Dagley > view letter Gabriele Evertz > view letter Daniel Feingold > view letter Kevin Finklea > view letter Linda Francis > view letter Zipora Fried > view letter Julio Grinblatt > view letter Lynne Harlow > view letter Gilbert Hsiao > view letter Andrew Huston > view letter Steve Karlik > view letter Daniel Levine > view letter Sylvan Lionni > view letter Rossana Martinez > view letter Juan Matos Capote > view letter Manfred Mohr > view letter Karen Schifano > view letter Analia Segal > view letter Edward Shalala > view letter Robert Swain > view letter Li-Trincere > view letter Don Voisine > view letter Douglas Witmer > view letter part 1 / letter part 2 Michael Zahn > view letter Op Art: Then and Now, Columbus Museum of Art, Columbus, OHposted July 11th, 2007
The Optical Edge, Pratt Manhattan Gallery, New York, NYposted February 16th, 2007
Gilbert Hsiao, Encounter, 2006
Gabriele Evertz, Motion Parallax, 1998 March 8 — April 14, 2007 Curated by Robert C. Morgan, exhibition includes Bridget Riley, Richard Anuszkiewicz, Julian Stanczak, Victor Vasarely, Josef Albers, Sandford Wurmfeld, Robert Swain, Gabriele Evertz, Rakuko Natio, Gilbert Hsiao, Soon Ja Han, Jon Groom, Beverly Fishman, Ryszard Wasko, and Michelle Hinebrook. Curated by Robert C. Morgan. A catalog will accompany the exhibition. There will also be an artists talk on March 9 at 6pm, Pratt Manhattan, Room 213 with Jan Groom, Soonja Han, Ryszard Wasko, and Sanford Wurmfeld. |
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