| posts tagged ‘Daniel Göttin’ |
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Daniel Göttin, Conny Dietzschold Gallery, Sydney, Australiaposted August 13th, 2010
Daniel Göttin, Gallery Terashita, Tokyo, Japanposted May 10th, 2010
Daniel Göttin, Sleeper Gallery, Edinburgh, Scotlandposted April 26th, 2010
Daniel Göttin: Network 45 with Signs, MINUS SPACE, Brooklyn, NYposted February 6th, 2010
Daniel Göttin, Installation Proposal for MINUS SPACE, 2010 February 6 – March 13, 2010 MINUS SPACE is delighted to announce a new immersive installation by Basel, Switzerland-based artist Daniel Göttin entitled Network 45 with Signs. For the past 20 years, Göttin has focused on making temporary, site-specific interventions that examine the subjective nature of perception. His installations, always consisting of common industrial materials, such as tape, carpet, and paint, playfully respond to the specific characteristics of an architectural site and activate the viewer’s relationship to it. For Network 45 with Signs, Göttin will create a black tape wall installation throughout the entire gallery. At select intervals throughout his installation, he will also install a series of abstract “signs” made of aluminum foil on laminated cardboard, which were informed and inspired by his recent residency in Manhattan’s Chinatown. Daniel Göttin has mounted nearly 60 solo exhibitions and projects since 1990 at museums, galleries, and non-profits worldwide, including throughout Europe, Japan, Australia, and the United States. His work has been presented, commissioned, collected, and written about widely over the past 20 years. In addition to his artistic work, Göttin, along with his partner, artist Gerda Maise, also directs Hebel_121, an experimental exhibition space in Basel, Switzerland. Daniel Göttin’s installation Network 42 (2008) is also still on view in the café at P.S.1 Contemporary Art Center / A Museum of Modern Art Affiliate in Long Island City, NY. It was originally created for the exhibition MINUS SPACE, curated by Phong Bui, which was on view at the museum from October 2008 – May 2009. SUPPORT
Composite Visions, Centre d’Art Neuchatel, Neuchatel, Switzerlandposted January 16th, 2010
Daniel Göttin, Transformer 2, 2008 After 2step, minimalpop, Painted Objects, Double Exposure, A Bit O’ White, My Eyes Keep Me In Trouble, Yo, Mo’ Modernism, With Your Eyes Only, COMPOSITE VISIONS is the ninth touring group exhibition organized by CCNOA, Brussels, Belgium. Since its last theoretical stance as a sublime yet powerful art form, creating a new -ism and ironically also stating the end not only of painting but possibly also of visual art in general, and of its intellectual process, the idea of the ‘reductive’ itself has made an impressive return. Traces of the idea of the ‘reductive’ and similar approaches to art-making can be found in many artistic oeuvres which have come into the limelight since the overpowering postmodern related statements by artists and critics in the late 80’s, and the aesthetics of the ‘reductive’, nonobjective and concrete are now a subject of reflection in contemporary art practices, re-emerging from an imposed quasi non-existence. In this state of relative non-recognition within the discourse and debate around art and culture in general, the subject of the ‘reductive’ as a possible antithesis to the overpowering reintroduction of representational painting and at the same time to the emergence of the focus on new media, technology and photography, has regained considerable strength over the last decade within an international frame of cultural production and commerce, as well as through the firmly held lone positions of artists like Mosset, Charlton, Armleder, Morellet, Palermo and others throughout the 80’s and 90’s. Having seemingly recovered from the harsh critical overtones after almost being eliminated from contemporary discourse, in which a retroactive and purely commercial tone took over, the ideas and strategies of the ‘reductive’ and ‘essential’ have slowly found their way back into artistic language and practice. Yet, due to the visual superimpositions of present times, artists have started to shy away from the rigid limitations of -isms related to the ‘non-objective’ or ‘reductive’ and have embedded existing ideas, confluence of styles and approaches into the contemporary world, the here and now, mingling with popular culture as well as branching out of the studio practice inherent in painting as we know it and as the majority still likes to