Installation view. Works by Joseph Kosuth, Guillaume Leblon, and François Morellet. March 17 – July 9, 2011 The title of this project ‘STRATES ET ARTS, autour de Francois Morellet’ refers to a palindrome created by Francois Morellet in 1999. It takes place at the gallery simultaneously to the current retrospective exhibition, ‘Francois Morellet, Réinstallations’ (March 2 – July 4), to be held at the Centre Pompidou in Paris. The Galerie Hervé Bize, which has a [...]
Ken Unsworth, Suspended Stone Circle, 1981 Installation view Photo by Ryszard Waśko April 15 – May 29, 2011 The project Construction in Process 1981 – the community that came? refers to the legendary international exhibition opened in Łódź almost two months before martial law was introduced. Artists from Łódź, representing various art disciplines, invited 54 leading artists from all over the world to partake in the show and create art works here, on the spot. [...]
Joaquin Torres Garcia Fresque Constructif au Grand Pain, 1929 December 3, 2010 – January 14, 2011 For its inaugural exhibition, Arevalo Gallery presents From Absolute to Minimal a group exhibition featuring works by Post-War Latin American artists and their international counterparts all of whose work was defined by the ultimate search for the Absolute. It was through Kazimir Malevich’s search for an artistic expression void of representation that the quest for the absolute was first [...]
Work by Jesus Rafael Soto May 8 – June 19, 2010 Participating Artists: Mario Ballocco, Julije Knifer, Marco Maggi, Francois Morellet, Olivier Mosset, Jesus Rafael Soto After World War II, many artists turned to geometric abstraction as a springboard for experimentation, leaving behind figurative art. Some said that was the death of painting. I prefer thinking of it as a new start. I was first introduced to geometric abstract art when instructed by Serge Lemoine at lʼEcole du [...]
Poul Gernes, Zielscheibenbild / Target B, 1966-68 Opening: March 25, 2010 Curated by Renate Wiehager, “Pictures about Pictures. Discourses in Painting” – is the Daimler Art Collection’s exhibition title for the Museum Moderner Kunst in Vienna. About 130 works ranging from Classical Modernism and the post-war avant-garde via European Zero and Minimalism to international contemporary art are being presented. The exhibition is structured into thematic fields, each of which presents discursive references to historical and current [...]
February 7 – April 11, 2010 For the 100th birthday of the philosopher Max Bense, ZKM will present an exhibition showing his international impact on the fine arts and literature, which can be compared to that of Umberto Eco and Marshall McLuhan. The exhibition, which carries forth the ZKM series “Philosophy and Art,” presents Bense as poet and author, scholar of the arts and literature, as well as exhibition curator and publicist. Bense, who was [...]
Daniel Göttin, Transformer 2, 2008 After 2step, minimalpop, Painted Objects, Double Exposure, A Bit O’ White, My Eyes Keep Me In Trouble, Yo, Mo’ Modernism, With Your Eyes Only, COMPOSITE VISIONS is the ninth touring group exhibition organized by CCNOA, Brussels, Belgium. Since its last theoretical stance as a sublime yet powerful art form, creating a new -ism and ironically also stating the end not only of painting but possibly also of visual art in [...]
Francois Morellet, Sphere – trames, 1962 Collection Maximilian & Agathe Weishaupt, Munich November 22, 2009 – January 31, 2010
Zdenek Sykora & Bridget Riley Richard Paul Lohse & Manfred Mohr October 3, 2009 – January 10, 2010 Heinz Teufel, the famous gallery owner and collector, died in 2007. He was a great patron of Concrete Art in Germany. From opening his first gallery in 1966 in Koblenz up to his 1998 activities in Berlin he consequently pursued a stringent gallery profile – independent of the fluctuating fashions of the art world. Including works by [...]
Installation view September 12, 2009 – February 28, 2010 ‘Drawing Sculpture’ is presenting a selection from the Daimler Art Collection’s wide-ranging holdings of works on paper for the first time, complemented by sculptures, videos and picture objects. About 60 works by 28 artists are being shown, dating from about 1960 to the present day. In each case the presentation will stage dialogues between classical Minimalist positions from the 1960s and international contemporary art. The exhibition [...]
