Tony Smith, Untitled, 1954 Charcoal on paper Courtesy of the Tony Smith Estate, New York Photograph by Cathy Carver December 17, 2010 – April 3, 2011 “Tony Smith: Drawings” is a selection of rarely exhibited and early drawings by American artist Tony Smith (1912-1980). The work, executed within a limited time-period in the 1950’s, precedes Smith’s emergence as one of the most important sculptors of the mid-twentieth-century, following his career as an architectural designer. Some […]
December 11, 2010 - January 29, 2011
MINUS SPACE is pleased to announce the exhibition Becoming Modern in America. The twofold exhibition will feature more than 20 vintage issues of Life magazine spanning the years 1936-1972, as well as two recent paintings by Brooklyn, New York-based painter Loren Munk.
Michael Brennan: Knife Paintings MINUS SPACE project space, Brooklyn, 2006 Skeleton Star, Knife Painting #3 (left) Bishop, Knife Painting #2 (right) Jacob Gossett: How long have you been teaching here at Pratt and what brought you to this school? Michael Brennan: I’ve been teaching here for 10 years—I went here for MFA from ’90 to 92. I was out of Pratt for several years, showing some and doing a lot of writing […]
Morris Louis, Floral V, 1959-60 November 9, 2007 — February 3, 2008 Color field paintings are expansive canvases washed with flat areas of solid color. Color as Field is the first exhibition to bring together the works of major color field painters. The show features about 40 color field paintings and explores their sources, meaning, and impact. The exhibition includes paintings by color field artists such as Helen Frankenthaler, Morris Louis, Kenneth Noland, Jules Olitski, […]
Although he has shown extensively in Europe for many years, it’s only in the past decade, when he began showing with Peter Blum, that his stature in America has grown large in a more public way. This, despite the fact that Marioni exhibited his work at Bykert Gallery in the 70’s, was tapped by Brice Marden for a show at Artists Space, and was included in a recent Whitney Biennial. However, it took the New […]
The following conversation between Alan Ebnother and Chris Ashley was conducted via email during April 17 – May 4, 2005. For further information about Chris Ashley, please visit www.chrisashley.net. Chris Ashley: Your biography states that in 1975 you “began to recognize painting.” You were then in your early twenties and involved in the dance world. What does this mean, to “recognize painting,” and when and how did you actually begin painting? Alan […]