Jump & Flow: An Interview with Gilbert Hsiao, by Brent Hallard, Visual Discrepancies blog, May 5, 2012

hsiao-quad

"I was aware of op as a historical movement of course; I was an art history major at Columbia before deciding to move into fine art. And op is one of the most distinguishable styles out there."

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M5, Curated by Jeff Jahn, Philip Feldman Gallery + Project Space, Pacific Northwest College of Art, Portland, OR

Installation view of M5, Philip Feldman Gallery + Project Space, Pacific Northwest College of Art, 2010 (wall: Francis Celentano, floor: Mel Katz)

August 1-22, 2010

M5 explores the intersections and mutual interests of five artists who have exhibited at Brooklyn’s MINUS SPACE: Don Voisine, Patricia Zarate, Steve Karlik, Nancy White and Rossana Martinez, combined with two of the Northwest’s most historically relevant abstract practitioners Francis Celentano and Mel Katz.

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New American Abstraction: 1960-1975, Gary Snyder Gallery, New York, NY

  Installation view November 8 – December 20, 2008 Participating artists: Richard Anuszkiewicz, Karl Benjamin, Leon Berkowitz, Ilya Bolotowsky, Hilton Brown, Lawrence Calcagno, Clarence Carter, Francis Celentano, Roy Colmer, Gene Davis, Thomas Downing, Paul Feeley, Frederick Hammersley, Ward Jackson, Tadaaki Kuwayama, Lyman Kipp, Beatrice Mandelman, Howard Mehring, Rakuko Naito, Ray Parker, Milton Resnick, Max Schnitzler, Vivian Springford, Albert Stadler, Sidney Wolfson, Jack Youngerman

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After Image: Op Art of the 1960s, Jacobson Howard Gallery

  Alexander Liberman, Omega IX, 1961 March 8 — April 28, 2007  In addition to being the Year of the Pig, it also appears to be the year of Op Art.  Another great survey exhibition including Yaacov Agam, Josef Albers, Richard Anuszkiewicz, Hannes Beckmann, Fletcher Benton, Karl Benjamin, Francis Celentano, Tony Conrad, Carlos Cruz-Diez, Benjamin Cunningham, Gene Davis, Jose de Rivera, Julio Le Parc, Leroy Lamis, Alexander Liberman, François Morellet, Kenneth Noland, Larry Poons, Bridget […]

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