Robert Morris, Sprüth Magers, Berlin, Germany

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Monika Sprüth and Philomene Magers are pleased to present the second solo exhibition by Robert Morris in Berlin. The American artist is displaying a selection of space-related works which offer an historical overview of his involvement with sculpture.

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Bill Bollinger, The Fruitmarket Gallery, Edinburgh, Scotland

bill bollinger - fruitmarket gallery

Bollinger's work is characterised by his sensitive use of the idiosyncrasies and possibilities offered by technical and industrial materials. His use of aluminium pipes, rope, rubber hoses, chain-link fencing, lightbulbs and wheelbarrows is as radical and direct as it is elegant, exploiting physical laws such as gravity, balance, and the intrinsic properties of water.

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Eva Hesse: Spectres 1960, Brooklyn Museum, Brooklyn, NY

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In the four decades since her untimely death at age thirty-four, Eva Hesse (1936–1970) has become internationally renowned for the sculptural assemblages she made beginning in the mid-1960s. Eva Hesse Spectres 1960 presents for the first time a group of nineteen oil paintings created when Hesse was just twenty-four years old. Composed of two bodies of work, the Spectres paintings present a young painter establishing her own creative identity.

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Ted Stamm: Paintings

Installation view of Ted Stamm: Paintings, MINUS SPACE, Brooklyn, NY, 2011

September 24 - October 29, 2011

MINUS SPACE is delighted to present the exhibition Ted Stamm: Paintings, an overview of paintings, works on paper, street interventions, and other materials by the late NYC-based abstract painter. Prior to his unexpected death from heart failure in 1984, Stamm created a substantial, mature body of work that was at once responsive to the past, indicative of his time, and prescient of the future.

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The Parallax View, Lehmann Maupin Gallery, New York, NY

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Installation view. February 10 – March 19, 2011 Lehmann Maupin announces The Parallax View, an exhibition of significant works exploring observation as conflict, curated by Manuel E. Gonzalez. On view 10 February – 19 March, 2011, the Chelsea exhibition features works by Teresita Fernández, Dan Flavin, Gego, Mary Heilmann, Eva Hesse, Robert Irwin, Agnes Martin, Robert Morris, Bruce Nauman, and Robert Smithson, all acclaimed artists who confront traditional notions of space, light and the nature […]

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Kris Scheifele: Cast, Janet Kurnatowski Gallery, Brooklyn, NY

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Kris Scheifele, Window Contortion, 2010 Acrylic paint and acetate 41 x 18 x 3 inches February 18 – March 20, 2011 My most recent project is a series entitled The Contortions. Each piece is made entirely of layer upon layer of acrylic paint. The paint is applied methodically to a wooden panel support until it reaches a thickness of up to a half-inch. Then, it is pulled up from the support and cut with a […]

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Bill Bollinger: The Retrospective, Kunstmuseum Lichtenstein, Vaduz, Lichtenstein

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Bill Bollinger, Starrett-Lehigh Building, New York, 1970. February 4 – May 8, 2011 This exhibition of the radical plastic oeuvre of the American artist Bill Bollinger (1939-1988), who almost slipped into obscurity, will be the first of its kind since the 1970s. In the late 1960s, Bill Bollinger was one of the foremost sculptors of his time, routinely mentioned in the same breath as the likes of Bruce Nauman, Robert Smithson, Eva Hesse and Richard […]

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An Exchange with Sol LeWitt: A Two Part Exhibition Presented by Cabinet, Brooklyn, NY and MASS MoCA, North Adams, MA

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Daniel Joglar, Instruction, 2010 Documented action Cabinet: January 21 – March 5, 2011 MASS MoCA: January 23 – March 31, 2011 Although celebrated for the revolutionary role he played in the development of both Conceptualism and Minimalism, Sol LeWitt was also renowned for his exchanges of artwork with various artists throughout his lifetime. For LeWitt, the act of exchange seemed to be not only a personal gesture, but also an integral part of his conceptual […]

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Nancy Holt: Sightlines, Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, NY

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Nancy Holt, Sun Tunnels, 1976 September 22 – December 11, 2010 The Miriam and Ira D. Wallach Art Gallery opens its exhibition season with Nancy Holt: Sightlines, a thematic exhibition offering an in-depth look at the early projects of this important American artist whose pioneering work falls at the intersection of art, architecture and time-based media. Since the late 1960s, Nancy Holt has created a far-reaching body of work, including Land Art, films, videos, site-specific […]

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Peter Forakis (1927-2009): In Memoriam

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Peter Forakis, Atlanta Gateway, 1967 From The New York Times, December 17, 2009 Peter Forakis, a sculptor who helped found Park Place, a prominent New York artists’ cooperative gallery of the 1960s, died on Nov. 26 in Petaluma, Calif. He was 82 and lived in Petaluma. His death was announced by the Togonon Gallery in San Francisco, which has represented him since 2007. Mr. Forakis was one of many young artists in the late ’50s […]

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Eva Hesse: Studiowork, Edinburgh Art Festival Exhibition, The Fruitmarket Gallery, Edinburgh, Scotland

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Eva Hesse, Studiowork, 1968 Courtesy of University of California, Berkeley Art Museum & Pacific Film Archive, gift of Helen Hesse Charash, 1979 Photograph by Abby Robinson, New York August 5 – October 25, 2009 Curated by Briony Fer and Barry Rosen The Fruitmarket Gallery’s 2009 Edinburgh Art Festival exhibition is a solo presentation of the work of German-born American artist Eva Hesse, a major figure in post-war art. The exhibition is the result of new […]

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Edward Shalala: Photographs of Paintings, The Painting Center, New York, NY

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  May 26 – June 20, 2009 Edward Shalala will exhibit documentary photographs in The Painting Center’s Project Room. Shalala makes temporary raw canvas thread paintings in NYC parks and grasslands and photographs the results. Shalala responds to the history of modern and postmodern abstraction that deals with ‘end game’ painting. The lineage begins with: Cezanne’s use of raw canvas (“in-reserve”), Barnett Newman’s painting ‘Name II,’1950, Robert Rauschenberg’s White painting series, 1951, Piero Manzoni’s clay […]

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Small Differences Make All the Difference, by Lynne Harlow

In his series of lectures, Pictures of Nothing: Abstract Art since Pollock, Kirk Varnedoe asks tough questions.  Why abstract art?  What is abstract art good for?  These questions, the topic of his six lectures, are familiar.  It seems to me that they are asked, and in a sense answered, every time an artist makes an abstract work.  They are the questions that artists ask as we wrestle with the history of abstraction and as we […]

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Better Get Rational, by Dodie Bellamy

Last June I met my friend Margaret Crane for lunch at the Los Angeles County Museum of Art. We sat outside on a sunny Sunday afternoon, chatting and eating salad. It wasn’t too hot, the air was breathable—a perfect ladies’ date. Then we headed into the museum’s jewel-in-the-crown exhibition, Beyond Geometry: Experiments in Form, 1940s-70s. The show was huge, astonishing, including nearly 200 works by 130+ artists from Europe, North America, and South America. Jesús […]

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