understand it. Crossovers with other forms of art, like pop art, installation, and new media, play a major role in this new understanding of art-making in the realm of the ‘reductive’ and in its breaking out of its claimed territory with excursions into new planes of understanding, confronting the remarkable stakes which are on offer within the perimeter of ‘reductive’ art production today. COMPOSITE VISIONS is triggered by the multitude of influences entering the thinking, thought process and practices of an array of like-minded contemporary artists from around the globe working within the fascinating and resilient discourse surrounding the historical, formal and contemporary explorations within the field of the ‘reductive’ in general and ‘reductive’ painting in particular. Organized by the Brussels-based CCNOA COMPOSITE VISIONS comprises the work of 16 international artists and aims to give a modest inside overview of the possibilities within this broad approach. This type of exhibition is never able to display the entire palette of diversity; CCNOA’s objective is simply to document some of the thinking around this subject. Participating Artists: Fully Booked, Hotel Beethoven, Bonn, Germanyposted November 21st, 2009
Daniel Göttin, Vakuum, 2009 November 15, 2009 – February 28, 2009 Featuring 50 artists from 8 countries. Participating Artists: Daniel Göttin, Project Initiative Tilburg, Tilburg, The Netherlandsposted October 4th, 2009
Daniel Göttin: Transformer 3, Hebel_121, Basel, Switzerlandposted August 28th, 2009
Open House for Butterflies, MINUS SPACE, Brooklyn, NYposted July 31st, 2009
July 31 – August 29, 2009 We are pleased to announce our summer group exhibition Open House for Butterflies featuring work by seven international reductive artists. Participating artists include: Justin Andrews (Melbourne, Australia) We are also delighted to announce our new flatfiles and bookstore. Our flatfiles feature works by select reductive artists working around the globe, including drawings, prints, photographs, works on paper, editions, and multiples. Some paintings, sculpture, and design objects are also available. Our bookstore features dozens of publications on reductive art and ideas on the international level, including artist monographs, exhibition catalogs, journals, ephemera, and select vintage books. SUPPORT MINUS SPACE
VIEWLIST: Bulletin Board: Inspiration Information, Conceived by Karen Schifanoposted July 21st, 2009
VIEWLIST is MINUS SPACE’s new online project space where we invite artists and others to curate a visual essay of images. VIEWLIST exhibitions are experimental and usually thematic, and can include art works spanning various time periods, movements, and geographic locations. Exhibitions may also include ideas and images from disciplines outside of the visual arts. With VIEWLIST, we’ve created a venue that focuses exclusively on ideas, a kind of idealized curatorial space, where exhibition budgets, loans and acquisitions of art works, timelines, and all other logistics are set aside. Our third viewlist exhibition is conceived by New York painter Karen Schifano.
Bulletin Board: Inspiration Information* The word “inspire” (originally meaning “to infuse with breath”) is a verb, but can also transform itself into a noun or adjective. It’s very active, and yet also implies being receptive, even demands openness, a readiness to receive, and a sharpening of perception and awareness. From one thing, there is a direct connection to another thing, a kind of touch that is nurturing, rich and full of promise. Potential becomes realization; we wake up rejuvenated, re-energized, and ready for action. This group of inspirational flotsam and jetsam from our homes and studios is incredibly varied, running the gamut from a poetic quote to the restoration of a house, from the image of a computer desktop to strips of colored tape on a wall. In some instances, there’s a surprising leap from the image seen here to the finished work, in others there is a clear and recognizable relationship. I hope that as you are intrigued by an image, you will click on it to reveal the caption or thoughts of the artist, and then go to the individual websites linked to each name. Through a dialogue about how the mysterious process of getting from A to B or even Z unfolds for each of us, new avenues of search can open up, and we can be re-inspired by this “Inspiration Information”. * by Shuggie Otis
