
A retrospective exhibition of NYC-based color painter Sanford Wurmfeld (b. 1942 in Bronx, NY).
Tags: Bridget McCarthy, Claude Monet, Constance DeJong, Gabriele Evertz, Georges Seurat, Hunter College, Hunter College Times Square Gallery, Joan Reutershan, Josef Albers, Lisa Corinne Davis, Mark Rothko, New York, Nicoline Strom-Jensen, Rotem Linial, Sanford Wurmfeld, Susan Crile, Theresa Andrea Morrison, Willam C. Agee
Robert Yasuda, Coco-Palm (2006) Robert Yasuda’s work stands well in a corner. His current exhibition includes three narrow corner paintings (“Half Full,” “Simple Truth,” and “Bonjour”) that work like studs or posts, rising vertically with a strenuous elegance, adding a sense of rigor to his otherwise atmospheric abstractions. Yasuda has favored the corner for some time, and his work, even in group shows, always seems to shine from that unlikely spot. Formally, they recall [...]
The following conversation between Alan Ebnother and Chris Ashley was conducted via email during April 17 – May 4, 2005. For further information about Chris Ashley, please visit www.chrisashley.net. Chris Ashley: Your biography states that in 1975 you “began to recognize painting.” You were then in your early twenties and involved in the dance world. What does this mean, to “recognize painting,” and when and how did you actually begin painting? Alan [...]
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Tags: Alan Ebnother, Chris Ashley, Claude Monet, Clyfford Still, Günter Umberg, George Lawson, Gerard ter Borch, Germany, Hamburg State Opera, Harold Rosenberg, Interviews, John Cranko Ballet School, John Meyer, Joseph Marioni, New Mexico, Phil Sims, Robert Ryman, Tina Ammann, Ulrich Wellmann, Vicente Peris, Willem de Kooning, Wolfgang Amadeus Mozart