
For “Black Sculpture,” Mastrangelo focuses on art history for the first time. After creating exact molds based on the work of Frank Stella and Ad Reinhardt, Mastrangelo casts his reliefs out of compacted gunpowder. The pieces teeter on the precipice of annihilation; by forging the work of canonical artists in gunpowder, Mastrangelo simultaneously pays homage to the work of earlier iconoclasts and seeks to destroy them for himself.



