Participating Artists (left to right, row by row): Stephen Maine | Richard Bottwin | Paul Corio Joanne Mattera | Kevin Finklea | Billy Gruner & Sarah Keighery Linda Arts | Erik Saxon | Henry Brown Rory MacArthur | Melanie Crader | Matthew Deleget Daniel Argyle | Li-Trincere | Chris Ashley Linda Francis | Sylan Lionni | Shinsuke Aso Douglas Melini | Brent Hallard | Lynne Harlow Guido Winkler | Michael Zahn | Karen Schifano Lynne Eastaway | Daniel Göttin | Simon Ingram Daniel Feingold
Minimal Variety Forms, Conny Dietzschold Gallery, Sydney, Australiaposted June 23rd, 2009
Kevin Finklea June 20 – August 5, 2009 Participating Artists: We Go Far…And Way Back, Show Gallery, Staten Island, NYposted June 14th, 2009
Work by Jan van der Ploeg June 20 – August 1, 2009 Curated by Victoria Munro, participating artists include Andrew Barber, Julian Dashper, Matthew Deleget, Daniel Gottin, Kyle Jenkins, Lucy McMillan, Dane Mitcehll, Jan van der Ploeg & Tilman. ‘We Go Far….And Way Back.’, is a group painting show comprised of artists with shared work philosophies and exhibition histories. ‘We Go Far…., refers to not only the distances geographically between the artists but also the integral nature of travel in their practice. …..’And Way Back.’ – each of the nine artists here including the show curator have directed/founded and exhibited in variations of the ‘artist run space’. They have ‘bed hopped’ between countries and each other’s galleries, creating a constantly shifting informal collective. Andrew Barber is a practicing artist, based in Auckland, New Zealand, with a record of involvement in artist-run spaces – formerly as director of Room103 from 2004 – 2007 and currently as a founding member of Gambia Castle, a new art space in Auckland run by a collective of artists and writers. In 2007 He was invited to join the Starkwhite stable of artists. Julian Dashper was born in Auckland, New Zealand in 1960. He has been exhibiting regularly throughout New Zealand since 1980, Australia and Europe since 1992 and across America since 2001. In 2001 Dashper was based as an artist in residence at the Chinati Foundation in Marfa, Texas (www.chinati.org) funded by a senior Fulbright fellowship. Dashper’s work from the last 25 years has recently been the subject of a major touring retrospective in America, curated by Christopher Cook and David Raskin. Matthew Deleget (Brooklyn, USA) is an abstract painter, curator, and writer. He has exhibited his work nationally and internationally, including solo and group exhibitions in Europe, Asia, and Australia. He is a member of American Abstract Artists and the Marie Walsh Sharpe Art Foundation’s Artist Advisory Committee. Matthew has received awards from the American Academy of Arts & Letters, Brooklyn Arts Council, and The Golden Rule Foundation, and his work has been reviewed in The New York Times, Flash Art, Artnet Magazine, The Philadelphia Inquirer, and Basler Zeitung, among others. He is the director of Minus Space in Brooklyn, NY. Daniel Göttin lives & works in Basel (Switzerland) Göttin’s works are site-related installations and all-over drawings made of industrial materials. The real space with its own qualities has a strong influence on his artistic concept and practice; it becomes an integral part of the installation. Artwork and real space appear as transformed entities, both exist simultaneously in time and size. Each new spatial situation provides a new experience of perception. The creative manipulation of simple functional material can translate the act of looking into the art of seeing, transforming the place itself into an experience of perception. Göttin’s practice includes wall drawings and spatial interventions. He is the founder of Hebel, an artist-run exhibition space in Basel (CH). Kyle Jenkins lives and works in Toowoomba, Australia, where he is the coordinator of Visual Arts at the University of Southern Queensland. Through the spatial expectations of architecture as well as traditional developments of abstraction his work fluctuates within and between the act of habitation and the creation of imagined space which produces work positioned within canvas and wall paintings (soft and hard edge geometry), architectural models, drawings, photographs, films and objects. He is currently i.e. gallery, director, Toowoomba, Australia and was also a board member of Sydney Non-Objective (S.N.O) from 2004 – 2007 Lucy McMillan is a New Zealand visual artist who currently lives and works in Berlin. She is the current recipient of a Culturia artist residency in Berlin. She is the co-editor of art publication SOAP. Dane Mitchell