Francois Morellet, Relache no. 2, 1992 Acrylic and oil on canvas, lacquered aluminium, neon tubes and canvas strips 332 x 270 x 26 cm May 17 – September 27, 2009 Mueum Ritter opens a major solo exhibition of work by François Morellet and pay tribute to one of the foremost artists in France today. Until September 27, 2009, the entire building will present a broad cross-section of his wide-ranging œuvre. Apart from geometrical paintings, [...]
Our second VIEWLIST exhibition is conceived by Chicago-based artist Michelle Grabner.
"So I think what comes next is a web with big holes blown in it. A spiderweb in a storm. The turtles get knocked out from under it, the platform sinks through the cloud. A lot of the inherent contradictions of the web get revealed, the contradictions in the oxymorons smash into each other." -- Bruce Sterling, February 2009
March 19 – May 8, 2009 On 19 March 2009, an exhibition of works by the French artist François Morellet will open at the A arte Studio Invernizzi gallery. The exhibition, which will take place in the gallery’s enlarged and renovated premises, will centre around a group of important works reflecting the artist’s most recent output and designed in relation to the exhibition space. In order to stress the close relationship of the works with [...]
Mel Bochner, Theorem of Pythagoras, 1997 Wood engraving on handmade paper, 22 x 17-1/2 inches April 19 — June 22, 2008 Our era is driven by the possibilities inherent in reducing countless observations to one mathematical formula and of generating seemingly random phenomena from a set of precise rules. The geometry of the universe has been summarized in E=mc 2, the Book of Life has been translated into the four-letter code of DNA, and [...]
Painting by Mark Dagley November 8 — December 22, 2007 Nyehaus presents INDICA. Acknowledged as the first experimental art space in London, John Dunbar’s Indica gallery, in existence from November ’65 – November ’67, was born into a far more uncynical time. Open for barely two full years, Indica (from ‘Indications’ – somewhere to go) set the controls for the heart of experimental art in Britain. During its short life, Indica encouraged collaboration and [...]
Francisco Sobrino, Espace Indéfini, 1968 Plexiglas sculpture, 76 x 31 x 24 inches October 27 — November 24, 2007 Sicardi Gallery presents the works of three of the founding members of the art group Centre de recherche d’art visuel (CRAV): Francisco Sobrino, Horacio Garcia Rossi, and Hugo Demarco. CRAV, later known as GRAV (Groupe de recherche d’art visuel) which also included Julio Le Parc, Vera and Francois Molnar, Francois Morellet, and Yvaral [...]
Alexander Liberman, Omega IX, 1961 March 8 — April 28, 2007 In addition to being the Year of the Pig, it also appears to be the year of Op Art. Another great survey exhibition including Yaacov Agam, Josef Albers, Richard Anuszkiewicz, Hannes Beckmann, Fletcher Benton, Karl Benjamin, Francis Celentano, Tony Conrad, Carlos Cruz-Diez, Benjamin Cunningham, Gene Davis, Jose de Rivera, Julio Le Parc, Leroy Lamis, Alexander Liberman, François Morellet, Kenneth Noland, Larry Poons, Bridget [...]
Last June I met my friend Margaret Crane for lunch at the Los Angeles County Museum of Art. We sat outside on a sunny Sunday afternoon, chatting and eating salad. It wasn’t too hot, the air was breathable—a perfect ladies’ date. Then we headed into the museum’s jewel-in-the-crown exhibition, Beyond Geometry: Experiments in Form, 1940s-70s. The show was huge, astonishing, including nearly 200 works by 130+ artists from Europe, North America, and South America. Jesús [...]
Hartmut Böhm, Quadratrelief 32, 1968 Plexiglas, 127 x 127 x 5.5 cm Peter C. Ruppert Collection Museum im Kultur-speicher, Würzburg, Germany The following interview was published on MINUS SPACE in February 2004 in conjunction with Hartmut Böhm’s spotlight exhibition. Matthew Deleget: I would like to begin our interview – your first published in English – with a brief discussion of the art climate in Germany directly following World War II. You were born in Kassel, [...]
