Ward Jackson: Black & White Diamonds 1960s

Installation view of Ward Jackson: Black & White Diamonds 1960s, MINUS SPACE, Brooklyn, NY, 2014

September 12 - October 25, 2014

MINUS SPACE is delighted to present the exhibition Ward Jackson: Black & White Diamonds 1960s. This is the late New York painter’s first exhibition with the gallery and the first to focus exclusively on his black and white paintings and drawings from the 1960s.

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R.H. Quaytman: Passing Through the Opposite of What It Approaches, Chapter 25, The Renaissance Society, Chicago, IL

R.H. Quaytman: Passing Through the Opposite of What It Approaches, Chapter 25, The Renaissance Society, Chicago, IL

Quaytman’s practice is to create installations of painted panels termed ‘chapters.’ The ongoing chapters, begun in 2001, explore formalist and conceptual variations of ideas about painting, as well as the poetic and grammatical possibilities of photography-based imagery.

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Conceptual Tendencies 1960s to Today, Daimler Collection, Berlin, Germany

martin boyce - daimler

The exhibition showcases works representing varying conceptual trends from the 1960s up to the 1990s alongside pictorial and media statements by more recent exponents.

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Yin Yang Music, Non-Objectif Sud, Tulette, France

Cardoso_Oppenheim

Lisa Oppenheim and Ana Cardoso, Untitled, 2011 Unique color photogram 14 x 11 inches July 2 – September 4, 2011 We are pleased to announce YIN YANG MUSIC, our sixth summer NOS exhibition and residency program curated by artist Amy Granat. Artists included: Richard Aldrich, Amy Granat & Stefan Tcherepnin Ann Craven & Peter Halley Jacob Kassay & Dan Graham Ana Cardoso & Lisa Oppenheim David J. Merritt Carlos Reyes G. William Webb Elliott Wright […]

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Hartmut Böhm in Construction in Process 1981 – the community that came?, Museum Stzuki, Lodz, Poland

construction in process

The project Construction in Process 1981 – the community that came? refers to the legendary international exhibition opened in Łódź almost two months before martial law was introduced. Artists from Łódź, representing various art disciplines, invited 54 leading artists from all over the world to partake in the show and create art works here, on the spot.

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Proofs and Refutations, David Zwirner, New York, NY

david zwirner-dorothea rockburn

Dorothea Rockburne, Set, 1970 Paper, chipboard, graphite, nails, and electrical tape Dimensions variable March 11 – April 30, 2011 “Corroborations never compare with counterexamples, or even ‘exceptions’, as catalysts for the growth of concepts.” —Imre Lakatos David Zwirner is pleased to present Proofs and Refutations at the gallery’s 519 West 19th Street space. The exhibition includes work by Francis Alÿs, Trisha Brown, André Cadere, VALIE EXPORT, Henry Flynt, Simone Forti, Dan Graham, Georg Herold, Alfred […]

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Mark Dagley in Portrait of the Artist as a Biker, Centre National d’Art Contemporain de Grenoble, Grenoble, France

magasin-cnac-mosset

Steven Parrino, Untitled, 1993 October 11, 2009 – January 3, 2010 The MAGASIN is starting its season with a portrait of the artist Olivier Mosset. The exhibition takes the form of a tribute, gathering works by different artists, but never showing Olivier Mossetʼs own work. The artists are of all generations, from Carl André to Stéphane Kropf including the famous group of artists 1m3 among the youngest. As a key figure of the artistic scene […]

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My Turn: Dan Graham, Beyond, Whitney Museum of American Art, New York, NY

whitney-graham

Dan Graham photographing Two Adjacent Pavilions, 1978-82 2-way mirror, glass, and steel 2 structures: 8 1/4 x 6 1/8 x 6 1/8 feet each Collection Kröller-Müller Museum, Otterlo, The Netherlands Installed in Documenta VII, Germany, 1982 June 24 – October 11, 2009 My Turn expands the definition of a museum program by inviting a guest artist to interpret another artist’s work. This new and unique public program series, held in conjunction with the exhibition Dan […]

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Meaning Liam Gillick, Edited by Monika Szewczyk, The MIT Press, June 2009

meaningliamgillick

  Click to purchase on Amazon The first critical reader on the artist’s work. With essays by Peio Aguirre, Johanna Burton, Nikolaus Hirsch, John Kelsey, Maurizio Lazzarato, Maria Lind, Sven Lütticken, Benoît Maire, Chantal Mouffe, Barbara Steiner and Marcus Verhagen. Liam Gillick (b. 1964) is a New York and London-based artist who emerged in the 1990s in the midst of paradigmatic political and cultural change. In the past two decades, he has developed a highly […]

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Dan Graham: Beyond, The Museum of Contemporary Art, Los Angeles, CA

lamoca-graham

  Dan Graham performing Performer/Audience/Mirror at P.S.1, NYC, 1977 Photo courtesy of the artist February 15 – May 25, 2009 Dan Graham: Beyond is the first North American retrospective of the art of Dan Graham (b.1942, Urbana, Illinois), examining his entire body of work in a focused selection of photographs, film and video, architectural models, indoor and outdoor pavilions, conceptual projects for magazine pages, drawings and prints, and writings. Graham has been a central figure […]

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Talking Art: Interviews with Artists Since 1976

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  Purchase on Amazon.com Since it was founded in 1976, Art Monthly magazine has consistently published interviews with leading contemporary artists. The interviews collected in this book offer unique insights into the thought processes and working practices of artists. From Russian Constructivists of the 1920s to Turner Prize winners, this collection of interviews constitutes an entertaining and alternative history of 20th-century art written in the first person. Contributors include: Naum Gabo, Clement Greenberg, Victor Pasmore, […]

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Licht – Glas – Transparenz, Kunsthalle Dominikanerkirche Osnabrück, Germany

  Regine Schumann, Leuchtpfeifen, installation September 15 — November 28, 2007 A group exhibition about light with works by Christoph Dahlhausen (Germany), Dan Graham (USA), David Thomas (Australia), Brigitte Kowanz (Austria), Yvo Hartmann (Switzerland), Regine Schumann (Germany), Nir Alon (Israel), and Spencer Finch (USA).

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Conceptual Photography: 1964-1989, Zwirner & Wirth, New York, NY

  Guiseppe Penone, To Reverse One’s Eyes, 1970 Black & white photograph, 11.5 x 15.5 inches May 9 — June 23, 2007 Zwirner & Wirth presents an exhibition of American and European conceptual photography drawn from a private collection. Spanning the years 1964-1989, the collection, which has been amassed over the last three decades, includes key examples of photo-based conceptual art by artists such as Vito Acconci, Giovanni Anselmo, John Baldessari, Bernd & Hilla Becher, […]

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