lives and works in Auckland, New Zealand. Mitchell is currently living in Berlin completing a one-year residency in the DAAD Artists-in-Berlin Programme. He is the first New Zealand artist to be awarded a place in this internationally renowned program since it’s beginning in 1968. He joins a line up of DAAD artists that includes: Carl Andre, Daniel Buren, Douglas Gordon, Dan Graham, Damien Hirst, Ilya Kabakov, On Kawara, Nam June Paik, Bridget Riley, Pippilotti Rist, Lawrence Weiner and Rachel Whiteread. Jan van der Ploeg lives and works in Amsterdam, The Netherlands. He exhibits internationally, often completing large-scale wallpaintings as well as works on canvas. Van der Ploeg’s wallpaintings exist of different layers of paint, as a result of which a soft and smooth texture arises, comparable to his paintings on canvas. He has developed his own color-vocabulary, existing of black, white and contrasting tones as pink, purple and orange. He is also the artistic director of PS gallery in Amsterdam (NL) 1999-2009. Tilman is a Visual Artist who lives and works in Brussels (B) and New York NY (USA). As well as his own international art practice he is artistic director & chief curator of CCNOA center for contemporary non-objective art Brussels (BE) since 2003, and Co-founder and artistic director of H29 Brussels (B) 2005 – 2008. Victoria Munro was born in Wellington, New Zealand in 1975. She has spent the last thirteen years working between Auckland, New Zealand and New York. During this time she has exhibited her own photographic and sculptural work internationally and curated/co-curated exhibitions in New Zealand, Australia and Europe. Munro was co-director of rm3 and rm212 gallery from 1998-2002. She is the co-editor of art publication SOAP. Daniel Göttin: Upcoming Exhibitions in Japanposted May 14th, 2009
Daniel Göttin, True Memory 9, 2009 (detail) Daniel Göttin: New Works, Concept Space / Concept Space/R2, Gunma, Japan Daniel Göttin: True Memory, Embassy of Swizerland, Tokyo, Japan FINAL WEEKEND: MINUS SPACE at P.S.1 Contemporary Art Center/MoMAposted May 1st, 2009
Installation view Closes Monday, May 4, 2009 The exhibition is curated by artist, Brooklyn Rail publisher, and P.S.1. Curatorial Advisor Phong Bui. The exhibition marks MINUS SPACE’s 5th anniversary. We greatly thank curator Phong Bui and the remarkable staff at P.S.1, the participating artists and their galleries, and our generous donors, whose financial support made this exhibition possible. Exhibiting Artists PLEASE NOTE: Our exhibition in P.S.1’s Boiler Room space closed on January 26, 2009. Non-Objectif Sud 2009 Fundraiser, Gary Snyder Project Space, New York, NYposted April 21st, 2009
Tuesday, April 21, 2009, 6-8pm Wine bar and hors d’oeuvres Gary Snyder Project Space for inquiries please call 646 325 4581 Tickets Raffle Artists: * List in formation Special thanks to Susan Madden, John Melick and Gary Snyder for their assistance. If you are unable to attend and would like to make a fully tax deductible contribution, Non-Objectif Sud Non-Objectif Sud is a non-for-profit 501(c) (3), all financial contibutions are tax deductible Daniel Göttin, Dum Umeni / The House of Art Ceske Budejovice, Czech Republicposted March 13th, 2009
Michal Skoda, Hebel_121, Basel, Switzerlandposted February 16th, 2009
Minus Space at P.S.1 Extendedposted January 22nd, 2009
Installation in cafe space Exhibition in cafe space continues until May 2009. (Boiler Room exhibition closed on January 26, 2009.)
MINUS SPACE The exhibition is curated by artist, Brooklyn Rail publisher, and P.S.1. Curatorial Advisor Phong Bui, and includes the work of 54 artists from 14 countries. The exhibition marks MINUS SPACE’s 5th anniversary. Participating Artists Ongoing Performance 10 Years of Hebel_121, Hebel_121, Basel, Switzerlandposted January 19th, 2009
PS 1999 – 2009, Kunstruimte 09, Groningen, The Netherlandsposted January 19th, 2009
Gerold Miller, Julian Daspher, Daniel Göttin (l to r) Tilman & Kyle Jenkins (l to r) Justin Andrews, Ian Anüll, Julian Daspher, Stephen Bram, January 17 – February 21, 2009 A ten year survey of PS in Amsterdam, founded by artist Jan van der Ploeg. The work shown in Groningen includes three new installations by Kyle Jenkins, Gerold Miller, and Daniel Göttin, as well as the work of 26 other international artists. Participating Artists: Justin Andrews, Ian Anüll, Karina Bisch, Stephen Bram, Lars Breuer, Jessica Centner, DAG, Julian Dashper, Matthew Deleget, Gunther Förch, Sebastian Freytag, Marco Fusinato, Daniel Göttin, Michelle Grabner, Terry Haggerty, Kent Hanssen, Kyle Jenkins, Ben Judd, Jean Luc Manz, Gerold Miller, Paul Morrison, Guido Münch, Victoria Munro, John Nixon, Max Presneill, Marie Shannon, D.J. Simpson, Michal Skoda, & Tilman. Minus Space, Curated by Phong Bui, P.S.1 Contemporary Art Center / A Museum of Modern Art Affiliate, Long Island City, NYposted October 19th, 2008
