Hartmut Böhm in Minimalism in Germany, The Sixties II: Abstraction and Seriality, Zero, Concrete Tendencies and Sculpture as Action, Daimler Contemporary, Berlin, Germany

Franz Erhard Walther

The Daimler Art Collection is pleased to announce the exhibition Minimalism in Germany. The Sixties II at Daimler Contemporary, Potsdamer Platz, in Berlin. The first exhibition in the Minimalism in Germany 1960s series in 2010 comprehensively showed major trends in reduced, abstract 1960s art in Germany from the Daimler Art Collection.

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Minimalism and Applied II, Daimler Art Collection, Berlin, Germany

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Albert Weis, Flexion, 2010 October 29, 2010 – March 27, 2011 The Daimler Contemporary is pleased to announce the upcoming exhibition ‘Minimalism and Applied II. Contemporary art in dialogue with 20th century architecture and design’ at Daimler Contemporary. Over the last ten years, the Daimler Art Collection has developed a focal point in the field of constructive, conceptual and minimalistic tendencies from the 1920s to the present day. A particular interest was taken here in […]

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Charlotte Posenenske, Artists Space, New York, NY

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Installation view June 23 – August 15, 2010 As part of Posenenske’s first institutional one person exhibition in the US, every second weekend a different New York based artist will be invited to change the structure of Charlotte Posenenske’s Square Tubes Series D, 1967. A small reception marking each new installation by the invited artists will be held at the gallery from 6-8pm on the following dates: July 6: Ei Arakawa July 20: Rirkrit Tiravanija […]

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Hartmut Böhm in Minimalism Germany 1960s, Daimler Contemporary, Haus Huth, Berlin, Germany

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Charlotte Posenenske, Vierkantrohre Serie D, 1967 (Reconstruction 2009) March 12 – May 30, 2010 The initial exhibition at Daimler Contemporary in 2010 will show major 1960s trends in German abstract art from the Daimler Art Collection: Constructivism, Zero, Minimal Art, Concept and Seriality. Starting with 1950s predecessors – such as Josef Albers, Norbert Kricke and Siegfried Cremer – the show considers abstract art developments in the cities of Frankfurt, Düsseldorf, Krefeld, Stuttgart, Berlin and Munich, […]

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Classical: Modern II — Abstraction, Informel, Stuttgart & Karlsruhe Painting School, Daimler Contemporary, Berlin, Germany

    Domnick Foundation in the Staatsgalerie Stuttgart, 1952 March 7 — June 1, 2008 The Daimler Collection is pleased to announce the exhibition “Classical Modern II” at Daimler Contemporary, Haus Huth, Potsdamer Platz in Berlin. The “Classical : Modern I” exhibition, 2006, largely presented concrete and constructive tendencies in the Daimler Collection from Classical Modernism up to the post-war art period, while the second part of the series intends to introduce the complementary areas […]

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