Other Voices, Other Rooms, Dorsky Gallery, Long Island City, NY

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David Simpson, True Blue, 2000 (wall) Acrylic on canvas, 108 x 75 inches Light Well #5, 2007 (floor) Acrylic on canvas, 71.5 inches diameter  April 19 – June 28, 2009 Works by Max Cole, Marcia Hafif, Winston Roeth, David Simpson, and Fred Sandback Curated by Steven Evans, this exhibition examines the work of a small group of American artists that have been developing their bodies of work since the late 1960s; they offer an alternative […]

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Accrochage, Gallery Sonja Roesch, Houston, TX

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Installation views January 17 – February 28, 2009 Gallery Sonja Roesch presents Accrochage, a group exhibition with nine artists explorin different approaches to reductive art. The exhibitions features work by Soledad Arias, Matthew Deleget, Daniel Levine, Rossana Martinez, Ruth Pastine, Mario Reis, David Simpson, Hills Snyder, and Tilman Through using different materials and procedures, these nine artists demonstrate a variety of approaches towards reductive and concept based art. The pieces are either painted, constructed, or […]

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The Panza Collection: An Experience of Color and Light, Albright-Knox Art Gallery, Buffalo, New York

  Dan Flavin, Untitled (to Jan & Ron Greendberg), 1972-73 November 16, 2007 — February 24, 2008 The Panza Collection: An Experience of Color and Light includes more than seventy works of art from the Panza Collection, which is now dispersed in Varese, Verona, New York, and Los Angeles. In consultation with Count Giuseppe Panza di Biumo, whose vision has guided the project from the start, Gallery Director Louis Grachos and Senior Curator Douglas Dreishpoon […]

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Robert Yasuda at Elizabeth Harris Gallery, by Michael Brennan

  Robert Yasuda, Coco-Palm (2006) Robert Yasuda’s work stands well in a corner. His current exhibition includes three narrow corner paintings (“Half Full,” “Simple Truth,” and “Bonjour”) that work like studs or posts, rising vertically with a strenuous elegance, adding a sense of rigor to his otherwise atmospheric abstractions. Yasuda has favored the corner for some time, and his work, even in group shows, always seems to shine from that unlikely spot. Formally, they recall […]

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