Exhibition poster October 19, 2008 – May 4, 2009 (Daniel Göttin’s ceiling work in the cafe continues through summer 2009) We are delighted to announce our exhibition at P.S.1 Contemporary Art Center, an affiliate of The Museum of Modern Art in New York. P.S.1 is one of the oldest and largest non-profit arts centers in the United States solely devoted to contemporary art. The exhibition is curated by artist, Brooklyn Rail publisher, and P.S.1. Curatorial Advisor Phong Bui, and includes the work of 54 artists from 14 countries. The exhibition marks MINUS SPACE’s 5th anniversary. We greatly thank curator Phong Bui and the remarkable staff at P.S.1, the participating artists and their galleries, and our generous donors, whose financial support made this exhibition possible. Participating Artists Ongoing Performance Interview Press / Blogs MINUS SPACE at P.S.1 Contemporary Art Center / MoMA, Abstract Contemporary Art Blog, December 18, 2008 Top Ten 2008, by Jerry Saltz, Artnet Magazine, December 15, 2008 (MINUS SPACE is cited in #10) The Year in Art: The Top Nine Shows (and One Event), by Jerry Saltz, New York Magazine, December 7, 2008 (MINUS SPACE is cited in #10) Michael Brennan at 210 Gallery and P.S.1, by Paul Corio, November 16, 2008 Interview with Simon Ingram / MINUS SPACE exhibition at P.S.1, New York, Vernissage TV, November 10, 2008 MINUS SPACE, by Eva Lake, November 10, 2008 MINUS SPACE at P.S.1, The James Kalm Report, November 2, 2008 Update, Henri Art Magazine, November 1, 2008 Reductive Art at P.S.1, by Jon Meyer, October 25, 2008 Gallery Credits Additional Credits
Aan Het Licht Gericht, De Vishal, Haarlem, The Netherlandsposted September 22nd, 2008
Billy Gruner: Collective Monochrome 13, Sarah Keighery: Abstract Lines, Hebel_121, Basel, Switzerlandposted August 18th, 2008
Leiden Assemblage No. 1, Gallery Le Petit Port, Leiden, The Netherlandsposted August 14th, 2008
August 24 —September 7, 2008 Gallery Le Petit Port in Leiden presents the international group show Leiden Assemblage No. 1. Guest curators and artists Billy Gruner (AUS) and Jan Maarten Voskuil gathered an international group of artists to integrate their work as a ’social assemblage’ in a surround mural by Daniel Gottin (CH). This Swiss artist known for his spatial interventions, often with tape, made a design especially for the front room or window space from Le Petit Port. Invited artists are aside Gottin and the curators Daniel Argyle (AUS), Jasper van der Graaf, Kyle Jenkins (AUS), Andrew Leslie (AUS), Tilman (B), Thomas Wildner, Guido Winkler and Giles Ryder (AUS). They are all working in the ‘Modernist’ field of non objective art. This is an area nowadays often to be described as a decorative quoting or individual appropriation of former visual appearances without the original ideological social concepts. In the Leiden assemblage some of this ideology will be revived. By nature of the space, the window gallery is a prominent part of the street, the show will direct itself to virtual everybody passing by; bringing back in memory the ideal social cultural participation. More important, the group concept drives the artists to modestly submit into a Gesamtkunstwerk. Et in Arcadia Ego: Lars Breuer, Sebastian Freytag & Guido Münch, Hebel_121, Basel, Switzerlandposted May 31st, 2008
Daniel Göttin: Upcoming Sydney Exhibitionsposted March 30th, 2008
Installation view at Konsortium, Dusseldorf, Germany, 2007 Daniel Göttin: Sydney Tape Daniel Göttin Daniel Göttin: Network 40 Heartbeat Drawing: Sasaki, Hebel_121, Basel, Switzerlandposted February 29th, 2008
Daniel Göttin: Düsseldorf Tape , Konsortium, Düsseldorf, Germanyposted November 12th, 2007
SNO 33, Sydney Non Objective, Sydney, Australiaposted October 30th, 2007
Daniel Göttin, Shift, 2007 November 2 — December 2, 2007 SNO 33 features installations by Daniel Göttin (Switzerland), Matt Shoemaker (USA), and a collaborative project by Salvatore Panatteri (Australia) and Kjell Bjørgeengen (Norway). Daniel Göttin: Objekte und Tafeln, Galerie Florian Trampler, Diessen am Ammersee, Germanyposted September 27th, 2007
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